Podcast – Cory Doctorow's craphound.com

Here’s part two of a reading of my novella Lawful Interception, a sequel, of sorts, to Little Brother and Homeland. In addition to the free online read, you can buy this as an ebook single (DRM-free, of course!) (Image: Yuko Shimizu) Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 link

In this week’s installment of my podcast, I break my long hiatus with the first part of a reading of my novella Lawful Interception, a sequel, of sorts, to Little Brother and Homeland. In addition to the free online read, you can buy this as an ebook single (DRM-free, of course!). If you grow up in San Francisco, you grow up with a bone-deep sense of what it means when the ground starts to move: quake. The first quake I remember was just a little tremor, a 2.8, but whether it’s the big one or a little dish-rattler, there’s no experience in the world like the experience of having the ground start to move. It’s wrong like seeing a broken bone sticking out of your skin, wrong like being carried upside down, wrong like trying to sign your name with your non-dominant hand, but times a bazillion. I was six when that little dish-rattler knocked the knickknacks off the shelves, and as I recall, I went from sitting on the living room sofa to crouching under the kitchen table by teleportation, or at least I moved so fast and so automatically that I have no recollection of consciously deciding to move. When the Seneca quake hit, I was halfway from Oakland airport to Coliseum BART, on the shuttle bus, and again, wham, one minute we were tootling down the road and the next, the road buckled and the bus was tilted 45’ up and to the right, and we were all rolling toward the back, flailing or curling up into protective balls, and there was a sound like a burrito finding its way through the digestive system of a cow the size of the galaxy, a rrrrrrrumble that went right up through your skin to your bones and joints, more felt than heard. When it stopped, the sound got louder: car alarms, crashing buildings, screams. That wasn’t a good day. MP3 link (Image: Yuko Shimizu) Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.”

The PRI Show Studio 360 has released a great episode in its “American Icons” series, this one dealing with the Disney themeparks. I was delighted to be interviewed for it, and they’ve included our complete, unedited interview with the piece. Generations of Americans have grown up with Walt Disney shaping our imaginations. In 1955, Disney mixed up some fairy tales, a few historical facts, and a dream of the future to create an alternate universe. Not just a place for fun, but a scale model of a perfect world. “Everything that you could imagine is there,” says one young visitor. “It’s like living in a fantasy book.” And not just for kids: one-third of Walt Disney World’s visitors are adults who go without children. Visiting the parks, according to actor Tom Hanks, is like a pilgrimage — the pursuit of happiness turned into a religion. Futurist Cory Doctorow explains the genius of Disney World, while novelist Carl Hiassen even hates the water there. Kurt tours Disneyland with a second-generation “imagineer” whose dead mother haunts the Haunted Mansion. We’ll meet a former Snow White and the man who married Prince Charming — Disney, he says, is “the gayest place on Earth. It’s where happy lives.” American Icons: The Disney Parks

I was privileged to appear on Michael Krasny’s Forum on KQED in San Francisco this morning as part of the San Francisco Public Library’s One City/One Book celebrations for my novel Little Brother. The KQED people already have the audio (MP3) up on the Internet, which is pretty zippy production-mojo.

In this week’s podcast, I read aloud a recent Guardian column, “How to foil NSA sabotage: use a dead man’s switch, which proposes a “dead-man’s switch” service that’ll tip people off when the NSA serves a secret order demanding that Web operators sabotage their systems. No one’s ever tested this approach in court, and I can’t say whether a judge would be able to distinguish between “not revealing a secret order” and “failing to note the absence of a secret order”, but in US jurisprudence, compelling someone to speak a lie is generally more fraught with constitutional issues than compelled silence about the truth. The UK is on less stable ground – the “unwritten constitution” lacks clarity on this subject, and the Regulation of Investigatory Powers Act allows courts to order companies to surrender their cryptographic keys (for the purposes of decrypting evidence, though perhaps a judge could be convinced to equate providing evidence with signing a message). Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” How to foil NSA sabotage: use a dead man’s switch (MP3)

I just got back from South Africa’s Internet Service Provider Association annual conference, iWeek 13. While there, I sat down with TechCentral’s Craig Wilson for an interview (MP3) — about privacy, the NSA, DRM and the future of the Internet.

I did an interview with the Circulating Ideas library podcast (MP3) at the American Library Association conference this year. We talked about information politics, DRM and libraries, my own history with reading and books, and the future of librarianship.

In the currently installment of my podcast, I read aloud a recent Guardian column, “Metadata – a wartime drama, which imagines a dialog between Alan Turing and Winston Churchill that might have taken place if the UK Home Secretary Theresa May had been Turing’s line-manager All we can tell with this analysis is who is speaking, what equipment they use to speak, whom else they speak to, who the messages are addressed to, the subject of discussion, the places where all parties are when conducting discussion, which equipment they use to communicate … Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” Metadata – a wartime drama (Image: Huts, a Creative Commons Attribution Share-Alike (2.0) image from jabberwock’s photostream)

In this week’s podcast, I read aloud my latest Locus Magazine column, “Teaching Computers Shows Us How Little We Understand About Ourselves”: http://www.locusmag.com/Perspectives/2013/07/cory-doctorow-teaching-computers-shows-us-how-little-we-understand-about-ourselves/ which concerns itself with the ways that we’re recklessly formalizing critical elements of human identity such as “names” and “families” for the convenience of corporations and their IT systems and business-models. “When a programmer instructs a computer to reject, or disregard, all input longer than 64 characters, she effectively makes it impossible for a bureaucrat – however sympathetic – to accommodate a name that’s longer than she’s imagined names might be. With a human bureaucrat, there was always the possibility of wheedling an exception; machines don’t wheedle.” Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 link

In honour of the Great Firewall of Cameron — the UK government’s plan to force ISPs to turn on network-level spying and censorship of “adult” material — I’ve read aloud There’s no way to stop children viewing porn in Starbucks, a column I wrote for the Guardian the last time the UK government floating this idiotic proposal, explaining, comprehensively, why this is such a stupid, stupid idea. Mastering by John Taylor Williams: wryneckstudio@gmail.com John Taylor Williams is a audiovisual and multimedia producer based in Washington, DC and the co-host of the Living Proof Brew Cast. Hear him wax poetic over a pint or two of beer by visiting livingproofbrewcast.com. In his free time he makes “Beer Jewelry” and “Odd Musical Furniture.” He often “meditates while reading cookbooks.” MP3 link