A Point of View

"Winning - isn't it great?" asks AL Kennedy. But she argues that our "winner takes all" mentality is suffocating democracy. "On both sides of the Atlantic, in regimes around the world", she writes, "we can watch the chaotic dissolution of administrations based on winning at any price". Producer: Adele Armstrong.

AL Kennedy on why Hollywood has never been a nice place. In 1919, barely three decades after the advent of moving pictures, Charlie Chaplin, Mary Pickford and others thought things were bad enough in the studio system to break away and form an independent creative producing collective, United Artists. There are many other examples of Hollywood's woes in the C20th. But in this time of political instability, Alison writes, "don't we need entertainment to get everybody through, aiming higher?" Producer: Adele Armstrong.

"How long", asks Howard Jacobson, "before the protocols of looking forbid our looking appreciatively at anyone?"He explores the enormous difficulties surrounding the language of appreciation, "no matter whether the viewer in question is a mechanic ogling a pin-up in his workshop or an art critic pausing at a wall of French nudes in the Wallace Collection". Producer: Adele Armstrong.

Howard Jacobson ponders why misanthropy is out of fashion. "Where have they gone?", he asks, "such great haters of mankind as Juvenal, Swift, Flaubert". Mankind, he believes, has not grown less tribal over time. But instead of a general enemy, he says, "we each have our own individual tormentor - a private phobic for every one of us". Producer: Adele Armstrong.

Howard Jacobson on why we need to preserve Bohemia. London's Soho, he says, is the nearest the UK has to a Bohemia but "you don't sniff aesthetic licence in the streets of Soho as you once did". But one day recently, writes Howard, Soho recovered its spirit - at the funeral of the leopard-skin jacketed "Prince of Soho". Producer: Adele Armstrong.

"It isn't just because they have become platforms for propaganda and interpersonal odiousness that we should declare war on the social media", writes Howard Jacobson. "It is because they reduce all discourse to a shout". Howard appeals for a re-discovery of the subtlety of language and explains why he believes we should leave behind the "frozen wastes of Emojiland"."A thumb up or thumb down culture has given up on the idea that difference of opinion comes in shades, that thought is gradual and graded, that argument is more about adjustment than it is about assertion". Producer: Adele Armstrong.

Howard Jacobson on the art of the feuilleton....and the joy of the ordinary. He says the feuilletonists - those writers of short observational pieces - show "you don't have to be tendentious to be of consequence". He asks us to step back and seek what's important around us...and even question whether there's such a thing as importance at all. Producer: Adele Armstrong.

"Great television is taking over the space occupied by many novels", writes Zia Haider Rahman "and taking with it many excellent writers". He says that many novels have already moved in the direction of the televisual - written with an eye to a film or TV adaptation. "If novelists are relinquishing the very things that are exclusively the province of the novel", he writes, "then they are complicit in the demise of the novel".

"It's not merely facts that are under assault in the polarised politics of the UK, the US and other nations twisting in the winds of what some call populism" writes Zia Haider Rahman. "There's also a troubling assault on reason". He argues that authoritarian tendencies know that warping the facts is only a start. "Warping reason and logic and clarity of thought is the holy grail".Producer: Adele Armstrong.

"On my computer", writes Zia Haider Rahman, "I have a folder of exchanges with organisations and corporations, a folder called 'Hope'". Zia describes the letters he's written to some of Britain's foremost institutions on their lack of diversity. He says empirical research of cognitive scientists points ever more clearly to the immense difficulty of changing minds. Producer: Adele Armstrong.