Oscar Murillo talks to Ben Luke about the defining cultural experiences and influences of his life. Oscar first shot to fame in the art world with paintings that attracted huge attention in 2013—canvases with loose, scratchy, expressive marks, patches of pure colour, and daily dust and grime from the studio, scrawled with words such as "burrito", "yuka" and "chorizo". But he has also consistently made works in sculpture, installation, performance and film. At the heart of his work is an engagement with language, with the nature of labour and production, with the movement of people and with fluid cultural identities. He discusses his major project Frequencies, in which children from more than 350 schools in 34 countries across the world were sent canvases that were affixed to desks, so that children could draw and write on them, consciously or unconsciously, over several months—and how the project relates to his own work. He talks about his ongoing interest in class as well as race, in relation to his Colombian background. He picks out the artists and musicians that have most influenced him, discusses the dual influence of La Paila, the village in Colombia in which he grew up, and London, to which he emigrated when he was 11 and made his career in art. And he answers the questions we ask all our guests: what are the essential rituals in his working life? If he could live with just one work of art, what would it be? And what is art for? This episode is sponsored by ARTIKA.Links for this episode:Oscar Murillo at David ZwirnerFrequencies, presented by Artangel, until the 30 August 2021By Means of a Detour, a book co-published by Kettle’s Yard in Cambridge and the Kunstverein in HamburgJannis Kounellis at Cheim & ReadDavid Hammons at MoMAMonet’s Water-Lilies at l’Orangerie in Paris and Murillo’s Surge paintings, made partly in responseHans Haacke’s Der Pralinenmeister (The Chocolate Master)Our podcast, A brush with… Julie MehretuFela Kuti on Spotify and his song VIP (Vagabonds in Power) Hosted on Acast. See acast.com/privacy for more information.

Ellen Gallagher, an influential contemporary artist, discusses her rich cultural influences ranging from literature to music. She shares her unforgettable experience living with a Keith Haring print at Oberlin College and her admiration for Diego Velázquez. The conversation dives into Afrofuturism through the lens of the techno band Drexciya, and explores Herman Melville's nuanced takes on race. Gallagher reflects on the intersection of identity and art, prompting thought on what it means for an artwork to resonate deeply within our psyche.

Ben Luke talks to Julian Opie about his life and work by exploring the artists that have inspired him, his literary and musical influences and the cultural experiences that have most affected him. He talks about the early influence of Egon Schiele, his passion for Japanese prints by Utamaro and Hiroshige, his fascination with reading about ancient cultures and early humans, and his connection with composer Max Richter and the band Blur, among much else. And he answers the ultimate questions: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Bloomberg Connects. Hosted on Acast. See acast.com/privacy for more information.

Ben Luke talks to Cristina Iglesias about her life and work. She recalls how Disney's Fantasia made an impression on her as a child, how Velázquez's Spinners (Las Hilanderas) started her lifelong love of the collection of the Prado museum in Madrid, for which she created one of her best-known public projects. She discusses other major public commissions, including her underwater sculptures in the Baja California off Mexico and her latest project, Hondalea, in a lighthouse on Santa Clara island in the bay of her home town, San Sebastián, in northern Spain. She talks about her love of science fiction, including J.G. Ballard, the importance of music and her work with her composer brother Alberto on a new opera project. And she answers the final questions we ask all our guests on A brush with...: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Bloomberg Connects. Hosted on Acast. See acast.com/privacy for more information.

Ben Luke talks to the US-based artist about his influences and life-changing cultural experiences. They discuss his public sculpture in Margate, April Is the Cruellest Month, with its nods to TS Eliot and Siegfried Sassoon. They reflect on his fusing of his autobiography—and particularly the influence of his mother’s Iraqi Jewish family—with global geopolitics and the legacies of colonialism. They discuss his earliest influences and the contemporary artists, writers and musicians that most inspire him. And, as with all the guests on the A brush with... podcast, he answers the ultimate question: what is art for? This episode is sponsored by Bloomberg Connects. Hosted on Acast. See acast.com/privacy for more information.

