"It is a terrible thing to be in possession of a truth that people don't want to hear," writes Howard Jacobson. By way of Primo Levi, the great chronicler of the Holocaust, Coleridge's 'The Ancient Mariner' and stories emerging today from Ukraine, Howard argues that stories of truth must be listened to, no matter how uncomfortable or challenging we find them. "No deceit is ever so perfected," he says, "that it doesn't require the connivance of the deceived". Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith

Zoe Strimpel asks the seemingly simple question 'what is a woman', but finds no simple answer as she explores the question through a brief history of feminist thought. She explores the ongoing controversy over trans women in women's competitive sport, and the reluctance of public figures to define what a woman is. while revealing her own views on the issue. "As the history of feminism itself makes clear, gender and sex are genuinely complicated. That overconfident or oversimplified definitions of woman - which apparently we're all supposed to be able to produce - can be limiting and crude. Not just in relation to trans women but biological women too," she writes. She continues: "The bitter debate about trans women versus women is a debate about the meaning and realness of biology. And yes, biological difference matters, sometimes hugely. It is certainly real. But there is room for nuance: indeed, there is a necessity for it. Without it, I fear a relapse into arguing that women are defined by their biology beyond the swimming pool or the cycling track or the locker room."Producer: Sheila Cook Sound: Peter Bosher Production Coordinator: Janet Staples Editor: Richard Fenton-Smith

The everyday repression of life in Russia, as experienced by an anonymous dissident playwright. In this essay, she reflects on the war in Ukraine and asks what role she and her fellow Russians might have played in it, what they might have done to stop it - and what Ukrainians must think of them now.In turn, she explains how the Russian state is actively controlling the narrative about the war - and reveals the harsh consequences for those who dare veer from the approved 'truth'. "They arrest protestors for carrying blank sheets of paper. It doesn’t matter what’s written on it, only that you are carrying it. If you are suspected of opposing the government, then you must be guilty."Reflecting on Russia's history, she weighs up how life today both mirrors and is profoundly different to the harshest days of Stalinist rule, while pointing out the numerous violations of the country's constitution.The essay is translated and read by poet and translator Sasha Dugdale.Producer: Sheila Cook Sound: Peter Bosher Production Coordinator: Gemma Ashman Editor: Richard Fenton-Smith

'Perhaps, like me,' writes A L Kennedy, 'you can now only picture Cabinet meetings as gatherings where ministers and staff sing la-la-la with their fingers in their ears while dancing between the wine fridges.' In the midst of a lot of bad news, Alison finds some room for cheer. Producer: Adele Armstrong Sound: Peter Bosher Production Coordinator: Gemma Ashman Editor: Richard Vadon

Adam Gopnik seeks enlightenment for our time in Tolstoy's War and Peace, finding parallels in Tolstoy's thinking for today's war in Ukraine.Reflecting on how Russian characters in the book converse in fluent French, Adam considers how mixed identities should not undermine national integrity, writing that the composite nature of Ukrainian identity does not cast doubt on its integrity as a country. He also explores Tolstoy's debunking of the 'great man' theory of history, and a reminder that 'history lies outside the control of any one hero, or heroine' while conceding that heroism is in itself a plausible concept, and 'if great men and women do not cause history, they surely make history. We seem to be seeing it made in action right now.' Producer: Sheila Cook Sound: Peter Bosher Production Coordinator: Gemma Ashman Editor: Richard Fenton-Smith

"When war smashes its way into our living rooms as it did three weeks ago", writes Sarah Dunant, "it is pictures rather than words that hit hardest". Sarah discusses the impact of images from war through the centuries and the history they write. And she ponders which image from Putin's war will represent this moment in the future. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Hugh Levinson

For the past five years, Rebecca Stott and a Russian friend have spent time together... digging heavy soil, planting hawthorn trees and pruning wild roses. Veronika is a translator and a university lecturer, with a talent for gardening. She's helped Rebecca in her garden; Rebecca has discussed translations with Veronika. Now, in the light of events in Ukraine, Rebecca talks about their friendship. Producer: Adele Armstrong Production Coordinator: Gemma Ashman Sound: Peter Bosher Editor: Penny Murphy

Will Self tells the story of Vasily Arkhipov, the commander of a Soviet nuclear-armed submarine, who during the Cuban Missile Crisis refused to fire his vessel's nuclear weapon and averted, many believe, a Third World War. In the light of President Putin's actions this week, Will argues that the threat of nuclear apocalypse has never really gone away, however much we've tried to convince ourselves otherwise. Producer: Adele Armstrong Production Coordinator: Gemma Ashman Sound: Rod Farquhar Editor: Hugh Levinson

Sara Wheeler reflects that the attack on Ukraine is not the war of the Russian people she has known. "The calamitous news eroding any remote sense we might have nurtured of peace in our time is, we now know, not going to cease any time soon. Yet while the image of a villainous Russia dominates the news agenda, I remember Russians I have met over the years on my travels in their land. This is not their war." Producer: Sheila Cook Production Coordinator: Gemma Ashman Sound: Peter Bosher Editor: Penny Murphy

John Connell reflects on planting trees on his family farm in Ireland as reparation for the years he has spent flying round the world, and also as an intrinsic good. "For so many the planting of the tree for nature itself, not for politics, or development or climate change or remembrance of some brutal war but for the contribution of life is never thought of....We do not measure success in knowing the way of the earth because for the most part, the greater part of society is cut off from the political act of growing something to produce oxygen and sequester carbon."Producer: Sheila Cook Sound: Peter Bosher Production Coordinator: Gemma Ashman Editor: Hugh Levinson