We were so thrilled to have a special guest on the podcast for a fascinating interview about reading Agatha Christie in a way that may (or may not!) be a departure for some listeners. Jamie's book Queering Agatha Christie (which we've referred to many times on this podcast) applies a subset of literary theory called “queer theory” to Christie’s works, and it is a truly thought-provoking way to analyze what is happening in these beloved texts. We hope you enjoy our discussion as much as we did.

It's another special double episode, this one focusing on the world of opera and Christie's personal love of music. In our first story we attend Covent Garden with Mr. Satterthwaite and the mysterious Mr. Quin, while in the second it's a private theatrical extravaganza starring world-renowned prima donna Paula Nazorkoff. As anyone familiar with the plots of many an opera will know, it doesn't take long for things to get rather murder-y....

All aboard the... Orient Express?! That's right: heart specialist Parker Pyne is going abroad, and while we've already covered one of his travels in Christie's *other* Death on the Nile, here he untangles a jewel heist (or is it?) aboard that infamous train right around the same time Monsieur Poirot was taking it in the opposite direction. (Maybe one day someone will find an alternate And Then There Were None in the basement at Greenway, in which Pyne finds himself on an island being hunted down by a murderer, only to solve the murderer's problems by means of an elaborate theatrical ruse....)

It may surprise some listeners to learn how mixed we were on our third Miss Marple novel, given what fans we are (yes, even Catherine) of our dear spinster sleuth. But that just means we had lots and lots to discuss, so get out your gluestick and sharpen a skewer because we've got more than a few moving fingers to account for in the seemingly sweet (read: not at all sweet) village of Lymstock.

No, really: the protagonist of this story is "James Bond," who appears more than a quarter century before Ian Fleming's *slightly* more famous character. And our poor James Bond is suffering through a vacation (er, holiday) so wretched, it has to be one of the worst Christie ever depicted--which as we've discussed in previous episodes is definitely saying something, given Poirot's various ill-advised vacances sur la plage.... Let's take the plunge in the icy English waters together, shall we?

We have been here before, and we will almost certainly be here again. It's time for another kookily "romantic" story in which two young things banter their little hearts out to what seems to be to them--if not us--a satisfying conclusion. It's Listerdale Mystery time, and good God but this one hinges on a piece of fruit, too.

We’ve heard tell that two hearts are better than one, so we figured we'd take that approach to our exploration of a character within the Christieverse replete with both passion and flair: the Countess Vera Rossakoff. Behold a double episode showcasing the two stories in which she appears, along with a general discussion of who this so-called Countess is and what she may or may not mean to our dear Monsieur Poirot.

Well, the last time we posted such a prolix episode it was to gush over what became our highest ranked novel, And Then There Were None. We will leave it to you, dear listener, to discover whether this beloved Poirot novel managed to unseat the champion and become our new #1. We’ll give you this much: it was close! Enjoy. FLP4EVA (Catherine is currently requesting this vanity plate from the California DMV.)

This Harley Quin story has, if not quite everything, then nearly so: a boating catastrophe in the distant past that is neither the Titanic nor the Lusitania; a young Mr. Satterthwaite (!!) snogging (!!!!) a maid (!!!!!!); a man named Bimbo (seriously); and a true rarity for Christie—a bathtub murder. Things always get a little weird in this corner of the Christieverse (the Satterthwerse?), so fasten your seatbelts... (oh yeah--Bette Davis gets a shoutout too).

Let's just hope for all our sakes we never get another opportunity to go off on a tangent about body-switch comedies. (One never knows in the Christieverse.) In this, the final story in the "Miss Lonelyhearts"-esque section of the Parker Pyne collection, we perhaps see our "heart specialist" at his most dastardly AND brilliant.