New Books in Technology

We’re all trapped. No matter how hard you try to delete apps from your phone, the power of seduction draws you back. Doom scrolling is the new normal of a 24/7 online life. What happens when your home office starts to feel like a call center and you’re too fried to log out of Facebook? We’re addicted to large-scale platforms, unable to return to the frivolous age of decentralized networks. How do we make sense of the rising disaffection with the platform condition? Zoom fatigue, cancel culture, crypto art, NFTs and psychic regression comprise core elements of a general theory of platform culture. Geert Lovink argues that we reclaim the internet on our own terms. Stuck on the Platform: Reclaiming the Internet (Valiz 2022) is a relapse-resistant story about the rise of platform alternatives, built on a deep understanding of the digital slump.Geert Lovink is a Dutch media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012), Social Media Abyss (2016), Organisation after Social Media (with Ned Rossiter, 2018) and Sad by Design (2019). In 2004 he founded the Institute of Network Cultures at the Amsterdam University of Applied Sciences (HvA). His center organizes conferences, publications and research networks such as Video Vortex (online video), The Future of Art Criticism and MoneyLab (internet-based revenue models in the arts). Recent projects deal with digital publishing experiments, critical meme research, participatory hybrid events and precarity in the creative sector. In December, 2021 he was appointed Professor of Art and Network Cultures at the Art History Department, Faculty of Humanities of the University of Amsterdam for one day a week.Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Today I talked to Christopher Lukman about his new book Control Machines: Toward a Dispositive Theory of Computer Games (Lit Verlag, 2022).In light of its immense popularity, a critical examination of the medium of the videogame is due. This particular anthology – Control Machines. Computergames and the theory of the dispositifs – works on a theory of the 'dispositif' of the videogame and is thus dedicated to the connections between knowledge and power.The medium of the videogame is looked at in its complicity with neoliberalism and the control society as well as in its media-technological conditionality and its qualities of self-reflection and self-criticism.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science and editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

On part #2 of Technocracy Now, we tell stories of cybernetic technocracies.First, we hear the story of Charles A. McClelland, a liberal political scientists who proposed a cybernetic computer system that claimed to predict conflicts before they happened. With this information, US policy makers could usher in a new age of peace and stability (and forever ensure a US-dominated global order). The project never accomplished everything it set out to do, but it is now being resurrected behind closed doors by Lockheed Martin. It's a techno-utopian dream of mathematical certainty in an uncertain world.Then, why not cyber-socialism? In Salvador Allende's Chile, they were building a cybernetic computer network that connected factories to state planners. It seems technocratic, but these cyber-revolutionaries saw it as anything but. The short-lived Cybersyn Project promised using science to develop a more rationally-ordered economy. However, it also promised to guarantee the freedom and autonomy of workers. The project was destroyed in the brutal coup of 1973. However, did it work, and is it a dream worth resurrecting?SUPPORT THE SHOWYou can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.ABOUT THE SHOWFor a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Paul Roquet is an MIT associate professor in media studies and Japan studies; his earlier work includes Ambient Media. It was his recent mind-bending The Immersive Enclosure that prompted John and Elizabeth to invite him to discuss the history of "head-mounted media" and the perceptual implications of virtual reality.Paul Elizabeth and John discuss the appeal of leaving actuality aside and how the desire to shut off immediate surroundings shapes VR's rollout in Japan. The discussion covers perceptual scale-change as part of VR's appeal--is that true of earlier artwork as well? They explore moral panic in Japan and America, recap the history of early VR headset adapters on trains and compare various Japanese words for "virtual" and their antonyms. Paul wonders if the ephemerality of the views glimpsed in a rock garden served as guiding paradigm for how VR is experienced.Mentioned in the episode Yoshikazu Nango, "A new form of 'solitary space'...." (2021) Haruki Murakami's detailed fictional worlds of the 1980's onwards: real-feeling yet not actual history. Walter Scott's Waverley novels: can we also understand the novel as an immersive