Robert Freund is an experienced advertising attorney and advisor. He focuses his practice on online marketing and e-commerce issues. Before opening his own firm, Rob honed his legal skills working at Greenberg Traurig, LLP, one of the largest and most respected international law firms. Rob has lectured about advertising law at the University of Southern California, the University of San Diego, and the University of Tennessee, and he has been quoted in The Wall Street Journal, The New York Times, Bloomberg Law, and Vox on those issues. Rob was named a Southern California Super Lawyers Rising Star in Media & Advertising for 2020–2024. Rob Freund Links Mr. Bill’s Links: https://linktr.ee/mrbillstunes   Podcast Produced & Edited by: Robert Fumo

Guest Reecard Farché, aka Anklepants, discusses communication evolution, technical details of microcontrollers, wearable technology, music production optimization, latency reduction, innovation in music creation tech, travel equipment challenges, mask and electronic instrument crafting, resilience in sound engineering, and fusion of electronic music and art projects.

This podcast episode will delve into the life of David Mordechai Packouz, a former American arms dealer, musician, and inventor born on February 17, 1982. Packouz joined forces with Efraim Diveroli in September 2005 at AEY Inc., an arms company that quickly secured numerous contracts worth millions. Their notable achievement was a nearly $300 million contract in 2007 to supply the Afghan Army with vast quantities of ammunition, which controversially included prohibited Chinese ammunition, leading to significant legal and ethical issues. Packouz played a key role in concealing the origin of these munitions, resulting in a sentence of seven months of house arrest for conspiracy to defraud the United States. His story caught public attention and was later depicted in the 2016 film War Dogs, where Packouz made a cameo appearance. Beyond his controversial past, Packouz has reinvented himself as an inventor and CEO of Singular Sound, where he developed the BeatBuddy, a guitar pedal drum machine, showcasing his transition from arms dealing to music technology. David Packouz Links Mr. Bill's Links 00:00Introduction and Background 02:23 Transition to Music Business 05:47 Creation of the BeatBuddy 10:34 Transition from Weapons to Music 21:02 Legal Trouble and Charges 30:07 Media Coverage and Scandal 36:47 Raid and Evidence 41:33 Sentencing and Plea Agreement 43:39 Legal Troubles and Plea Agreements 45:07 Testifying in Trial and Sentencing 46:06 Restrictions and Violations 47:23 Entrapment and Arrest 49:46 Sentencing and Laws 50:57 Law Enforcement Tactics 51:27 Violating Plea Agreement 52:34 Inequities in the Justice System 53:16 AI in the Justice System 54:08 AI as an Impartial Judge 55:33 Sentencing and Emotion 56:03 Sentencing and Timing 56:55 Personal Experience in Jail 57:55 Entrepreneurial Spirit 59:42 Entrepreneurial Ventures 01:08:14 Starting the Bed Sheet Business 01:14:32 Current Agenda and Future Products 01:18:38 Instafloss and Non-Music Products 01:22:23 NAMM Exhibition 01:23:15 Changes in Exhibition Strategy 01:24:06 Adapting to New Ways of Doing Things 01:25:15 Diminishing Returns of Exhibiting 01:26:41 Expanding Market Beyond Musicians 01:28:06 The Birth of InstaFloss 01:29:27 Effectiveness of Water Flossing 01:30:24 Proper Use of Water Flossers 01:32:03 Identifying Gaps in the Market 01:33:20 Balancing Passion and Profit 01:34:26 War Dogs Academy 01:36:26 Opportunities in Government Contracting 01:38:23 Investment and Support for Government Contracts 01:40:16 Future Ventures

Guest Au5 discusses the importance of energy in live shows, legality of substances, evolution of sound design, new mixing techniques. Topics include using Ozone and ShaperBox for mixing, Spectral Compressor for precise compression, Linear Phase EQ for drum sculpting.

Rooted deeply in Minneapolis's vibrant music culture, Ternion Sound is an embodiment of three bass enthusiasts. Their relentless commitment to intentional artistry and underground culture has solidified their distinct position in the electronic music landscape. The new album "Digital Artifice" is out as of October 13th via Noisia's Vision Imprint. “This album has been years in the making, and it’s the most challenging creative work we’ve ever put together.” -Ternion Sound Ternion Links Mr. Bill’s Links Podcast Produced and Edited by: Robert Fumo

Dirty Funky Bass Music, but make it pretty. The vibe and soul of the Maddy O’Neal project combine soundscapes from all across the spectrum of genres. Rich in texture and atmosphere, her roots in funk and soul shine through in a bed of low-end frequencies, making for a unique environment for future bass and synth design to tie it all together. Hailing from Denver, Colorado, you can hear the direct electro-soul inspiration sprinkled in her productions, but she has managed to carve out her own unique lane within the bass community. As a self-taught producer and DJ with a wildly creative upbringing, Maddy’s expression was formed by way of soulful melodic overtones, driven basslines, and glitched-out hip-hop grooves. Maddy’s live performances consist of original compositions, drum pads, and an interwoven storyline ranging from down-low grimey bangers to shimmery mid-tempo vocal bass tracks and head-nodding disco. Her momentum is unstoppable, as she has been touring the country for the last 5 years, playing 90+ shows a year, spreading her infectious energy from stage to stage. With hits like “Zest Please," a collaboration with the iconic Clozee that amassed over 2 million Spotify plays in just one year, five EPs, and a massive sophomore LP “Ricochet” in 2022, followed by two volumes of remix albums, Maddy’s repertoire is ever-expanding, leaving fan bases across the world wanting more. Maddy O’Neal has played Coachella, Lollapalooza, Lost Lands, Electric Forest, Bonnaroo Envision, North Coast, Red Rocks (x3), and many, many more. Her touring resume is long and accomplished by supporting such artists as Clozee, Pretty Lights, Griz, Big Gigantic, Liquid Stranger, The Floozies, Opiuo, Wreckno, STS9, Manic Focus, and more! Maddy O'Neal Links Mr. Bill Links

Channeling a love affair with classic '90s hip-hop, an affinity for otherworldly themes and an ear for raw funk, Barclay Crenshaw uses his given birth name to bare his soul and deliver a slowed-down, emotive collection of collaborations and instrumentals. His 2017 self-titled debut album was a left-field departure from his better-known alias, Claude VonStroke, but the quality is undeniably the same. This project represents a mixture of modern bass and organic beats blended with gorgeous melodic moments and underlying grittiness to create an experience that is eclectic, expressive and expansive. Coded art and epic visuals depicting ancient alien abductions and explorations of time and space furthers the sense of mystery and the unknown, harking back to the past while gazing into the future.  In 2022, Barclay announced his hiatus from Claude VonStroke and Dirtybird to focus full time on Barclay Crenshaw.  Barclay Crenshaw Links Mr. Bill’s Links Podcast Produced & Edited by:  Robert Fumo

Join us as we dive into the vibrant world of Cooper Medearis, known professionally as Oolacile, a multifaceted talent from Las Vegas, US. As a label owner, bass music producer, DJ, and digital artist, Oolacile has made significant waves in the music industry. He is renowned for his eclectic mix of dubstep, trench, future trench, house, and drum & bass. Beyond his personal creations, Medearis is the driving force behind the multigenre label Halcyon, which he manages and owns. In a bold move on August 24, 2020, Medearis transitioned from his solo label, Havel Records, to focus entirely on Halcyon. His influence in the music scene is especially notable in the promotion and development of the future riddim/trench subgenre. Through his strategic formation and curation of Halcyon, Medearis has become a pivotal figure in shaping the sound and culture of this unique music style. Oolacile Links Mr. Bill Links

Renowned guest, Jeremy aka Red Means Recording, discusses music creation with OP-1 synth. Topics include balancing artistry and audience engagement, income sources like Patreon, controversy in online spaces, forming informed opinions, upcoming synthesizer modules, and embracing minimalism in gear.

Benn Jordan’s career began in the late 1990’s as a recording artist, most widely released under the moniker “The Flashbulb”. A decade later, Benn would become synonymous with artist advocacy after he purchased his music rights back from record labels,formed a non-profit publisher, and challenged the early models of digital music distribution by using peer-to-peer file transfers instead of iTunes. This led to Benn being a consultant for Bandcamp before the service launched in 2007.  After expanding his non-profit to carry a music education school and community center in Chicago, Benn moved to the Atlanta area in 2017 and started what has now become one of the most popular YouTube channels in the pro-audio and audio technology space. The channel now exists under Benn’s non-profit umbrella and funds data-science and the never ending challenge of finding ethical business models that can make the music business easier to navigate for artists and creators. During this time his unique relationship with audio-related businesses and organizations expanded as fast as his amount of viewers and public reach. Benn Jordan doesn’t exactly keep it a secret that he’s discontent with the way independent artists have been treated by the tech industry, and he is very proactive about getting ahead of the curve and attempting to help write and set ethical standards for AI audio technology.  Benn Jordan Links Mr. Bill's Links