Word Balloon Comics Podcast

A surprisingly polarizing episode. Were they loving parodies of Shatner and Roddenberry or mean swipes? Also, Spock is getting more romance action than Kirk on this show.

In this episode, we catch up with legendary writer James Robinson to talk about his current Kickstarter campaign, Rogues' Kingdom, an epic new fantasy adventure created with artist Jeff Johnson — and with less than a week left to support, now’s the time to back it!We also dive into his latest Dark Horse Comics projects and take a retrospective look at some of his landmark work, from The Golden Age, Starman, JSA, and Earth-2 at DC to his unique run on Marvel’s Fantastic Four. James shares behind-the-scenes stories from his TV work on Stargirl, where he served as co-executive producer and writer, and discusses his time writing the cult films The League of Extraordinary Gentlemen and Comic Book Villains.It’s a wide-ranging conversation with one of comics' most celebrated voices — don’t miss it.

On this episode of Trek Watch, we’re diving into the highs and lows of the current Star Trek landscape. First, we tip our hats to Strange New Worlds for delivering a surprisingly fun and freaky zombie episode—proving once again that Trek can still get weird in the best ways.But it’s not all warp core breezes: we’re scratching our heads at that baffling Season 4 teaser, where Captain Pike is… a puppet? Yep, that happened. And we’re not thrilled. Add to that a Starfleet Academy trailer that feels more CW teen drama than classic Trek, and we’ve got some honest frustrations to beam up. It’s a mix of praise and protest this week as we talk tone, direction, and what the franchise needs to stay boldly on course.

In Part 4 of our conversation with comics veteran Al Milgrom, we spotlight his collaboration with Jim Shooter on Secret Wars II—digging into how the massive crossover was shaped behind the scenes, what it was like coordinating with dozens of creators, and how editorial challenges turned into creative opportunities.We also go inside Al’s time as editor of Marvel Fanfare, a title often misunderstood as a dumping ground for inventory stories. Al sets the record straight—it was actually a creative playground, where artists and writers could experiment with format, storytelling, and page layout. From unique one-shots to prestige-style presentations, Fanfare gave pros like Barry Windsor-Smith and Michael Golden the freedom to think outside the box and produce work that wouldn’t fit the typical monthly grind.Plus: more classic Marvel Bullpen stories—from prank wars and personality clashes to the raw energy of a company bursting with creativity in the Bronze Age.

In Part 3 of our conversation with comic book veteran Al Milgrom, we dig into the stories behind the pages — and beyond them. Al shares his memories of the legendary style of Wally Wood and offers insights into the creative genius of Murphy Anderson.Then, the spotlight shifts to the editorial trenches at Marvel. Al opens up about his collaborations and clashes with Jim Shooter, especially during the turbulent production of Secret Wars II. From late scripts to deadline disasters, you'll get the unfiltered truth from a man who was right there when it all went down. This is the good stuff — creator drama, comic history, and behind-the-scenes gold.

In Part 2 of our deep dive with comics legend Al Milgrom, things get even more candid. Al shares shocking behind-the-scenes stories about some of the biggest names from the Golden, Silver, and Bronze Ages of comics—warts and all. From ego clashes to editorial chaos, you’ll hear what really went down in the bullpen.We also detour into the strange world of obscure 1950s and 60s comic book publishers—including those that reprinted Golden Age stories with misleading new covers and numbering schemes, trying to pass them off as fresh material. Al offers insight into how these fly-by-night operations worked and what creators thought of seeing their work repackaged without credit or compensation.Plus: Al gives his reaction to seeing Marvel Studios' Fantastic Four: First Steps and offers a veteran's take on how it stacks up against the legacy of the First Family in comics. This one’s loaded with comic book history, brutally honest insights, and a few surprises you won’t hear anywhere else.Al wants you to know he's acailable for commisions and recreations if you email him at editorial@aol.com

On this episode of Word Balloon, we start a 2 part talk with one of the true utility players of the Marvel Bullpen—Al Milgrom. From penciling and inking to editing and writing, Al did it all during a pivotal era at the House of Ideas.We dig into his early days at Marvel, when the bullpen was more than just a nickname—it was a real, bustling office of creative chaos. Al shares memories of hand-delivering artwork to John Romita Sr. and Virginia Romita, navigating the personality clashes of the era and working under the towering presence of Jim Shooter as Marvel evolved into a more corporate machine. We also get the inside story behind the launch of Marvel Fanfare, a passion project that let Al spotlight top-tier talent and showcase stories on high-quality paper—long before the era of prestige formats. Whether you’re a fan of classic comics or just love hearing how the sausage got made in the Bronze Age, this conversation with Al Milgrom pulls no punches and delivers some terrific behind-the-scenes tales from a guy who lived it.

My thoughts on the latest MCU film.

In Part 2 of our conversation with legendary comic creator Jerry Ordway, we pivot from Metropolis to Marvel as Jerry shares his candid thoughts on the legacy and missed opportunities of the Fantastic Four movies—especially from the perspective of someone who’s spent time chronicling Marvel’s first family on the page. We also get some memorable Stan Lee stories, offering insight into the man behind the myth from someone who’s seen the industry evolve up close.But this episode isn’t just nostalgia—we dive into the more complex aspects of comic book history, including how creators depicted people of color during the Golden and Silver Ages. Jerry speaks honestly about the era’s blind spots and how the medium has both reflected and shaped cultural attitudes over time. It’s a thoughtful, wide-ranging conversation with one of comics’ most respected voices. 

Today on Word Balloon, we kick off Part 1 of a deep-dive conversation with legendary writer, artist, and inker Jerry Ordway. Jerry shares his thoughts on the new Superman film and reflects on his own legacy with the Man of Steel—both on the page and behind the scenes.We also dig into his acclaimed work on the Justice Society of America, a cornerstone of DC’s Golden Age revival. But that’s not all—we get into the nuts and bolts of comic book production, with Ordway breaking down how the cheap paper stock of the '60s through the '80s warped colors, muted tones, and frustrated artists. It’s a rare, behind-the-curtain look at the technical and creative challenges of working in the pre-digital era of comics. Whether you're a Superman superfan or a student of the artform, this is a must-listen conversation with one of DC's most important storytellers.