machine that leaves readers half in their actual world? Lewis Carrol's Alice's Adventures in Wonderland (1865), with its interplay between enclosure and expansion, and its shrinking/expanding motif) Ian Bogost on e-readers C S Lewis's wardrobe as portal in The Lion the Witch and the Wardrobe (1950) Lukacs focuses on the dizzying and transformative scale in Naturalism in "Narrate or Describe?" (1936) Wearable heart monitors as feedback machines for watching scary movies. The pre-history of Pokemon Go is various games played by early users of VR headsets on trains. Sword Art Online is a breakout popular example of Japanese stories of players trapped inside a game-world Thomas Boellstroff, Coming of Age in Second Life We Met in Virtual Reality Neil Stephenson's Snow Crash (1992) coined the concept of the metaverse. Recallable Books Madeline L'Engle The Wind in the Door (1973). Cervantes, Don Quixote (1606/1615) Futari Okajima Klein Bottle (1989) Collections such as Immersed in Technology, Future Visions, Virtual Realities and their Discontents; also, other early VR criticism of the 1990s including early feminist critique, scattered across journals in the early to mid 1990s . Paul feels someone should put together those germane articles into a new collection. Read the transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Dr. Elizabeth Ellcessor presents a much-needed look at the growth of emergency media and its impact on our lives in In Case of Emergency: How Technologies Mediate Crisis and Normalize Inequality (NYU Press, 2022).In an emergency, we often look to media: to contact authorities, to get help, to monitor evolving situations, or to reach out to our loved ones. Sometimes we aren’t even aware of an emergency until we are notified by one of the countless alerts, alarms, notifications, sirens, text messages, or phone calls that permeate everyday life. Yet most people have only a partial understanding of how such systems make sense of and act upon an “emergency.” In Case of Emergency argues that emergency media are profoundly cultural artifacts that shape the very definition of “emergency” as an opposite of “normal.” Looking broadly across a range of contemporary emergency-related devices, practices, and services, Dr. Ellcessor illuminates the cultural and political underpinnings and socially differential effects of emergency media.By interweaving in-depth interviews with emergency-operation and app-development experts, archival materials, and discursive and technological readings of hardware and infrastructures, Dr. Ellcessor demonstrates that emergency media are powerful components of American life that are rarely, if ever, neutral. The normalization of ideologies produced and reinforced by emergency media result in unequal access to emergency services and discriminatory assumptions about who or what is a threat and who deserves care and protection. As emergency media undergo massive growth and transformation in response to digitization and attendant entrepreneurial cultures, Dr. Ellcessor asks where access, equity, and accountability fit in all of this.The first book to develop a typology of emergency media, In Case of Emergency opens a much-needed conversation around the larger cultural meanings of “emergency,” and what an ethical and care-based approach to emergency could entail.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Technocracy is the idea that experts should govern. For the common good, presumably. In fact, it's an idea as old as politics itself, and it emerges just about everywhere across the ideological spectrum. Technocracy is seductive. In fact, it's an idea as old as politics itself.This episode is the first in a three-part series telling stories of technocracies past, present, and future. First, Gordon takes us through the story of Technocracy, Inc. - the 1930s movement that wanted to install a non-democratic “technate” in North America. And then, you’ll hear a wide-ranging conversation on intellectuals and expertise with perhaps the most influential intellectual of our time: Noam Chomsky.SUPPORT THE SHOWYou can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.ABOUT THE SHOWFor a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

