Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife: Form, Time, and the Textuality of Ruins, 1100 to 1900 (U Chicago Press, 2021) pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Herculaneum Uncovered is based on an in-depth filmed conversation between Howard Burton and Andrew Wallace-Hadrill, Director of Research and Honorary Professor of Roman Studies in the Faculty of Classics at the University of Cambridge. This wide-ranging conversation covers his fascinating archeological work done in Herculaneum and Pompeii, the politics of excavation, and life in the ancient Roman world.Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The lives of ancient Egyptians were truly colorful, and of them, the royals led the most vivid lives. The military pharaohs have left behind many records that give us a glimpse into their warfare style and accounts.In this new episode, Anthony John Spalinger, Emeritus Professor of Classics and Ancient History at the University of Auckland, paints a captivating picture of the pharaoh court, based on his work, “The Books behind the Masks – Sources of Warfare Leadership in Ancient Egypt. Ancient Warfare Series Volume 4.”The book takes previous study of the leadership characteristics of the military pharaohs one step forward by analyzing the war records and literary compositions composed to glorify their rule. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

One would think that comparing civilizations as far removed in time and space as Ancient Egypt and Ancient China might not reveal much. Yet Professor Tony Barbieri’s Ancient Egypt and Early China: State, Society, and Culture (University of Washington Press: 2021) gleans much from a deeply-researched comparison of political structures, diplomatic relations, legal systems, ideas of the afterlife, and other aspects.In other words, despite being separated by thousands of years and thousands of kilometers, the proto-empires of Egypt and China have a surprising amount of things in common.A lecture detailing Professor Barbieri’s book can be found on YouTube here.In this interview, Professor Barbieri and I talk about the various similarities and differences between these two ancient civilizations, and what we can learn from engaging in such a comparative study.Anthony J. Barbieri-Low is professor of history at the University of California Santa Barbara. His book Artisans in Early Imperial China won top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and International Convention of Asia Scholars. He can be followed on Twitter at @ABarbieriLowYou can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Egypt and Early China. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The story of Alexander the Great has inspired conquerors and would-be conquerors throughout history. Alexander’s sweep through the Middle East and Central Asia left behind evidence of his mark on history--namely, in the several cities that he founded, and that sprung up to govern the kingdoms he left behind.One man looking for evidence of Alexander was Charles Masson: a deserter from the East India Company who reinvented himself as an archaeologist and scholar in Afghanistan. Academic, traveller, writer and unwilling spy, Masson’s story is told in Professor Edmund Richardson’s book Alexandria: The Quest for the Lost City (Bloomsbury, 2021)We’re joined in this interview by David Chaffetz, who’s a regular contributor to the Asian Review of Books, and the author of Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou.In this interview, the three of us talk about Charles Masson and his experiences in Afghanistan. We talk about what drove this man to embark on his archaeological calling, and how his story meshes with the story of the East India Company and Afghanistan. And we end on what Massey’s story and observations teach us about how to understand Afghanistan today.Edmund Richardson is Professor of Classics at Durham University. He has published Classical Victorians: Scholars, Scoundrels and Generals in Pursuit of Antiquity, and was named one of the BBC’s New Generation Thinkers in 2016.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Alexandria: The Quest For the Lost City. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

On this episode of New Books in History, Jamie Kreiner, Associate Professor of History at the University of Georgia, talks about her new book, Legions of Pigs in the Early Medieval West, out in 2020 with Yale University Press.In the early medieval West, from North Africa to the British Isles, pigs were a crucial part of agriculture and culture. In this fascinating book, Jamie Kreiner examines how this ubiquitous species was integrated into early medieval ecologies and transformed the way that people thought about the world around them. In this world, even the smallest things could have far-reaching consequences.Kreiner tracks the interlocking relationships between pigs and humans by drawing on textual and visual evidence, bioarchaeology and settlement archaeology, and mammal biology. She shows how early medieval communities bent their own lives in order to accommodate these tricky animals—and how in the process they reconfigured their agrarian regimes, their fiscal policies, and their very identities. In the end, even the pig’s own identity was transformed: at the close of the early Middle Ages, it had become a riveting metaphor for Christianity itself.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith’s recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020).Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Michèle Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Since the beginnings of organized archaeology in the Middle East in the 19th century, western archaeologists have typically employed large “gangs” or “teams” of locals to perform the manual labor of excavating a site. Frequently considered “unskilled” workers, their contributions to archaeology have often been overlooked and underappreciated. Allison Mickel disrupts this narrative, demonstrating the myriad ways in which archaeological site workers in the Middle East are immensely knowledgeable about sites, finds, and their interpretation—albeit in sometimes different ways than the archaeological staff.Despite intimate, and incredible knowledge of local archaeology, site workers, Mickel observes, are often reluctant to consider themselves “experts,” choosing to mask their familiarity of archaeological method and practice. Mickel calls this phenomenon “lucrative non-knowledge,” where locals often benefit financially by feigning ignorance or performing an expected role rather than declaring their great expertise. Why Those Who Shovel Are Silent: A History of Local Archaeological Knowledge and Labor (UP Colorado, 2021) breaks down the Catch-22-esque factors that cause local site workers to downplay their experience and proposes ways for archaeological projects to craft more suitable, community-minded labor management practices.Why Those Who Shovel Are Silent is based on Allison Mickel’s research at the Temple of the Winged Lion Cultural Resource Management project at Petra, Jordan & the Çatalhöyük Research Project in Turkey. Allison is currently a Fellow at the American Center of Research in Amman. Jordan has been hit particularly hard by the COVID-19 Pandemic; please consider donating to the GoFundMe to support the Bedul community of Petra.Samuel Pfister is the collections manager at the Badè Museum in California's East Bay. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Dan Hicks, Curator and Professor of Contemporary Archaeology, Pitt Rivers Museum, Oxford University has written a terrific book. The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution (Pluto Books, 2020) is a call to arms, for Western museums to return everything it procured, or more correctly stole, from African locations. The claim for cultural restitution is made through the Benin Bronzes, artworks pillaged by the British in a 1897 naval attack, loot that was then gifted to the British Museum, on display for the world to see without context. Well, no more. Dan’s book frames this cultural and material theft as a form of colonial violence, the product of weaponizing museums to tell a particular story about African pasts without reflection on Eurocentric pillage and plunder.Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology