A Point of View

Bernardine Evaristo reflects on notions of blackness in the aftermath of comments made this week by the Labour MP, Rupa Huq, who described the Chancellor, Kwasi Kwarteng, as 'superficially' black.'If one of the most egregious features of racism' Bernardine writes, 'is to reduce people to stereotypes, to homogenise and generalise the qualities of people according to their racialised identities, then what does it say about us when we describe a person as not really being black or Asian because they do not behave according to our values, cultural codes or political interests?'Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Editor: Richard Fenton-Smith

As Vladimir Putin warns he is willing to use any military means necessary in the war with Ukraine, Zoe Strimpel - a recent convert to chess - examines how Mr Putin is likely to play his next hand. 'The future of the world once more hangs in the balance of moves between the West and Russia,' she writes.'The question of whether Russia really does have a strategic grandmaster at the helm - and whether the West can outmanoeuvre him - has become a matter of horrible urgency'. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Editor: Richard Fenton-Smith

Michael Morpurgo reflects on the remarkable life of Her Majesty Queen Elizabeth II.'The crown and the jewels were costume, the Palace was a stage. She knew that, we knew that', writes Michael. 'It was a charade, but one that worked wonderfully well, because she was centre stage in our national drama, because enough of us believed in her'. As the world changed around her, Michael argues, the Queen at all times looked to the future, helped us find our place in the world and discover who we are as a people. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Editor: Richard Fenton-Smith

Megan Nolan questions why women writers still struggle to be taken seriously.'The appearance of the woman writer', she says, 'is often clumsily welded together with her work in an effort to make the two inseparable, or indeed to act as a sort of explanation of her work, that she is able to create it at all'.Megan discusses the pressures this imposes.Photo credit: Sophie DavidsonProducer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Editor: Penny Murphy

Will Self reflects on success...and failure. 'Ours is a society', he writes, 'in which that hoary old saying, 'Nothing succeeds like success', has been elevated to the status of a political, philosophic and indeed moral credo.' But, Will argues, this is a world typified by hyperbole and exaggeration, where the successful, 'with plenty of cake to eat, have no need to partake of the true bread of life, which is, of course, failure'. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Penny Murphy

Linda Colley argues that President Putin's invasion of Ukraine is a wake-up call which should remind people that the days of empire are far from over. And these enduring imperial habits, she says, are evident in some unexpected quarters - not just in places like Russia and China. 'When Donald Trump floated the idea of the US purchasing Greenland in 2019, this was widely dismissed as just another Trumpian eccentricity', she writes. 'But this 'real estate deal' as the former president characteristically described his Greenland project, was actually in line with large portions of American history'. Producer: Adele Armstrong Sound: Rod Farquhar Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith

John Connell goes fishing in northern Spain, home to one of the oldest populations of Atlantic salmon in the world. But he discovers a world on an ecological edge - with water at dangerously low levels, distraught fishermen and virtually no fish. 'What is a fish without a river?' he asks. 'Indeed what is a river without a fish?' Producer: Adele Armstrong Sound: Neil Churchill Production Coordinator: Iona Hammond Editor: Richard Fenton-Smith

Sara Wheeler has just been appointed the authorised biographer of the travel writer, Jan Morris. But she faces a dilemma. She's concerned that she is 'effectively appropriating the story of a woman who appropriated hundreds of other stories'. How, she wonders, can she navigate this tricky territory. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Iona Hammond Editor: Richard Fenton-Smith

From boyhood, through young adulthood, to the present day, Howard Jacobson ponders his relationship with dancing.As summer festivals get underway across the UK, Howard tries to understand the attraction.'I didn’t dance to Paul McCartney in the 60s, and I’m not going to start now... dancing isn’t what I do,' he says. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith

Tom Shakespeare decided several years ago he was no longer going to fly for pleasure. But his father's cousin - who lives in the US - has just turned 90 and he'd love to see her again. He describes his fraught decision - as he grapples with his environmental conscience.Reading from WH Auden's poem, 'Musée des Beaux Arts'. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Richard Fenton-Smith