New Books in Archaeology

How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The lives of ancient Egyptians were truly colorful, and of them, the royals led the most vivid lives. The military pharaohs have left behind many records that give us a glimpse into their warfare style and accounts.In this new episode, Anthony John Spalinger, Emeritus Professor of Classics and Ancient History at the University of Auckland, paints a captivating picture of the pharaoh court, based on his work, “The Books behind the Masks – Sources of Warfare Leadership in Ancient Egypt. Ancient Warfare Series Volume 4.”The book takes previous study of the leadership characteristics of the military pharaohs one step forward by analyzing the war records and literary compositions composed to glorify their rule. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

One would think that comparing civilizations as far removed in time and space as Ancient Egypt and Ancient China might not reveal much. Yet Professor Tony Barbieri’s Ancient Egypt and Early China: State, Society, and Culture (University of Washington Press: 2021) gleans much from a deeply-researched comparison of political structures, diplomatic relations, legal systems, ideas of the afterlife, and other aspects.In other words, despite being separated by thousands of years and thousands of kilometers, the proto-empires of Egypt and China have a surprising amount of things in common.A lecture detailing Professor Barbieri’s book can be found on YouTube here.In this interview, Professor Barbieri and I talk about the various similarities and differences between these two ancient civilizations, and what we can learn from engaging in such a comparative study.Anthony J. Barbieri-Low is professor of history at the University of California Santa Barbara. His book Artisans in Early Imperial China won top prizes from the Association for Asian Studies, American Historical Association, College Art Association, and International Convention of Asia Scholars. He can be followed on Twitter at @ABarbieriLowYou can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ancient Egypt and Early China. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The story of Alexander the Great has inspired conquerors and would-be conquerors throughout history. Alexander’s sweep through the Middle East and Central Asia left behind evidence of his mark on history--namely, in the several cities that he founded, and that sprung up to govern the kingdoms he left behind.One man looking for evidence of Alexander was Charles Masson: a deserter from the East India Company who reinvented himself as an archaeologist and scholar in Afghanistan. Academic, traveller, writer and unwilling spy, Masson’s story is told in Professor Edmund Richardson’s book Alexandria: The Quest for the Lost City (Bloomsbury, 2021)We’re joined in this interview by David Chaffetz, who’s a regular contributor to the Asian Review of Books, and the author of Three Asian Divas: Women, Art and Culture In Shiraz, Delhi and Yangzhou.In this interview, the three of us talk about Charles Masson and his experiences in Afghanistan. We talk about what drove this man to embark on his archaeological calling, and how his story meshes with the story of the East India Company and Afghanistan. And we end on what Massey’s story and observations teach us about how to understand Afghanistan today.Edmund Richardson is Professor of Classics at Durham University. He has published Classical Victorians: Scholars, Scoundrels and Generals in Pursuit of Antiquity, and was named one of the BBC’s New Generation Thinkers in 2016.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Alexandria: The Quest For the Lost City. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

