The Allusionist

Celebrity used to mean a solemn occasion; X factor was algebraic; and fame was a huge terrifying Godzilla-like beast with many many tongues. Here to try define celebrity and fame are historian Greg Jenner of the podcast You’re Dead To Me, Lindsey Weber and Bobby Finger of Who? Weekly podcast, and writer, podcaster and videomaker Hank Green. Find more information about these topics and guests at theallusionist.org/celebrity. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The word for ‘ghostwriter’ in French is a racist slur. How did THAT come about? And what word could French-speakers use instead? Ngofeen Mputubwele and Gregory Warner investigate. This piece originally aired on NPR’s Rough Translation; hear their new season at npr.org and on your pod app. Content note: the piece is about, and therefore contains, offensive terms. And towards the end of the episode, in the Minillusionist, I get into the racist violent etymology of the word ‘bulldozer’. Find more information about these topics and guests at theallusionist.org/ghostwriter. The Allusionist music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 2014, a seemingly trivial and boring incident at the bank propelled me down a linguistic road via medieval werewolves, Ms Marvel and confusingly inscribed gravestones, to find out why the English language is riddled with all this gender. What’s it FOR? How did it GET there? Will it go AWAY now please? It is, at the very least, taking up brainspace and not paying any rent. This is a recording of a live performance at the Blueberry Hill Duck Room in St Louis, Missouri on 23 November 2019, and there were visuals happening, so I’ll drop in sometimes to explain them, and I’ve also put a transcript and pictures at theallusionist.org/notitle. There are swears in this. There are also arguments that will be very useful to you if you ever come up against a denier of singular they. You will definitely win. The show features Martin Austwick and Richard Zaltzman. The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is the Tranquillusionist, in which I, Helen Zaltzman, quell anxiety and calm brain frenzies by replacing your interior monologue with words detached from significance. In this case: the list of HGTV original programming, and lawnmower adverts from before I was born. Find this episode and a transcript and some pics of lawnmower ads at theallusionist.org/homeandgarden, and all the Allusionist episodes - other Tranquillusionists and also ones that are actually about something - at theallusionist.org. The original music is by Martin Austwick. Hear Martin’s songs at palebirdmusic.com or on Spotify, and he’s @martinaustwick on Twitter and Instagram. He also composed the music for the new kids’ science podcast Maddie’s Sound Explorers. I make two other podcasts, Veronica Mars Investigations and Answer Me This, which are also soothingly escapist. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After yet another spell of the British press and politicians using very dehumanising and derogatory rhetoric about migrants, I felt it necessary to go back to the Away Team episode of the Allusionist, about the language of migration, with lecturer and researcher Emma Briant, and author and editor Nikesh Shukla. This episode originally went out in early 2017, but it is never not relevant. And there’s a chunk of new material in the Minillusionist, so stick around right till the end to hear that. Find out more about this episode at theallusionist.org/migration2020. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It’s great when you coin a phrase that really resonates with people, right? Until they start using it for businesses and ventures that are at odds with the meaning of it… Aminatou Sow and Ann Friedman, hosts of the podcast Call Your Girlfriend and authors of the new book Big Friendship, talk about what their term Shine Theory really means and what they had to do to keep it that way. Find out more about this episode at theallusionist.org/shinetheory. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Yiddish word for ‘black’ is, in certain uses, a slur. So Anthony Mordechai Tzvi Russell, Arun Viswanath and Jonah Boyarin teamed up to translate Black Lives Matter without it. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/yiddishblm. Content note: since the episode is discussing a slur, it does contain incidences of the slur. There is also one category B swear. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When the Europeans arrived in Aotearoa New Zealand, as well as guns, stoats and Christianity, they brought ideas of cisgender monogamous heterosexuality that were imposed upon the Māori people as if there had never been anything else. But one word, takatāpui, proved otherwise. Lecturer Hemi Kelly and activist Elizabeth Kerekere excavate the linguistic evidence that pre-colonisation, Māori culture had included myriad sexual orientations, gender fluidity and polyamory. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/bequest. Other episodes in the Survival series include Second Home, about the Welsh language seeking a haven in Argentina, Oot in the Open, about the suppression and revival of the Scots language, and The Key, about language demise and revival. Allusionist episodes covering LGBTQIA+ terms and oppression include Queer, Two Or More, Polari, and Many Ways at Once. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Scots language didn’t have much of an LGBTQ+ lexicon. So writer and performer Dr Harry Josephine Giles decided to create one. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/manywaysatonce. Previous Allusionist episodes that go alongside this episode include Oot in the Open, Queer and Two Or More. And Josie has written up a very interesting document about the LGBTQ+ lexicon in Scots which you can read at bit.ly/lgbtscots. Wishing you all an excellent and kind Pride month. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. I donated 50% of the ad revenue from this episode to the Exist Loudly Fund to Support Queer Black Young People, the Okra Project, the Marsha P. Johnson Institute, the Trevor Project, akt and Mermaids UK. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The word ‘pornography’ arrived in English in the 1840s so upper class male archaeologists could talk about the sexual art they found in Pompeii without anyone who wasn’t an upper class male archaeologist knowing about it. Even though, at the same time, Victorian England was awash with what we’d now term pornography. Dr Kate Lister of Whores of Yore and pornography historian Brian Watson of histsex.com explain the history of the word, and how the Victorian Brits dealt with material that gave them stirrings in their trousers. Sorry, ‘sit-down-upons’. ‘Inexpressibles’! If they couldn’t even express trousers, it’s little wonder they struggled to cope with pornography. Content note: though the episode is educational and thoroughly untitillating - I know, I know, what a disappointment - the nature of the topic is such that the episode may not be suitable for all audiences or circumstances. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/pornography. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. I will be donating all ad revenue from this episode to organisations fighting systemic inequality and police brutality towards Black people. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.