Skylight Books Podcast Series

At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce. Amy Spalding delicately explores the breakup of childhood best friends. Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends is funny, honest and full of heart.

In Disasterama!, Alvin Orloff recalls the delirious adventures of his youth—from San Francisco to Los Angeles to New York—where insane nights, deep friendships with the creatives of the underground, and thrilling bi-coastal living led to a free-spirited life of art, manic performance, high camp antics, and exotic sexual encounters. Orloff looks past the politics of AIDS to the people on the ground, friends of his who did not survive AIDS’ wrath—the boys in black leather jackets and cackling queens in tacky frocks—remembering them not as victims, but as people who loved life, loved fun, and who were a part of the insane jigsaw of his community. Includes more than 60 rare photos of the underground counterculture, club flyers, drag queens, and queer icons of era. Orloff is in conversation with Trebor Healey, author of three novels, A Horse Named Sorrow, Faun and Through It Came Bright Colors

From critically acclaimed New York Times best-selling author Jami Attenberg comes a novel of family secrets: think the drama of Big Little Lies set in the heat of a New Orleans summer "If I know why they are the way they are, then maybe I can learn why I am the way I am," says Alex Tuchman of her parents. Now that her father is on his deathbed, Alex--a strong-headed lawyer, devoted mother, and loving sister--feels she can finally unearth the secrets of who Victor is and what he did over the course of his life and career. (A power-hungry real estate developer, he is, by all accounts, a bad man.) She travels to New Orleans to be with her family, but mostly to interrogate her tightlipped mother, Barbra. As Barbra fends off Alex's unrelenting questions, she reflects on her tumultuous life with Victor. Meanwhile Gary, Alex's brother, is incommunicado, trying to get his movie career off the ground in Los Angeles. And Gary's wife, Twyla, is having a nervous breakdown, buying up all the lipstick in drug stores around New Orleans and bursting into crying fits. Dysfunction is at its peak. As each family member grapples with Victor's history, they must figure out a way to move forward--with one another, for themselves, and for the sake of their children. All This Could Be Yours is a timely, piercing exploration of what it means to be caught in the web of a toxic man who abused his power; it shows how those webs can tangle a family for generations and what it takes to--maybe, hopefully--break free. Attenberg is in conversation with Alissa Nutting, assistant professor of English at Grinnell College.

We all have fears, but if we can’t face the small ones how will we face the big ones? Kai is afraid to fly a little blue kite. But Kai is also very, very brave, and overcoming this small fear will lead him on a great adventure.   Remember: all great adventures start with one little moment. You know the one. It’s like a gentle breeze whispering in your ear what you already know by heart:                                    not even the sky is the limit . . . The only other thing you might want to know about this book is that there are at least three ways to read it. The first way takes only a few minutes. Just follow the rainbow-colored words. The second takes only a little bit longer. Just follow the words haloed with blue and red and the rainbow words too. For the third way, just start at the beginning.

Poppy wants to go to college like everyone else, but her father has other ideas. Ever since her mirror twin sister, Lola, mysteriously vanished, Poppy’s father has been depressed and forces her to stick around. She hopes she can convince Lola to come home, and perhaps also procure her freedom, by sending her twin a series of eighteen letters, one for each year of their lives.   When not excavating childhood memories, Poppy is sneaking away with her girlfriend Juniper, the only person who understands her. But negotiating the complexities of queer love and childhood trauma are anything but simple. And as a twin? That’s a whole different story. Dear Twin author Addie Tsai is in conversation with C.B. Lee, a Lambda Literary Award nominated writer of young adult science fiction and fantasy.

In his inimitable, recursive, meditative style that reads like a comedic zen koan but contains universes, Seven Samurai Swept Away in a River recounts Korean cult writer Jung Young Moon’s time spent at an artists’ and writers’ residency in small-town Texas. Jung embraces the rambling landscape of Texas, two-stepping, cowboy hats and cowboy churches, antique stores and their an- tique owners, and transmutes them into the even more expansive space of his mind. The author plucks at each surprisingly elucidating concept over pages of reflection – moving seamlessly from chili recipe etiquette (with beans or without?) to the origins of Texas itself – and muses on his outsider experiences in this most unique of places. All the while, the author is asking what a novel is and must be, while accompanied by an invented mental cast of seven samurai who the author carries with him, silent companions in a pantomime of existential theater. Jung blends fact with imagination, humor with reflection, and meaning with meaninglessness, as his meanderings become an absorbing, quintessential novel of ideas.

Malka, the black sheep of her family, learns that her relatives are making a decades-in-the-planning pilgrimage to their grandfather's pre-Holocaust home in Poland...and she wasn't invited. After guilt-tripping herself a ticket as the self-appointed "Keeper of the Family Archives," it becomes clear that everyone's brought more baggage than just their suitcases. Chasing Echoes is a heartfelt tale about dysfunctional family dynamics, the ghosts of war and what brings us back together. 

Set in transit even as they investigate the transitory, the cinematic poems in Love and I move like a handheld camera through the eternal, the minds of passengers, and the landscapes of Ireland and America. From this slight remove, Fanny Howe explores the edge of “pure seeing” and the worldly griefs she encounters there, cast in an otherworldly light. These poems layer pasture and tarmac, the skies above where airline passengers are compressed with their thoughts, and the ground where miseries accumulate, alongside comedies, in the figures of children in a park. Love can do little but walk with the person and suddenly vanish, and that recurrent abandonment makes it necessary for these poems to find a balance between seeing and believing. For Howe, that balance is found in the Word, spoken in language, in music, in and on the wind, as invisible and continuous lyric thinking heard by the thinker alone. These are poems animated by belief and unbelief. Love and I fulfills Howe's philosophy of Bewilderment. Howe is in conversation with Martha Ronk, author of 11 books of poetry and one book of short stories, Glass Grapes.

To cool-headed, fastidious Pricilla Messing, Italy will be an escape, a brief glimpse of freedom from a life that's starting to feel like one long decline. Rescued from the bedside of her difficult mother, forty-something Cilla finds herself called away to Rome to keep an eye on her wayward teenage niece, Hannah. But after years of caregiving, babysitting is the last thing Cilla wants to do. Instead she throws herself into Hannah's youthful, heedless world—drinking, dancing, smoking—relishing the heady atmosphere of the Italian summer. After years of feeling used up and overlooked, Cilla feels like she's coming back to life. But being so close to Hannah brings up complicated memories, making Cilla restless and increasingly reckless, and a dangerous flirtation with a teenage boy soon threatens to send her into a tailspin. With the sharp-edged insight of Ottessa Moshfegh and the taut seduction of Patricia Highsmith, The Worst Kind of Want is a dark exploration of the inherent dangers of being a woman. In her unsettling follow-up to Catalina, Liska Jacobs again delivers hypnotic literary noir about a woman whose unruly desires and troubled past push her to the brink of disaster. Jacobs is in conversation with Allie Rowbottom, author of Jell-O Girls.

Six poets will read work that engages with scientific disciplines such as physics, mathematics, biology, and ecology. These readings will Involve the audience in a discussion of the embodied, material consequences of experimental engagements for both scientists and poets.