We are all familiar with the spread of disinformation on social media platforms such as Facebook, Twitter, and YouTube. But just when we thought we’d seen the worst of it, along comes TikTok. What started out as an app for dance challenges and musical duets has, in recent times, emerged as one of the most concerning tools for amplifying political propaganda and lies. What does this mean in a country like the Philippines, where there are more than 89 million social media users?Joining Dr Natali Pearson on SSEAC Stories, Assistant Professor Maria Elize Mendoza analyses the influential role of social media in Philippine political affairs, revealing intricate webs of disinformation, propaganda, and citizen mobilisation, with colossal political ramifications.About Maria Elize Mendoza:Maria Elize H. Mendoza is currently an Assistant Professor at the Department of Political Science, University of the Philippines Diliman. She obtained her BA (magna cum laude) and MA degrees in Political Science under the BA-MA (Honours) Program of the Department of Political Science, University of the Philippines Diliman. She teaches courses on Philippine politics and social, economic, and political thought. Her research interests include Philippine local politics, the politics of education, and the relationship between social media and political participation.For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it?We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony—understanding the importance of passive consent; the complexity of political interests; and the structural force of technology—Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century.Alex Williams and Jeremy Gilbert book Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win it Back) (Verso, 2022) explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century.Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Steve Jobs called Jony Ive his "spiritual partner at Apple." The London-born genius was the second-most powerful person at Apple and the creative force who most embodies Jobs's spirit, the man who designed the products adopted by hundreds of millions the world over: the iPod, iPad, MacBook Air, the iMac G3, and the iPhone. In the wake of his close collaborator's death, the chief designer wrestled with grief and initially threw himself into his work designing the new Apple headquarters and the Watch before losing his motivation in a company increasingly devoted more to margins than to inspiration.In many ways, Cook was Ive's opposite. The product of a small Alabama town, he had risen through the ranks from the supply side of the company. His gift was not the creation of new products. Instead, he had invented countless ways to maximize a margin, squeezing some suppliers, persuading others to build factories the size of cities to churn out more units. He considered inventory evil. He knew how to make subordinates sweat with withering questions.Jobs selected Cook as his successor, and Cook oversaw a period of tremendous revenue growth that has lifted Apple's valuation to $2 trillion. He built a commanding business in China and rapidly distinguished himself as a master politician who could forge global alliances and send the world's stock market into freefall with a single sentence.Author Tripp Mickle spoke with more than 200 current and former Apple executives, as well as figures key to this period of Apple's history, including Trump administration officials and fashion luminaries such as Anna Wintour while writing After Steve: How Apple Became a Trillion-Dollar Company and Lost Its Soul (William Morrow, 2022). His research shows the company's success came at a cost. Apple lost its innovative spirit and has not designed a new category of device in years. Ive's departure in 2019 marked a culmination in Apple's shift from a company of innovation to one of operational excellence, and the price is a company that has lost its soul.Tripp Mickle is a technology and corporate reporter for the Wall Street Journal.Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

In this episode of High Theory, Tung-Hui Hu talks with Júlia Irion Martins about Digital Lethargy, as part of our High Theory in STEM series. As a modern ailment, digital lethargy is a societal pathology, like earlier forms of acedia, otium, and neurasthenia, but also a disease of performing selfhood within the disposable identities of contemporary, digital service work. In this episode, Tung-Hui Hu makes the argument that digital lethargy helps us turn away from the demand to constantly “be ourselves” and see the potential of quieter, more ordinary forms of survival in the digital age such as collective inaction.In the episode he discusses Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire). He also references the film Sleeping Beauty (dir. Julia Leigh, 2011), Douglas A. Blackmon’s Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (Anchor, 2008), Heike Geissler’s Seasonal Associate (Semiotexte/Native Agents, 2018, trans. Katy Derbyshire), and Cathy Park Hong’s Minor Feelings: An Asian American Reckoning (Penguin Random House, 2020). Other mentions include the artist Aria Dean and scholar Achille Mbembe.Tung-Hui Hu is a poet and scholar. His new website has the best domain ending: tunghui.hu He is a 2022-23 Rome Prize Fellow in Literature at the American Academy in Rome and an associate professor of English at the University of Michigan. His book on this topic, Digital Lethargy: Dispatches from an Age of Disconnection (MIT Press, 2022), will be published on October 4This week’s image was made by Saronik Bosu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology