New Books in Technology

Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit: The History of a Disquieting Film Technology (University of California Press, 2024) reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell’s Angels (1930) to Get Out (2017), to show how Hollywood’s financial dependence on mono prevented filmmakers from seeing surround sound’s full aesthetic potential. Though studios initially explored stereo’s unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Revolutions in technology are fundamentally transforming what it means to be human. Or are they? As Webb Keane points out, before humans consulted ChatGPT, they propitiated oracles. Before they fell in love with robot boyfriends, they ventured into the forest to marry nature spirits. In his new book Animals, Robots, Gods: Adventures in the Moral Imagination (Princeton UP, 2025) Keane combines anthropology and philosophy to show us what is new and what is not in our current technological moment. Using a broad comparative perspective he shows us how shamans, hunters, priests, and doctors have long responded to the existential questions which drive our current technological obsessions: Where is the line between human and non-human? How do humans find meaning in our interactions with non-humans? By widening our intellectual imagination, Keane shows us how many of our current intellectual dilemmas about technology are not new -- and are far more deep than enduring than we might have previously suspected.Webb Keane is the George Herbert Mead Distinguished University Professor in the Department of Anthropology at the University of Michigan.Alex Golub is an associate professor of anthropology at the University of Hawai‘i at Mānoa Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype.  For our Patreon members we have “What’s Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests:Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She’s one of Mack’s go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph’s research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He’s a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today’s show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

How epidemic photography during a global pandemic of bubonic plague contributed to the development of modern epidemiology and our concept of the “pandemic.”In Visual Plague: The Emergence of Epidemic Photography (MIT Press, 2022), Christos Lynteris examines the emergence of epidemic photography during the third plague pandemic (1894–1959), a global pandemic of bubonic plague that led to over twelve million deaths. Unlike medical photography, epidemic photography was not exclusively, or even primarily, concerned with exposing the patient's body or medical examinations and operations. Instead, it played a key role in reconceptualizing infectious diseases by visualizing the “pandemic” as a new concept and structure of experience—one that frames and responds to the smallest local outbreak of an infectious disease as an event of global importance and consequence.As the third plague pandemic struck more and more countries, the international circulation of plague photographs in the press generated an unprecedented spectacle of imminent global threat. Nothing contributed to this sense of global interconnectedness, anticipation, and fear more than photography. Exploring the impact of epidemic photography at the time of its emergence, Lynteris highlights its entanglement with colonial politics, epistemologies, and aesthetics, as well as with major shifts in epidemiological thinking and public health practice. He explores the characteristics, uses, and impact of epidemic photography and how it differs from the general corpus of medical photography. The new photography was used not simply to visualize or illustrate a pandemic, but to articulate, respond to, and unsettle key questions of epidemiology and epidemic control, as well as to foster the notion of the “pandemic,” which continues to affect our lives today.Christos Lynteris is Professor of Medical Anthropology at the University of St Andrews. His research focuses on the anthropological and historical examination of epidemics with a particular focus on zoonotic diseases, epidemiological epistemology, visual medical culture, and colonial medicine. His regional expertise includes China and Inner Asia.Professor Lynteris holds the first chair in medical anthropology at the University of St Andrews. Focusing on diseases that spread between animals and humans, his research has been foundational in the establishment of the anthropological study of zoonosis. Combining archival and ethnographic research together with visual methods and critical approaches to medical and epidemiological epistemologies, Professor Lynteris's research seeks to understand how specific zoonotic diseases (SARS, COVID-19, plague) and the broader question of zoonosis shape social and multispecies worlds and are in turn shaped by them. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

My guest today Sam Srauy is an Associate Professor in the Department of Communication, Journalism, and Public Relations at Oakland University, Her research examines race, video games, and the political economy of the video game industry. Srauy’s work appears in various academic journals including Social Media + Society, First Mondays, Games and Culture, and Television and New Media. She teaches courses on identity, race/racism, digital media production, and video game studies/production. Prior to academia, Srauy worked for over a decade in the high-tech industry. Her experience in that field includes municipal wireless networks, open-source technology, and streaming media systems. About the book: Race, Culture and the Video Game Industry: A Vicious Circuit (Routledge, 2024) offers a detailed and much needed examination of how systemic racism in the US shaped the culture, market logic, and production practices of video game developers from the 1970s until the 2010s.Offering historical analysis of the video game industries (console, PC, and indie) from a critical, political economic lens, this book specifically examines the history of how such practices created, enabled, and maintained racism through the imagined 'gamer.' The book explores how the cultural and economic landscape of the United States developed from the 1970s through the 2000s and explains how racist attitudes are reflected and maintained in the practices of video games production. These practices constitute a 'Vicious Circuit' that normalizes racism and the centrality of an imagined gamer identity. It also explores how the industry, from indie game developers to larger profit-driven companies, responded to changing attitudes in the 2010s, where racism and lack of diversity in games was frequently being noted. The book concludes by offering potential solutions to combat this 'Vicious Circuit'.A vital contribution to the study of video games that will be welcomed by students and scholars in the fields of media studies, cultural studies, game studies, critical race studies, and beyond. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

As the second Trump administration reshapes the U.S. government and its role in the world, how do technology, media, and political power intersect? In this episode of International Horizons, host John Torpey speaks with Zeynep Tufekci—New York Times columnist, Princeton professor, and author of Twitter and Tear Gas—about the evolving relationship between social media platforms, political movements, and democracy. From the shifting role of the internet in global protests to Elon Musk’s interventions in European politics, Tufekci unpacks the historical patterns shaping today’s political landscape. The conversation also explores the erosion of public trust in institutions, the implications of a weakened federal government, and the risks of unchecked technological influence. Tune in for a deep dive into the forces reshaping democracy at home and abroad. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Peoples & Things host, Lee Vinsel, talks with Aure Schrock, an interdisciplinary technology scholar and writing coach and editor at Indelible Voice, about their book, Politics Recoded: The Infrastructural Organizing of Code for America (MIT Press, 2024)Politics Recoded examines the history and culture of Code for America, an organization that, as one of its leaders put it, aimed “to promote ‘civic hacking,’ and to bring 21st century technology to government.” The book describes how the organization has changed over time from a “tech-forward” vision rooted in techno-libertarianism to an organization that provides something like digital consulting services to governments. The pair also talk about Aure’s writing and editing company, the Indelible Voice, and what it’s like helping scholars refine their vision and voice in academic writing. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Machine learning, big data and AI are reshaping the human experience and forcing us to develop a new ethical intelligence. In Buddhism and Intelligent Technology: Toward a More Humane Future (Bloomsbury, 2021), Peter Hershock offers a new way to think about attention, personal presence, and ethics as intelligent technology shatters previously foundational certainties and opens entirely new spaces of opportunity.Rather than turning exclusively to cognitive science and contemporary ethical theories, Hershock shows how classical Confucian and Socratic philosophies help to make visible what a history of choices about remaking ourselves through control biased technology has rendered invisible. But it is in Buddhist thought and practice that Hershock finds the tools for valuing and training our attention, resisting the colonization of consciousness, and engendering a more equitable and diversity-enhancing human-technology-world relationship. Focusing on who we need to be present as to avoid a future in which machines prevent us from either making or learning from our own mistakes, Hershock offers a constructive response to the unprecedented perils of intelligent technology and seamlessly blends ancient and contemporary philosophies to envision how to realize its equally unprecedented promises. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

X-rays are powerful. Moving through objects undetected, revealing the body as a tryptic of skin, tissue, and bone. X-rays gave rise to a transparent world and the belief that transparency conveys truth. It stands to reason, then, that our relationship with X-rays would be a complicated one of fear and fascination, acceptance and resistance, confusion and curiosity. In X-Ray (Bloomsbury, 2024), Nicole Lobdell explores when, where, and how we use X-rays, what meanings we give them, what metaphors we make out of them, and why, despite our fears, we're still fascinated with them. In doing so, she draws from a variety of fields, including the history of medicine, science and technology studies, literature, art, material culture, film, comics, gender studies, architecture, and industrial design.Object Lessons is published in partnership with an essay series in The Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Peoples & Things host, Lee Vinsel, and guest host, Paula Bialski, Associate Professor for Digital Sociology at the University of St. Gallen in St. Gallen, Switzerland, interview Gabriella Coleman, Professor of Anthropology at Harvard University, about her long career studying hacker cultures. Topics include how hacking has changed over time, the different colored “hats” used to describe different hacker ethoses, the aesthetic dimensions of hacking including how poorly written code leads to moral outrage, and how Biella may soon found a new field of Critical Mold Studies. Professor Coleman’s books include Coding Freedom: The Ethics and Aesthetics of Hacking and Hacker, Hoaxer, Whistleblower, Spy: The Many Faces of Anonymous. Professor Bialski, a former P&T guest, is the author of Middletech: Software Work and the Culture of Good Enough. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology