The Verb

Tenor saxophonist Sonny Rollins’ practise notebooks, pianist Stephen Hough’s account of tackling Tchaikovsky’s First Piano Concerto, the voice of Fairport Convention’s Sandy Denny in the words of Scottish poet Don Paterson, and E. M. Forster’s evocation of Beethoven’s 5th Symphony in Howard’s End: just some of the texts we’ll hear on tonight’s celebration of writing about music.Ian’s joined by four Radio 3 presenters to discuss the challenges of all sorts of music writing, from concert reviews to programme notes, memoirs, poetry, fiction, and scripts for radio. His guests are Essential Classics Georgia Mann who pored over Oasis reviews in the N.M.E. in her teens, Hannah French from The Early Music Show who once read a biography of Pablo Casals in a day, Composer of the Week’s Kate Molleson who started out writing concert reviews at University in Montreal, and Corey Mwamba who presents Freeness and immersed himself in jazz books at Southampton library whilst doing his A-Levels. Producer: Ruth Thomson

This podcast explores the diverse notions of cuteness through discussions on soft toys, mascots, and poetry. Guests reflect on the emotional significance of cute objects and delve into the relationship between cuteness, vulnerability, and eco-poetics. The conversation also touches on the overlooked significance of cuteness in literature, using examples like Totoro to offer a nuanced view on protection and comfort.

The World in Words. The Verb, presented by Ian McMillan, revisits the Contains Strong Language which was held in Leeds in September of last year. It was a gathering of poets from all over the world and featured Felene Cayetano from Belize, Andre Bagoo from Trinidad and Tobago, Ngwatilo Mawiyoo from Kenya, Lebo Mashile from South Africa, Chris Tse, the Poet Laurete of New Zealand, Ramya Jirasinghe from Sri Lanka and Titilope Sonuga.

This edition of the verb is a celebration of the physical - everything from mountain climbing, human desire, a mother's touch or the act of writing. The poet Helen Mort writes in her head, while running, climbing and she even wrote one whilst in labour. She tells Ian about her new collection The Illustrated Woman - inspired by what she calls a "pain epiphany" while being tattooed - and how her poems "spookily" prefigure her life. The Norfolk born writer Jon Ransom wrote The Whale Tattoo, which won the Polari first book award, on his phone on the bus. His new novel The Gallopers opens in the aftermath of the 1953 North Sea flood where 19-year-old Eli yearns for Jimmy Smart, the handsome older fairground worker his aunt has taken in. And award-winning poet Victoria Kennefick has written on the back of her child's drawings and on shop receipts when an idea urgently strikes. She tells Ian McMillan about her collection Egg/Shell, inspired by a lockdown encounter with a swan whose eggs wouldn't hatch. Produced in Salford by Olive Clancy.

The Verb goes back to the brilliant Contains Strong Language Festival held in September last year in Leeds to consider the poetics of rap, rhyme and flows with a celebration of 50 years of hip hop. Rapper and playwright, and friend of The Verb, Testament led a panel discussion on one of the 20th and 21st century’s most powerful and influential literary movement with guests UK rapper Jehst, writer and spoken word performer Michelle Scally Clarke, and hip hop luminary Paul 'Oddball' Edmeade.

Ian McMillan presents a special extended interview with writer and novelist Tessa Hadley. Tessa Hadley's books are admired for the flowing, thoughtful intensity of her prose; and she is a master of capturing the humanity of domestic lives and the quietly devastating drama of the everyday. Hadley is a writer with a keen eye for the telling detail and a gift for bringing everything she has, sees and knows about life to the characters she creates. Her first novel was published when she was 46 and since then she has written short stories as well as novels.Producer: Cecile Wright

Ian McMillan presents a celebration of remarkable poets and poetry readings from one of the major events in the poetry calendar: the TS Eliot Prize Readings at the Royal Festival Hall in London. The prize is awarded annually by the TS Eliot Foundation for the best collection of the year. The winning book Self-Portrait as Othello by Jason Allen-Paisant also won the 2023 Forward Prize.

Ian McMillan is looking at, and listening to, the wonderfully different ways we use language with three poets: Daljit Nagra whose new collection Indiom celebrates language in more than forty different poetic forms; Nasser Hussain whose poems take us deep into individual words often creating patterns so that build something new, and Safiya Kamaria Kinshas; a poet, dancer and choreographer whose work weaves together dance and poetry on the page and stage. And we’ve also got one of our new Verb Audio Dramas made in collaboration with BBC Writers and the BBC Audio Drama North team: No Smoking In The Ground by Matthew Smith.Producer: Cecile Wright

Ian McMillan enjoys last lines in poetry, song, memoir, and novels - and his guests introduce him to different varieties of endings: the trap door, the rug-pull, the fade and many more. Stuart Maconie, writer and broadcaster, is Ian's guide to the bathetic and sometimes dramatic ends to be found in popular song - and explores an ending created by the Cornish poet Charles Causley. Caroline Bird reads a sonnet from her poetry collection 'The Air Year' and reveals the draft that helped her reach the poem and its ending, and fellow poet Sinéad Morrissey shares a work-in-progress inspired by endings: 'Seeing Red', her memoir of growing up in a Communist family in Northern Ireland. Producer: Faith Lawrence

Ian McMillan ho ho hosts a special Christmas edition of The Verb from the Trades Club in Hebden Bridge, recorded in front of a live audience. With stories and verse and song to bring comfort and joy, from poet Jackie Kay, singer-songwriter Amelia Coburn, international storyteller Danyah Miller and doorstep poet Rowan McCabe who's been knocking on stranger's doors and offering to write them a poem especially for The Verb. So pull up a chair and make yourself comfortable. Are you ready? Then we'll begin...Producer: Cecile Wright