Skylight Books Podcast Series

From the acclaimed author of Stories of Your Life and Others—the basis for the Academy Award –nominated film Arrival—comes a groundbreaking new collection of short fiction: nine stunningly original, provocative, and poignant stories. These are tales that tackle some of humanity’s oldest questions along with new quandaries only Ted Chiang could imagine. In “The Merchant and the Alchemist’s Gate,” a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In “Exhalation,” an alien scientist makes a shocking discovery with ramifications that are literally universal. In “Anxiety Is the Dizziness of Freedom,” the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will. Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America’s leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America’s West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.

Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart―water-stained and illegible in places―but magnetic to Scanlan nonetheless.  After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9―Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death.  In Aug 9―Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, remaining with the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life revealed by revision and restraint. Scanlan is in conversation with Amina Cain,  the author most recently of the short story collection Creature, out with Dorothy.

Kim Lord is an avant-garde figure, feminist icon, and agent provocateur in the L.A. art scene. Her groundbreaking new exhibition Still Lives is comprised of self-portraits depicting herself as famous, murdered women—the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others—and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women. As the city’s richest art patrons pour into the Rocque Museum’s opening night, all the staff, including editor Maggie Richter, hope the event will be enough to save the historic institution’s flailing finances. Except Kim Lord never shows up to her own gala. Fear mounts as the hours and days drag on and Lord remains missing. Suspicion falls on the up-and-coming gallerist Greg Shaw Ferguson, who happens to be Maggie’s ex. A rogue’s gallery of eccentric art world figures could also have motive for the act, and as Maggie gets drawn into her own investigation of Lord’s disappearance, she’ll come to suspect all of those closest to her. Set against a culture that often fetishizes violence, Still Lives is a page-turning exodus into the art world’s hall of mirrors, and one woman’s journey into the belly of an industry flooded with money and secrets. Hummel is in conversation with Rebecca Morse, curator in the Wallis Annenberg Photography Department at the Los Angeles County Museum of Art.

Jennifer Pastiloff shares the transformative experiences and challenges that have shaped her into the resilient, passionate woman she is today, including losing her father at an early age, battling an eating disorder and depression, reluctantly accepting her hearing loss, discovering the healing power of yoga, writing, and human connection, and learning to believe in herself and her ability to help others. She explores how thirteen years of waitressing taught her to seek out unexpected beauty, how hearing loss taught her to listen fiercely, how being vulnerable allowed her to find love, and how imperfections can lead to a life full of wild happiness. Through her journey, Pastiloff conveys a powerful experience that most of us are missing in our lives: being heard and being told “I got you,” a sentiment that now lies at the core of her work. Her bold yet relatable ideas have won her a loyal social media following and thousands of devotees who often travel across the globe to attend her workshops and retreats.Exuberant, beautifully written, and extraordinarily brave, On Being Human is a celebration of happiness and self-realization over darkness and doubt.

The Edge of The Continent: The City is about California. Specifically, this volume is about Southern California, the heavily populated part of the state, the sprawling metropolis, and the thirsty land that supports so many people. Jacqueline Suskin moved to Los Angeles in 2013 and still calls the city home. This book explores her transition into city life after leaving the majesty of Northern California forests and the fulfillment of communal off-the-grid living. In this collection, we move through the struggle of finding beauty, purpose, and joy in urbanity, and in doing so discover the infinite inspiration that exists in a place as unique as Los Angeles.

The Book of Pride pays tribute to dozens of extraordinary and influential leaders who sparked the worldwide LGBTQ-rights movement. These courageous civil rights pioneers—nurses in Texas and chemists in Philadelphia; Muslims and Catholics; the loud and fearless marching in streets and the quiet and determined persevering in the face of persecution—are captured in richly detailed interviews accompanied by beautiful photographs. Mason Funk shines a spotlight on these individuals on the front lines of the fight for equality and acceptance and their stunning achievements in the 1960s and beyond.

Slate editor Josh Levin's masterful account of the life and crimes of America's original "welfare queen" is "an invaluable work of nonfiction" (David Grann, #1 New York Times bestselling author of Killers of the Flower Moon).  On the South Side of Chicago in 1974, Linda Taylor reported a phony burglary, concocting a lie about stolen furs and jewelry. The detective who checked it out soon discovered she was a welfare cheat who drove a Cadillac to collect ill-gotten government checks. And that was just the beginning: Taylor, it turned out, was also a kidnapper, and possibly a murderer. A desperately ill teacher, a combat-traumatized Marine, an elderly woman hungry for companionship-after Taylor came into their lives, all three ended up dead under suspicious circumstances. But nobody-not the journalists who touted her story, not the police, and not presidential candidate Ronald Reagan-seemed to care about anything but her welfare thievery. Growing up in the Jim Crow South, Taylor was made an outcast because of the color of her skin. As she rose to infamy, the press and politicians manipulated her image to demonize poor black women. Part social history, part true-crime investigation, Josh Levin's mesmerizing book, the product of six years of reporting and research, is a fascinating account of American racism, and an expose of the "welfare queen" myth, one that fueled political debates that reverberate to this day. The Queen tells, for the first time, the fascinating story of what was done to Linda Taylor, what she did to others, and what was done in her name. Levin is in conversation with Julia Turner, the deputy managing editor for arts and entertainment at the Los Angeles Times.

One part Mari Andrew, one part Marjane Satrapi, I Was Their American Dream: A Graphic Memoir is a triumphant tale of self-discovery, a celebration of a family's rich heritage, and a love letter to American immigrant freedom. Malaka Gharib's illustrations come alive with teenage antics and earnest questions about identity and culture, while providing thoughtful insight into the lives of modern immigrants and the generation of millennial children they raised. Malaka's upbringing will look familiar to anyone who grew up in the pre-internet era, but her particular story is a heartfelt tribute to the American immigrants who have invested their future in the promise of the American dream. The daughter of parents with unfulfilled dream s themselves, Malaka navigates her childhood chasing her parents' ideals, learning to code-switch between her family's Filipino and Egyptian customs, adapting to white culture to fit in, crushing on skater boys, and trying to understand the tension between holding onto cultural values and trying to be an all-American kid. Gharib is in conversation with Michael Nairat, aka Producer Mike, aka DJ waxstyles, who has zero formal training in DJing or producing, but is somehow still allowed to do both. 

When Amos Mac and Rocco Kayiatos first launched Original Plumbing in 2009, they created a magazine the world desperately needed: a creative and celebratory biannual publication about trans men, by trans men. For ten years, OP was an inspired response to the lack of meaningful representation of trans lives and culture. Each issue was filled with gorgeous, moving, hilarious, and sexy narratives that pushed back against marginalizing stereotypes. Taken together, these stories met mainstream media’s violence with self-love, dismissal with determination, and repression with resistance. Collecting the best of the magazine’s entire twenty-issue run, Original Plumbing: The Best of Ten Years of Trans Male Culture is a remarkable full-color archive that includes interviews with trailblazers like Janet Mock and Silas Howard; cutting-edge artwork and photography; meditations on love, relationships, and family; political essays and personal reflections; and much, much more.