In Implied Nowhere: Absence in Folklore Studies (University Press of Mississippi, 2019) authors Shelley Ingram, Willow G. Mullins, and Todd Richardson talk about things folklorists don't usually talk about. They ponder the tacit aspects of folklore and folklore studies, looking into the unarticulated expectations placed upon people whenever they talk about folklore and how those expectations necessarily affect the folklore they are talking about.The book's chapters are wide-ranging in subject and style, yet they all orbit the idea that much of folklore, both as a phenomenon and as a field, hinges upon unspoken or absent assumptions about who people are and what people do. The authors articulate theories and methodologies for making sense of these unexpressed absences, and, in the process, they offer critical new insights into discussions of race, authenticity, community, literature, popular culture, and scholarly authority. Taken as a whole, the book represents a new and challenging way of looking again at the ways groups come together to make meaning.In addition to the main chapters, the book also includes eight "interstitials," shorter studies that consider underappreciated aspects of folklore. These discussions, which range from a consideration of knitting in public to the ways that invisibility shapes an internet meme, are presented as questions rather than answers, encouraging readers to think about what more folklore and folklore studies might discover if only practitioners chose to look at their subjects from angles more cognizant of these unspoken gaps.Shelley Ingram is assistant professor of English at the University of Louisiana at Lafayette. Willow G. Mullins teaches English and folklore at Washington University in St. Louis and visual culture, music, and the immanence of the everyday. Todd Richardson is associate professor in the University of Nebraska at Omaha's Goodrich Scholarship Program.Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection The Folkloresque: Reframing Folklore in a Popular Culture World (Utah State University Press, 2015) challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field.Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

When we talk about stories of alien abduction in the United States, we often do so through a framework of belief vs. disbelief. Do I think this story is true, or do I think it’s false? Anthropologist Susan Lepselter asks what happens when we instead listen to “UFO talk” ethnographically, understanding it as a form of vernacular American poetics that must be made sense of within specific cultural and political contexts. In The Resonance of Unseen Things: Poetics, Power, and UFOs in the American Uncanny (University of Michigan Press, 2016), Lepselter draws on years of interviews with “experiencers,” those who tell of being abducted by aliens, and participant-observation at an experiencers support group in a southern US city. Her wide-ranging book considers abduction stories in relation to other narrative forms—captivity narratives, conspiracy theories, frontier tales—offering new and shifting frameworks for making sense of the weird, uncanny, random, and real.Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Anand Prahlad was born on a former plantation in Virginia in 1954. This memoir, vividly internal, powerfully lyric, and brilliantly impressionistic, is his story.For the first four years of his life, Prahlad didn’t speak. But his silence didn’t stop him from communicating—or communing—with the strange, numinous world he found around him. Ordinary household objects came to life; the spirits of long-dead slave children were his best friends. In his magical interior world, sensory experiences blurred, time disappeared, and memory was fluid. Ever so slowly, he emerged, learning to talk and evolving into an artist and educator. His journey takes readers across the United States during one of its most turbulent moments, and Prahlad experiences it all, from the heights of the Civil Rights Movement to West Coast hippie enclaves to a college town that continues to struggle with racism and its border state legacy.Rooted in black folklore and cultural ambience, and offering new perspectives on autism and more, The Secret Life of a Black Aspie: A Memoir (University of Alaska Press, 2017) will inspire and delight readers and deepen our understanding of the marginal spaces of human existence.Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Alexander Langlands is a British archaeologist, historian, writer, and broadcaster.  His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback.  Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning.  When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.”Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii).Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv).As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”.Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore

George Mason University professor Ben Gatling’s debut book, Expressions of Sufi Culture in Tajikistan (University of Wisconsin Press, 2018), is a beautifully written ethnography exploring the lives, religious practice, and narratives of Sufi believers near Dushanbe, Tajikistan. Through close examination of historical narratives, nostalgia, material practice, ritual, and more, Ben shows how his interlocutors link their faith and their practice with the religious and expressive traditions of Central Asian Islam. The alternative temporalities and asynchronies present in these narratives provide persuasive counter-narratives to the Tajik state’s ideologies.  At the same time, he shows that reading these narratives “simply” as resistance is not accurate, but as a way of shaping their own experiences of the present.Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/folkore