Ben Luke talks to the Seoul-born, London-based artist Do Ho Suh about his influences and life-changing cultural experiences. They discuss his recreations of his various homes in coloured fabric and how his early work in South Korea has been ignored by curators and critics. Do Ho reveals that, influenced by a painting of fish and shellfish in his family home, he wanted to be a marine biologist, and that he only switched to art when he realised his maths was not good enough. He reflects on the influence of the Chinese artists Qi Baishi and Bada Shanren and discusses the contemporary artists he admires, from Felix Gonzalez-Torres to Rachel Whiteread. And, as with all the guests on the A brush with... podcast, he names the writers and musicians he admires, ponders his studio rituals and answers the ultimate question: what is art for? This episode is sponsored by Cork Street Galleries. Hosted on Acast. See acast.com/privacy for more information.

Ben Luke talks to Doris Salcedo about her life and work through the artists she most admires, the writers she returns to and the music she listens to. She recalls her epiphany when confronted with the works of Francisco de Goya, and how his empathy with the victims of war and violence prompted her own aim to give voice to the voiceless in the Colombian civil war and beyond. She talks about the influence of Paul Celan's poetry, which she quotes directly in her Unland series. She describes how Joseph Beuys's public sculpture gave her an example of a sensitivity to place that she has employed in her many memorable public works. Plus she reveals a secret to her studio life that she has never shown in public and answers our usual questions: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Cork Street Galleries. Hosted on Acast. See acast.com/privacy for more information.

As he prepares for a two-part exhibition in Florence, the Tehran-born, Brooklyn-based artist discusses his life and work through the cultural epiphanies and influences that have shaped him. He talks about drawing in the basement of his family home as the Iran-Iraq war raged around him as a child and how visiting the D-Day landing beaches in Normandy prompted a turning point in his work. He talks about the auditory-visual synaesthesia that means he hears and feels the paintings as he creates them. He recalls life-changing encounters with Michelangelo and Hieronymus Bosch, reflects on his love of epic poetry and Sufi verse, and discusses the music he listens to as he works. And, of course, he answers those tricky questions that close all the A brush with... interviews: if you could live with just one work of art, what would it be? And what is art for? This episode is sponsored by Cork Street Galleries. Hosted on Acast. See acast.com/privacy for more information.

As her retrospective opens at the Whitney Museum of American Art, the Ethiopian-born, New York-based artist Julie Mehretu talks in depth about her life and work. She discusses the rich language she uses in her paintings, drawing on geopolitical subject matter but pushing towards abstraction. She talks about the influence of contemporary artists like David Hammons, Kara Walker and Glenn Ligon, her collaboration with the British artist Tacita Dean, how Rembrandt made his mark on her as a child and the way she uses news photography as the basis for her most recent works. She talks about her literary influences, from Toni Morrison to Chris Abani, on the music she listens to in her studio, from Sun Ra to Joan Armatrading, and her fruitful collaborations with the jazz pianist Jason Moran and the theatre and opera director Peter Sellars. Among much else, she also talks about the cultural experience that changed the way she sees the world, the one work of art she would choose to live with, and answers our ultimate question: what is art for? This episode is sponsored by Cork Street Galleries. Hosted on Acast. See acast.com/privacy for more information.

In the last of the present series, Ben Luke talks to Tala Madani, the Tehran-born, Los Angeles-based artist, about the influences and cultural experiences behind her remarkable paintings and animations. She talks about art's role in shaping her experience in the US after she had moved to Oregon from Tehran as a teenager, about the early influence of Francis Bacon, and about a range of artists she continues to think about today, from Giorgio de Chirico to Lee Lozano and Paul McCarthy. As always on A brush with... Tala is asked about the literature and music that have played key roles in her life, and reflects on the influence of Iranian poetry, her enduring fascination with Stanisław Lem's Solaris, her love of Miles Davis and Léo Ferré and about how "sometimes I need to go to Iran, in my brain, and I listen to music that emotionally puts me in Iran". Plus, she answers the other questions we ask all our guests, about studio rituals, the one artwork they would want to live with and, ultimately, what art is for. This episode is sponsored by Bloomberg Connects. Hosted on Acast. See acast.com/privacy for more information.