Skylight Books Podcast Series

Sisters Amy and Zoe grow up in Oklahoma where they are homeschooled for an unexpected reason: Zoe suffers from debilitating and mysterious seizures, spending her childhood in hospitals as she undergoes surgeries. Meanwhile, Amy flourishes intellectually, showing an innate ability to glean a world beyond the troubles in her home life, exploring that world through languages first. Amy’s first love appears in the form of her Russian tutor Sasha, but when she enters university at the age of 15 her life changes drastically and with tragic results.  Jennifer Croft complements her stunning prose with beautiful color photography to tell her coming of age story. Homesick is about learning to love language in its many forms, healing through words and the promises and perils of empathy and sisterhood.

While Mina is growing up in Iran, the center of her world is her grandmother. Whether visiting friends next door, going to the mosque for midnight prayers during Ramadan, or taking an imaginary trip around the planets, Mina and her grandma are never far apart. At once deeply personal and utterly universal, Mina Javaherbin’s words make up a love letter of the rarest sort: the kind that shares a bit of its warmth with every reader. Soft, colorful, and full of intricate patterns, Lindsey Yankey’s illustrations feel like a personal invitation into the coziest home, and the adoration between Mina and her grandma is evident on every page.

In 2016, a group of armed, divinely inspired right-wing protestors led by Ammon Bundy occupied the Malheur National Wildlife Refuge in the high desert of eastern Oregon. Encamped in the shadowlands of the republic, insisting that the Federal government had no right to own public land, the occupiers were seen by a divided country as either dangerous extremists dressed up as cowboys, or as heroes insisting on restoring the rule of the Constitution. From the Occupation's beginnings, to the trials of the occupiers in federal court in downtown Portland and their tumultuous aftermaths, Shadowlands is the resonant, multifaceted story of one of the most dramatic flashpoints in the year that gave us Donald Trump. Sharing the expansive stage with the occupiers are a host of others--Native American tribal leaders, public-lands ranchers, militia members, environmentalists, federal defense attorneys, and Black Lives Matter activists--each contending in their different ways with the meaning of the American promise of Liberty. Gathering into its vortex the realities of social media technology, history, religion, race, and the environment--this piercing work by Anthony McCann offers us a combination of beautiful writing and high-stakes analysis of our current cultural and political moment. Shadowlands is a clarifying, exhilarating story of a nation facing an uncertain future and a murky past in a time of great collective reckoning. McCann is in conversation with Brian Evenson,the author of a dozen books of fiction, most recently the story collection Song for the Unraveling of the World.

Hermosa is the path to becoming one's own home. A thread pulled when Yesika Salgado thinks about who she is and who she has been. Beyond the survival, grief, and fight, Hermosa lives in the small moments hidden beneath it all. A journey of firsts, of mistakes, of celebrations, of the love, the crush, the disaster, the rebuilding, and the never-ending cycle of growth.

Susan Steinberg’s first novel, Machine, is a dazzling and innovative leap forward for a writer whose most recent book, Spectacle, gained her a rapturous following. Machine revolves around a group of teenagers—both locals and wealthy out-of-towners—during a single summer at the shore. After a local girl drowns, the narrator tries to piece together what happened and struggles to find mooring in the aftermath. In formally daring prose, Steinberg captures the violence of desire and its reverberations. The restless rhythm of the novel propels a sharply drawn narrative that ferociously interrogates gender, class, privilege, and the disintegration of identity in the shadow of trauma. Machine is the kind of novel--relentless and bold--that only Susan Steinberg could have written.  Steinberg is in conversation with Sarah Manguso, the author of seven books including Ongoingness, The Guardians, and The Two Kinds of Decay.

Imagine a city fueled entirely by social media. Rising out of the American desert, this city is a real-world manifestation of a social media network where fame-hungry desperados compete for likes and followers. The bloodier and more daring posts pay off the most. As crime rises, no one stands to gain more than the city’s architects—and, of course, the shareholders who make the place possible.  This multiple-POV novel follows three characters as they navigate the city’s underworld: Cedric Travers, a has-been Hollywood director; A’rore, the city’s lead social media influencer whose star is fading; and Sacha Villanova, a tech and culture reporter. Bold, colorful, and seductive, Neon Empire is a radically inventive near-future thriller in the mold of Black Mirror or Altered Carbon.

Elizabeth Cantwell's poems navigate both cultural anxieties—climate change, American consumerism, technological creep—and personal anxieties—motherhood, apocalyptic thinking, suburban complacency. What does it mean to face a future in which building emergency-type structures may be necessary for our survival, and what materials can we use to insulate those structures?   All the Emergency-Type Structures guides readers through a lyrical and incisive examination of a potential way to navigate scientifically-predicted apocalyptic visions, the destructive beauty of family, and the dense forests of our collective cultural uncertainties as we attempt to create spaces that feel like home amid rising seas, private space expeditions to Mars, births, breakups, terrifying dreams, and mass extinction events.

Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. "We lived overlooking the walls overlooking the cemetery." So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations. Indeed, while John James begins with the biographical--the haunting loss of a father in childhood, the exhausted hours of early fatherhood--the questions that emerge from his poetic synthesis are both timely and universal: what is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom--or what--do we turn, when such boundaries so radically collapse? James is in conversation with Jos Charles, author of feeld, and Jordan Nakamura, a poet and MFA candidate at Antioch University LA.

In Mark Haines’s former life, he was an evangelical youth pastor, a role model, and a family man—until he abandoned his wife, his daughter, and his beliefs. Now he’s marking time between sunny days surfing and dark nights working security at an industrial complex. His isolation is broken when Cindy, a charming twenty-two-year old drifter he sees hitchhiking on the Pacific Coast Highway, hustles him for a breakfast and a place to crash—two cynical kindred spirits. Then his co-worker is murdered in a robbery gone wrong and Cindy disappears on the same night. Haines knows he should let it go and return to his safe life of solitude. Instead, he’s driven to find out where Cindy went, under stranger and stranger circumstances. Soon Mark is chasing leads, each one taking him back into a world where his old life came crashing down—into the seedier side of southern California’s drug trade and ultimately into the secrets of an Evangelical megachurch where his past and his future are about to converge. What begins as an investigation becomes a haunting mystery and a psychological journey both for Mark, and for the elusive young stranger he won’t let get away. Set in the early 2000s, The Churchgoer is a gripping noir, a quiet subversion of the genre, and a powerful meditation on belief, morality, and the nature of evil in contemporary life. Author Patrick Coleman is in conversation with Ted Goldberg, author of the novel Gangster Nation.

Thirteen-year-old Moth Hush loves all things witchy. But she’s about to discover that witches aren’t just the stuff of movies, books, and spooky stories. When some eighth-grade bullies try to ruin her Halloween, something really strange happens. It turns out that Founder’s Bluff, Massachusetts, has a centuries-old history of witch drama. And, surprise: Moth’s family is at the center of it all! When Moth’s new powers show up, things get totally out-of-control. She meets a talking cat, falls into an enchanted diary, and unlocks a hidden witch world. With that revelation, Moth’s adventure truly begins – an adventure that spans centuries, generations, and even worlds – as she unravels the legacy at the heart of her life. The Okay Witch author Emma Steinkellner is in conversation with Barbra Dillon, the co-founder and Editor-in-Chief of Fanbase Press, an award-winning publishing company that seeks to produce new and distinctive works that give voice to the themes, ideals, and people that make “geekdom” so exceptional.