Skylight Books Podcast Series

Join us for an evening with two authors from What Books Press. Paul Lieber discusses poetry with fellow writer Bill Mohr. 

A Mexican-American lawyer exposes corruption in the US asylum procedure and despotism in the Mexican government. From a storefront law office in the US border city of El Paso, Texas, one man set out to tear down the great wall of indifference raised between the US and Mexico. Carlos Spector has filed hundreds of political asylum cases on behalf of human rights defenders, journalists, and political dissidents. Though his legal activism has only inched the process forward--98 percent of refugees from Mexico are still denied asylum--his myriad legal cases and the resultant media fallout has increasingly put US immigration policy, the corrupt state of Mexico, and the political basis of immigration, asylum, and deportation decisions on the spot. Eileen Truax's We Built the Wall is an immersive, engrossing look at the new front in the immigration wars. It follows the gripping stories of people like Saúl Reyes, forced to flee his home after a drug cartel murdered several members of his family, and Delmy Calderón, a forty-two-year-old woman leading an eight-woman hunger strike in an El Paso detention center. Truax tracks the heart-wrenching trials of refugees like Yamil, the husband and father who chose a prison cell over deportation to Mexico, and Rocío Hernández, a nineteen-year-old who spent nearly her entire life in Texas and is now forced to live in a city where narcotraffickers operate with absolute impunity.

When Reyna Grande was nine-years-old, she walked across the US–Mexico border in search of a home, desperate to be reunited with the parents who had left her behind years before for a better life in the City of Angels. What she found instead was an indifferent mother, an abusive, alcoholic father, and a school system that belittled her heritage. With so few resources at her disposal, Reyna finds refuge in words, and it is her love of reading and writing that propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now once again estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to “a fierce, smart, shimmering light of a writer” (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist “speak[ing] for millions of immigrants whose voices have gone unheard” (Sandra Cisneros, author of The House on Mango Street); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna’s exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure. Grande is in conversation with fellow writer Kirin Khan.

When America is not so beautiful, or right, or just, it can be hard to know what to do. In Kwame Alexander's Swing, best friends Walt and Noah decide to use their voices to grow more good in the world, but first they've got to find cool. Walt is convinced junior year is their year, and he has a plan to help them woo the girls of their dreams and become amazing athletes. Never mind that he and Noah failed to make the high school baseball team yet again, and Noah's love interest since third grade, Sam, has him firmly in the friend zone. Noah soon finds himself navigating the worlds of jazz, batting cages, the strange advice of Walt's Dairy Queen-employed cousin, as well as Walt's own perceptions of what is actually cool. Status quo seems inevitable until Noah stumbles on a stash of old love letters. Each page contains the words he's always wanted to say to Sam, and he begins secretly creating artwork using the lines that speak his heart. But when his private artwork becomes public, Noah has a decision to make: continue his life in the dugout and possibly lose the girl forever, or take a swing and make his voice heard? At the same time, numerous American flags are being left around town. While some think it's a harmless prank and others see it as a form of peaceful protest, Noah can't shake the feeling something bigger is happening to his community. Especially after he witnesses events that hint divides and prejudices run deeper than he realized. As the personal and social tensions increase around them, Noah and Walt must decide what is really true when it comes to love, friendship, sacrifice, and fate. Alexander is in conversation with poet, activist, mother, and professor Nikki Giovanni alongside writer/producer Wendy Calhoun.

 John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor—while the legacy of a hideous crime lurks in the shadows. At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father’s job at a silent film theater in New York’s East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself—as Professor John Woman, a man who will spread Herman’s teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past.

In Lydia Kiesling's razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler, Honey. Bucking under the weight of being a single parent--her Turkish husband is unable to return to the United States because of a "processing error"--Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity. But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world. Kiesling is in conversation with Edan Lepucki, the bestselling author of novels California and Woman No. 17.

Abandoned by her parents as a three-year-old, and ultimately leaving her home country India for a new life in America as a young mother of a three-year-old son, this is not only an immigrant's story, but a poignant and powerful memoir that is at first, one of sadness and continuing adversity, but ultimately one of strength, purpose, and the universal triumph of hope. It is a story of dislocation, disruption, and despair, and brings focus to the silencing of girlhood and womanhood and how with time, love, and support we can work our way out of that silence. Shabnam Samuel was twenty seven when she moved to the US, carrying with her a troubled marriage, an almost estranged husband, and a three-year-old son. Hoping to create a fresh start from everything that was holding her down, it took Shabnam twenty-five years of trials and tribulations to finally find her voice, her strength, and her place in this world. A Fractured Life is her story.

The word ‘follow’ seems to have lost its meaning in the digital age. Now, when someone is following you on Instagram or Twitter, it’s hardly cause for alarm. But Peter Gadol begs an eerie question in his sixth novel, The Stranger Game: What if those ‘following’ you on social media brought back the literal meaning of the word… What if they started following you in real life? In the age of social media, humanity is, at large, lonely. This includes Rebecca and her boyfriend, Ezra, a fan of the viral sensation “the stranger game"; The games, in which players literally follow strangers in their day-to-day lives has swept the nation and disappearances – including Ezra’s – are reported as players drift aimlessly from subject to subject. Hoping to find him, Rebecca tried the game and meets Carey. As their relationship and game play deepen, Rebecca uncovers an unsettling subculture that has infiltrated her world. Playing the stranger game may lead her closer to Ezra, but also further from the life she once lived. Riddled with Patricia Highsmith-like anxiety and the alienation of Paul Auster, The Stranger Game is a haunting tale of literary suspense about a viral game spinning perilously – and criminally – out of control.

WNBA/LA celebrates National Reading Group Month with a special Women in Media panel, featuring Gretchen Bonaduce (Surviving Agent Orange), Laura Dave (Hello Sunshin), and Robinne Lee (The Idea of You), with moderator Ezina Le Blanc.

Why do our modern lives feel more difficult despite the world’s promises of limitless opportunity? When things go wrong, why do we always blame ourselves? We live in a time of extreme delusion, disorientation, and dishonestly — yet despite our uncertainties, anxieties, and resentments, we’re nevertheless instructed to sweep all hesitations or doubts under the rug and continue to fearlessly conquer the future. How did we get here? And more importantly — can we imagine a different way of living? In What if this Were Enough?, Heather Havrilesky examines just how we’ve landed in this bewildering spot in our collective history — how traditions of forced cheer and optimism, along with our fixation on success and constant improvement have been ingested and metabolized to become a warped filter through which we see ourselves and others. Havrilesky is in conversation with journalist and cultural critic Ann Friedman.