On this episode of New Books in History, Jamie Kreiner, Associate Professor of History at the University of Georgia, talks about her new book, Legions of Pigs in the Early Medieval West, out in 2020 with Yale University Press.In the early medieval West, from North Africa to the British Isles, pigs were a crucial part of agriculture and culture. In this fascinating book, Jamie Kreiner examines how this ubiquitous species was integrated into early medieval ecologies and transformed the way that people thought about the world around them. In this world, even the smallest things could have far-reaching consequences.Kreiner tracks the interlocking relationships between pigs and humans by drawing on textual and visual evidence, bioarchaeology and settlement archaeology, and mammal biology. She shows how early medieval communities bent their own lives in order to accommodate these tricky animals—and how in the process they reconfigured their agrarian regimes, their fiscal policies, and their very identities. In the end, even the pig’s own identity was transformed: at the close of the early Middle Ages, it had become a riveting metaphor for Christianity itself.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith’s recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020).Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Michèle Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Since the beginnings of organized archaeology in the Middle East in the 19th century, western archaeologists have typically employed large “gangs” or “teams” of locals to perform the manual labor of excavating a site. Frequently considered “unskilled” workers, their contributions to archaeology have often been overlooked and underappreciated. Allison Mickel disrupts this narrative, demonstrating the myriad ways in which archaeological site workers in the Middle East are immensely knowledgeable about sites, finds, and their interpretation—albeit in sometimes different ways than the archaeological staff.Despite intimate, and incredible knowledge of local archaeology, site workers, Mickel observes, are often reluctant to consider themselves “experts,” choosing to mask their familiarity of archaeological method and practice. Mickel calls this phenomenon “lucrative non-knowledge,” where locals often benefit financially by feigning ignorance or performing an expected role rather than declaring their great expertise. Why Those Who Shovel Are Silent: A History of Local Archaeological Knowledge and Labor (UP Colorado, 2021) breaks down the Catch-22-esque factors that cause local site workers to downplay their experience and proposes ways for archaeological projects to craft more suitable, community-minded labor management practices.Why Those Who Shovel Are Silent is based on Allison Mickel’s research at the Temple of the Winged Lion Cultural Resource Management project at Petra, Jordan & the Çatalhöyük Research Project in Turkey. Allison is currently a Fellow at the American Center of Research in Amman. Jordan has been hit particularly hard by the COVID-19 Pandemic; please consider donating to the GoFundMe to support the Bedul community of Petra.Samuel Pfister is the collections manager at the Badè Museum in California's East Bay. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Dan Hicks, Curator and Professor of Contemporary Archaeology, Pitt Rivers Museum, Oxford University has written a terrific book. The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution (Pluto Books, 2020) is a call to arms, for Western museums to return everything it procured, or more correctly stole, from African locations. The claim for cultural restitution is made through the Benin Bronzes, artworks pillaged by the British in a 1897 naval attack, loot that was then gifted to the British Museum, on display for the world to see without context. Well, no more. Dan’s book frames this cultural and material theft as a form of colonial violence, the product of weaponizing museums to tell a particular story about African pasts without reflection on Eurocentric pillage and plunder.Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Today we are joined by Fiona Greenland, Assistant Professor of Sociology at the University of Virginia, to talk about her new book, Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy (University of Chicago Press, 2021).Through much of its history, Italy was Europe’s heart of the arts, an artistic playground for foreign elites and powers who bought, sold, and sometimes plundered countless artworks and antiquities. This loss of artifacts looted by other nations once put Italy at an economic and political disadvantage compared with northern European states. Now, more than any other country, Italy asserts control over its cultural heritage through a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In its efforts to bring their cultural artifacts home, Italy has entered into legal battles against some of the world’s major museums, including the Getty, New York’s Metropolitan Museum, and the Louvre. It has turned heritage into patrimony capital—a powerful and controversial convergence of art, money, and politics.In 2006, the then-president of Italy declared his country to be “the world’s greatest cultural power.” With Ruling Culture, Fiona Greenland traces how Italy came to wield such extensive legal authority, global power, and cultural influence—from the nineteenth century unification of Italy and the passage of novel heritage laws, to current battles with the international art market. Today, Italy’s belief in its cultural superiority is evident through interactions between citizens, material culture, and the state—crystallized in the Art Squad, the highly visible military-police art protection unit. Greenland reveals the contemporary actors in this tale, taking a close look at the Art Squad and state archaeologists on one side and unauthorized excavators, thieves, and smugglers on the other. Drawing on years in Italy interviewing key figures and following leads, Greenland presents a multifaceted story of art crime, cultural diplomacy, and struggles between international powers.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The arrival in 1532 of a small group of Spanish conquistadores at the Andean town of Cajamarca launched one of the most dramatic – and often misunderstood – events in world history. In Inca Apocalypse: The Spanish Conquest and the Transformation of the Andean World (Oxford UP, 2020), R. Alan Covey draws upon a wealth of new archaeological and archival discoveries to detail the remarkable events that ended one empire and transformed another. From this he builds a new narrative that highlights the apocalyptic mindsets of the two empires and how these shaped the interactions between the Spanish and the Inca. As Covey explains, the Spaniards arrived at a point when the Incan empire was coping with the disruptions caused by a civil war and a devastating pandemic. To the Inca and their neighbors, the Spaniards were yet another disruptive force, one that different groups in the region sought to exploit for their own purposes. The result was twenty years of political infighting and warfare, culminating in the defeat of insurrectionary Spaniards by a force of Incans fighting on behalf of the king of Spain. Though such maneuvering helped preserve a degree of status for the Inca elite, it opened the way for the gradual absorption of the Inca into the Spanish empire in a process that played out over the following century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology