Private Passions

The economist Tim Harford shares his passion for contemporary classical music with Michael Berkeley.Tim Harford has for many years been the Undercover Economist at the Financial Times; he is the author of nine books, and is a familiar voice on Radio 4 as the presenter of More or Less, Fifty Things that Made the Modern Economy, and now also How to Vaccinate the World.Tim is on a mission to show us how, if properly investigated and explained, good statistics can help us see things about the world and about ourselves that we would not be able to see in any other way. He was awarded an OBE for services to improving economic understanding in 2019.Tim talks to Michael Berkeley about how his love of music developed in childhood, encouraged by his father, who introduced him to composers such as Janáček and Britten. He chooses music by his favourite contemporary composers Philip Glass, Brian Eno and Steve Reich, and a beautiful piece of choral music by Arvo Pärt that was sung at his wedding.Tim spends his working life pursuing cool-headed analysis of statistics and data but he reveals to Michael Berkeley the piece of music that makes him surrender to his most passionate emotions.Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Rachel Clarke is a doctor who specialises in palliative care. She’s now on the Covid frontline; in March 2020 she moved to Horton General Hospital outside Banbury to care for the most gravely unwell patients on the Covid Wards. She’s the author of three books: the first, about being a junior doctor; the second, which was read on Radio 4, “Dear Life”, about working with the dying, and most recently, “Breath-taking”, which describes in moving detail what it’s been like in hospitals during the pandemic. In a moving programme recorded in mid-January, Rachel Clarke gives a frontline report from the hospital where she works. When she looks out of the window, she sees lines of parked cars – and people just sitting in them, watching the hospital, for hours: unable to visit their loved ones, they are just getting as close as they can, yearning for a glimpse through the windows. Instead, nursing staff must give loving care to people who are at the end of their lives - Rachel reassures listeners that nobody in hospital will ever die alone. In conversation with Michael Berkeley, Rachel Clarke reveals the music that gives her courage and hope on the way to the hospital every morning. She talks about the difficulty of explaining to her children why she has taken such personal risks to treat Covid patients, and shockingly she reveals the kind of abuse she faces on social media from people who think that Covid is fake. Music choices include Vaughan Williams, Bach, and Tchaikovsky. She loves Jimi Hendrix too, and tells the story of driving down to the South of France with the man who will become her husband, terrified to tell him she loves him, listening to Hendrix all the way. A Loftus Media production for BBC Radio 3. Produced by Elizabeth Burke.

Jamie Parker shot to fame as one of Alan Bennett’s original History Boys – he was the one who played the piano. In this week’s Private Passions he tells Michael Berkeley about the vital role music plays in his life. A decade after The History Boys Jamie took the title role in Harry Potter and the Cursed Child, the marathon West End and Broadway show which won nine Olivier Awards, including Best Actor for Jamie. In between, he has sung in Sondheim, Gilbert and Sullivan and the Sinatra tribute Prom, and appeared in films such as 1917 and Valkyrie. And he has starred at Shakespeare’s Globe – memorably as the recorder-playing Prince Hal. Jamie shares with Michael his lifelong passion for the clarinet – he chooses Finzi’s Clarinet Concerto, which he has played himself, as well as music by Gershwin and by Louis Armstrong with inspiring clarinet parts. Two of Jamie’s favourite pieces of music come from films he loved as a child – Henry Mancini’s score for Blake Edwards’ The Great Race and the music for Watership Down by the neglected composer Angela Morley. Jamie shares her remarkable story: born a man, she transitioned in 1972 and was a largely self-taught musician. She wrote extensively for film, television and radio, including the theme tune for Hancock’s Half Hour, and she won three Emmys and was twice nominated for an Oscar.And Jamie reveals how, in his long quest to play it, he instilled an enduring love of Rhapsody in Blue in his childhood dog. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Since the publication of her first novel while she was still in her twenties, Nadifa Mohamed has been a writer to watch. Her second novel, The Orchard of Lost Souls, won her the Somerset Maugham Award and gave her a place on the prestigious Granta List of Best Young Novelists. She’s about to publish her third novel, and is also turning it into an opera – a commission from the Royal Opera House. What’s striking in all her work is the epic sweep of her storytelling, which explores themes of exile and survival: her characters are caught up by war and love. Nadifa herself left Somali-land in northern Somalia when civil war broke out and she was only four when she came to Britain in 1985. She talks to Michael Berkeley about her dramatic family history, and about her father, who was a travelling troubadour in Sudan. She pays tribute too to the Somali musician Hudeidi, who died of Covid this last April. He was her teacher on the oud for seven years, and her mentor, and she spent many evenings jamming with him in his west London flat. Her musical choices range from Pergolesi, Purcell and Vaughan Williams to Max Richter, Toumani Diabate and Louis Armstrong. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Michael Berkeley talks to disc jockey David ‘Kid’ Jensen about his career in pop music and his lifelong love of classical music. In 1968 David Jensen left his native Canada to become the youngest member of Radio Luxembourg’s original ‘all live’ line up. He was just 18 – hence his enduring nickname, ‘Kid’. Since then he’s never been off the air, working at Radio 1, Radio 2, Capital Radio, Heart, and picking up five Gold Sony Awards along the way. And for many people of a certain age his appearances with John Peel on Top of the Pops were the highlight of their week. David tells Michael about his first job in radio, at the age of just 16, playing classical music on a radio station in his native British Colombia and he chooses music by Dvorak that reminds him of that time. His passion for opera is reflected in arias by Italian composers and a contemporary Icelandic composer, in honour of his Icelandic wife, Gudrun, and their happy marriage of 45 years. In 2013 David was diagnosed with Parkinson’s and he talks movingly about the challenges of living with the disease and the determination and optimism with which he has faced it. And he shares memories of practical jokes at Radio 1; holidays with Paul and Linda McCartney; football matches with The Rolling Stones; and how Billy Bragg helped launch his career by delivering a curry to David and John Peel at Broadcasting House. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Anyone who saw Sheku Kanneh-Mason play the cello at the Royal Wedding, or win BBC Young Musician of the Year at the age of only 17, will realise that he comes from the most extraordinary family. Two of his siblings are also Young Musician finalists, and his older sister, Isata, is a professional pianist. Collectively the seven Kanneh-Mason children make music wherever they are. During lockdown, that was the family home in Nottingham, from which they performed live on Facebook.Michael Berkeley’s guest is their mother, Kadiatu Kanneh-Mason: the woman who inspires them, who gets up before dawn to drive them to lessons and trains, who organises their practice schedules, who dances with them in the kitchen. She tells Michael Berkeley about how she does it – and why. She looks back on her childhood in Sierra Leone, and the huge transition of coming to live with her grandparents in Wales after her father died. She reveals her own musical ambition – to play the violin – and discusses how she manages to get the children to practise. She explores with Michael the question of prejudice in the classical music world. And she plays the reggae song the family will be dancing to at Christmas. Other choices include Verdi’s “Chorus of the Hebrew Slaves”, Shostakovich’s Second Piano Trio, Mozart’s Requiem, Schubert’s Trout Quintet and Samuel Coleridge-Taylor’s “Deep River”. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke

On this darkest day of the year, Judith Herrin brings to Private Passions the dazzling gold of medieval icons and mosaics: she has spent a lifetime exploring the history of Byzantium, that thousand-year civilization which led Europe out of the dark ages and into the modern era. She’s one of our greatest historians of the early medieval Mediterranean world, that melting pot of East and West, Christianity, Islam and paganism. She’s worked in Paris, Munich, Istanbul and Princeton, and is currently Emeritus Professor of Byzantine Studies at King’s College London. She is the author of eleven books, and her latest is a fascinating study of the north-Italian city of Ravenna, famous for its gold mosaics and once the centre of the Roman and then the Byzantine Empire. In Private Passions, she talks to Michael Berkeley about her passion for Ravenna, which she first visited as a teenager. The mosaics there made an unforgettable impression – an almost mystical experience. As a young woman, Judith Herrin spent her summers in Prades in Southern France, working on a peach farm by day and going to hear Pablo Casals at night. She chooses a memorable archive performance of Casals, as well as a recording of Jacqueline du Pré, who was a friend when she was growing up. Her own instrument is the bassoon and she chooses bassoon music by Mozart and by Janáček. And she has never forgotten seeing The Doors at the Roundhouse in the mid-60s, with revolution in the air and the excitement of creating a new kind of history. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Michael Berkeley talks to Alexandra Harris, one of the very first Radio 3 New Generation Thinkers, about her passions for landscape, weather and music.As the evenings draw in and the weather gets colder, Alexandra Harris could not be happier. There’s no greater fan of English weather – even the miserable cold, wet variety – so much so that she’s written a book about it – Weatherland: Writers and Artists under English Skies.Alexandra is a Professor of Literature at the University of Birmingham, is this year’s chair of the Forward Prizes for Poetry, and among her other highly praised books are a biography of Virginia Woolf, and Romantic Moderns, about the complex relationship between modernism and tradition in English art and literature, which won the Guardian First Book Award. Alexandra tells Michael about her love of weather, winter and Schubert’s Winterreise, and about the music that conjures up the English landscapes that mean so much to her: we hear pieces by Britten, by the violinist Laura Cannell and by the Norfolk composer Simon Rowland-Jones.Alexandra’s twin passions, for early church music and for the quiet of the evening, are brought together in music by Tallis written for the monastic service of Compline – and she acknowledges how lucky she is to be able to listen to it in the warmth and comfort of her home rather than in a freezing medieval monastery. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Mike Brearley, the former England cricket captain, talks to Michael Berkeley about the wide range of classical music that inspires him.Mike is one of the most successful cricket captains of all time, winning 17 tests for England and losing only four. No one who follows the game will forget the so-called ‘miracle’ of the 1981 Ashes: recalled as captain, Mike galvanised the demoralised team in one of the greatest-ever feats of sporting psychology - and led England to an astonishing 3-1 series victory.The Australian fast bowler Rodney Hogg famously described Mike as having ‘a degree in people’ – and that’s particularly appropriate as he’s gone on to have a long and successful second career as a psychoanalyst, as well as writing a series of books and working as a cricket journalist. Mike talks to Michael Berkeley about the close engagement he has with music – he listens with the same intensity and concentration he brought to test cricket and that he brings to his work as a psychoanalyst.He chooses music by Bach, Monteverdi, and Tchaikovsky, and a Mozart sonata that reminds him of his father, also a first-class cricketer.Mike is drawn to the complexity and darkness of music written by Beethoven and by Schubert at the very end of their lives and to an opera by Harrison Birtwistle that he finds challenging and difficult but ultimately enlightening.Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

Sarah Perry’s novels are like extraordinary highly coloured dreams - or nightmares. Her bestseller The Essex Serpent features a mythical sea-creature that roams the Blackwater marshes, and the novel that followed, Melmoth, is a terrifying gothic tale with a female ghost who always seems to be just behind you, almost out of sight. In Private Passions, Sarah Perry talks to Michael Berkeley about ghosts and Gothic nightmares, and admits that the ghost in Melmoth haunted her too. She wrote the book high on painkillers amidst the ‘torment’ of spinal collapse, an experience of pain which thankfully she recovered from, but which has changed her view of life. She looks back on her upbringing in the Strict Baptist Chapel, in which popular culture was banned – but classical music was played on speakers so large they reached her shoulders, and Beethoven blasted her out of bed at night.She talks too about Essex, and trying to live down the social shame of being an “Essex Girl” – before realising that Essex girls have a proud tradition, and being an Essex girl was something to aspire to: loud, pleasure-loving, refusing to fit in. Sarah Perry was a viola player as a child, and her music choices include one of Hindemith’s sonatas for viola – which she describes as “the Essex girl of instruments”. She also loves late Beethoven quartets, and Dvorak, and Bach, and the contemporary composer Stephen Crowe, whose setting of fragments from Sappho is one of her choices. She hates jazz – well, almost all jazz. She invites us to hear the one track that completely seduced her. A Loftus Media production for BBC Radio 3 Produced by Elizabeth Burke