Word Balloon Comics Podcast

Few writers move as seamlessly between genres and mediums as Greg Pak. In this special two-part conversation, we dive deep into the latest chapters of his ever-expanding career. First, Greg walks us through his brand-new Dungeons & Dragons run for Dark Horse, where he blends his gift for character-driven storytelling with the boundless imagination of tabletop fantasy.From there, we shift to his work on Dynamite’s Supernatural comic, a series rooted in the show’s first year that captures the raw energy of Sam and Dean’s earliest battles with the things that go bump in the night.We also revisit his acclaimed Superman run in Action Comics during DC’s New 52 era, exploring how he brought both epic spectacle and heartfelt humanity to the Man of Steel.And no Greg Pak talk would be complete without a look back—he shares heartfelt memories of the late, great Peter David, reflecting on their shared legacy as writers of Marvel’s Incredible Hulk and how David’s example continues to inspire his own craft. Planet Hulk is celebrating it's 20th anniversary with a new one shot chapter of the epic story. Details on that in Part 2

In this conversation, veteran animation writer and producer Alan Burnett reflects on his groundbreaking work shaping Batman: The Animated Series, the show that redefined superhero storytelling for television. Burnett walks us through the creative challenges of translating Gotham City’s noir-infused atmosphere and complex characters into a format that spoke to both kids and adults, setting a new standard for superhero animation in the 1990s.We also dive into his collaboration with Paul Dini on DC Comics’ adaptation of the series, where the two carried the show’s tone and visual style onto the comic page. Burnett explains how the book’s run—often praised for standing shoulder-to-shoulder with the animated classic—expanded the mythology, introduced new dimensions to fan-favorite villains, and helped bridge the gap between animation and comics. This interview offers rare insight into how Burnett balanced studio mandates, creative instincts, and long-term storytelling, all while working alongside some of the most influential voices in modern Batman history.

Today on Word Balloon, we’re joined by a voice familiar to anyone who loves smart, insightful pop culture commentary — Glen Weldon, longtime NPR contributor and co-host of Pop Culture Happy Hour. Glen is also the author of The Caped Crusade: Batman and the Rise of Nerd Culture, a sharp, witty, and deeply researched look at how the Dark Knight has evolved across comics, TV, and film — and how fandom itself has grown right alongside him.From campy ’60s TV to grim ’80s reinventions, and into Batman’s role as a billion-dollar movie icon, Glen traces how this one character became a mirror for changing tastes, anxieties, and obsessions in American culture. We’ll dig into what makes Batman such a singular figure, what The Caped Crusade uncovers about us as fans, and where Gotham’s greatest detective might be headed next. This talk happened in 2016

Plus Star Trek Khan, Spinal Tap 2 Gen V Season 2 ep 1 and other tv and film tthoughts

More questions on camera nd from the live chat. We get more into comics, trek podcasting and more

It's my version of the mailbag page at the back of old comic books. In this on-camera AMA with my Patreon supporters and live chat audience, we dug into every corner of geek and sports culture:Boxing: The big focus was on the much-anticipated Canelo vs. Crawford bout, with breakdowns of styles, stakes, and legacy.Comics: We spanned the decades — from the Silver Age of the 1960s through today’s modern runs, talking creators, characters, and the shifts in storytelling across generations.Television: Plenty of love for sci-fi and genre TV — Star Trek, Babylon 5, classic reruns, and today’s wave of streaming shows.Film: We reflected on the passing of the legendary Robert Redford, looked ahead at some of the biggest upcoming releases, and revisited the old-school geek movies that set the stage for today’s pop culture landscape.It was a lively back-and-forth with fans driving the discussion, mixing history, commentary, and plenty of fun tangents — the perfect example of what happens when the Word Balloon community gets together to talk shop.

Few modern writers have embraced sword-and-sorcery with the same passion and craftsmanship as Jim Zub, whose work on Conan the Barbarian for Titan Comics has been nothing short of a masterclass in honoring Robert E. Howard’s legendary creation while pushing the stories into bold new territory. Zub’s tales balance the grit and savagery fans demand with a keen sense of pacing and character that feels both timeless and fresh.With next month’s Conan the Barbarian #25, he delivers a special, self-contained story—an epic one-book adventure that promises to showcase everything readers love about the Cimmerian warrior in a single, unforgettable issue. It’s the perfect jumping-on point for new fans and a rich reward for long-time readers.Jim and I had some technicla issues on youtube, so we'll do part 2 later this week

This year marks the 30th anniversary of Pinky and the Brain, the beloved Animaniacs spin-off that gave the world two of animation’s most unlikely lab partners.At the heart of the series’ enduring charm is the voice of Rob Paulsen, the endlessly versatile actor who brought the dim-witted yet lovable Pinky to life with his unforgettable “Narf!” catchphrase. But Pinky is only one jewel in Paulsen’s long career behind the microphone.From his heroic turns as Raphael (and later Donatello) in Teenage Mutant Ninja Turtles, to the wisecracking wit of Yakko Warner in Animaniacs, Paulsen’s voice has become an essential part of the soundtrack to multiple generations’ childhoods. In this interview, he reflects on the legacy of Pinky and the Brain, shares stories from his many other iconic roles, and reminds us why, after decades in the booth, he remains one of animation’s most beloved and prolific performers.

In this second half of our conversation, Sterling dives deeper into his run on Supergirl alongside artist Jamal Igle. He shares behind-the-scenes stories about crafting Kara’s voice, working hand-in-glove with Igle to re-define her place in the DC Universe, and why their collaboration remains one of the character’s most beloved eras.Sterling opens up about the challenges of balancing editorial direction with his and Jamal’s creative instincts, and how they fought to give Kara her own identity separate from Superman. From comics, we shift back to television as Sterling talks about his time writing for The Flash on The CW.He expands on his contributions to the ambitious Crisis on Infinite Earths crossover, explaining the difficulties of squeezing the vast scope of Marv Wolfman and George Pérez’s 1985 comic series into a handful of TV hours. Sterling reveals which classic comic beats he tried to sneak into the script.Sterling also discusses his most recent creative venture: filmmaking. His short film Just the Janitor has begun its run on the festival circuit and at comic conventions, and he talks candidly about making the leap from comics and TV to directing this riveting action film. He shares the story behind the film, the lessons he’s learning as a first-time filmmaker, and why he believes conventions are the perfect place for genre fans to discover it. This continuation showcases Sterling Gates as a storyteller constantly moving between mediums, bringing the same passion to a 22-page comic, a TV superhero epic, or a low-budget short action film.

In this first installment of my conversation with comics and TV writer Sterling Gates, we dive into his celebrated run on Supergirl with Jamal Igle . Sterling talks about how his stories are finding new life in print—starting with the reissue of his Bizarro Supergirl arc, and continuing next year with his contributions to the New Krypton saga omnibus, co-written alongside James Robinson and Greg Rucka. We also look at the various actors who've played the woman of tomorrow, including Gates's work consulting on the Flash film's alternate earth Supergirl.Sterling also reflects on how he first broke into writing Supergirl and later The Flash for the CW, bringing his comic book sensibilities into live-action storytelling.We look back at the ambitious Crisis on Infinite Earths TV crossover, where Sterling played a key role in guiding actor John Wesley Shipp through an emotional moment—reprisal of his 1990s Barry Allen Flash and the character’s poignant final scene. This episode captures Sterling’s unique perspective bridging the worlds of comics and television, while celebrating both the legacies of Supergirl The Flash and the enduring power of DC’s multiverse storytelling.