Philosophy, Ideas, Critical Thinking, Ethics & Morality: The Creative Process: Philosophers, Writers, Educators, Creative Thinkers, Spiritual Leaders, Environmentalists & Bioethicists

“I think my role and where I'm most comfortable is focusing on the economic harms that the choices this administration is making will limit access to affordable, clean energy. Affordable energy overall, and that they will wind up harming the American people. EDF is standing up and fighting the Trump administration in court every single day. We believe, based on the facts and the law, that we have very good cases and expect to see more wins than not. When the government sets aside all of the things they need to do to land appropriately and just say, "We don't care. This is what Donald Trump wants," there is recourse to step in, intervene, and challenge that. They were sloppy the first time he was president. They're even more brazen now.”David Kieve has been on the front lines of some of the most critical environmental debates of our time. Before becoming president of EDF Action, the advocacy and political arm of the Environmental Defense Fund, he was in the White House as the director of public engagement at the Council on Environmental Quality. But his journey to the West Wing started on the campaign trail, where he was tasked with a unique role: convincing a broad coalition of voters that Joe Biden was the candidate to tackle the climate crisis. He is a strategist who understands not just the science of climate change but what it takes to implement those policies. We talk about connecting climate policy to everyday costs and the political will required to confront climate change.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms that I then started trying in my classrooms as well. I also really liked their educational philosophies, thinking about what it means for college to be free and the fact that they were teaching during this revolutionary era. What would that look like today? What would it mean? What could free college bring to our society? What does free college make possible? All of those things coming together led me to the project.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Danica Savonick about her marvelous book entitled Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College. This is a riveting and deeply inspiring story of how each of these luminaries in the fields of literature and feminism found their way into the City University of New York in the 1960s, when community activists had forced open what was called the Harvard for the proletariat to admit new classes of Black, brown, and other people of color.  Savonick shows through copious archival research how Bambara, Jordan, Lorde, and Rich each came to find radical teaching methods in collaboration with these new students, and how their experiences with this new pedagogy affected their creative and other writing in profound and lasting ways. This is a critical history we can and must learn from today, when federal and state governments have added to the damage and violence done by the neoliberal university. We find exactly the tools and models we need to create spaces for education for liberation both within, but also outside, the Academy.Danica Savonick is an Associate Professor of English at SUNY Cortland. Her current project focuses on the radical writers and artists who taught at the experimental Livingston College (part of Rutgers University) in the 1970s. Her research has appeared in MELUS, American Literature, Modern Fiction Studies, Radical Teacher, Keywords for Digital Pedagogy in the Humanities, Public Books, and The Chronicle of Higher Ed.https://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“The origin was really trying to make sense of that 2016-2017 moment and to ask whether the alt-right was, as we were being told, a return to the 1930s, a kind of awakening of the sleeping beast of white supremacy armed in the streets in the United States. There are many explanations, but I decided to take this kind of curious route in with the distorted readings and reinterpretations of the works of people like Ludwig von Mises and Friedrich Hayek. As a scholar of comparative literature, I wanted to write a revision based on Crack-Up Capitalism.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Quinn Slobodian about his new book, Hayek’s Bastards: Race, Gold, IQ, and the Capitalism of the Far Right. He takes a deep dive into the genesis of a weird and powerful merging of two seemingly different groups the Far Right and neoliberals. Slobodian writes, “as repellent as their politics may be these radical thinkers are not barbarians the gates of neoliberalism but the bastard offspring of that line of thought itself.” They talk about how this meshing is driven by a primitive desire to ward off egalitarianism, difference, democracy, and government that services the common good. The wide-ranging talk ends with addressing DOGE, Trump's tariffs, and yes, the Jeffrey Epstein case.Quinn Slobodian is a professor of international history at the Frederick S. Pardee School of Global Studies at Boston University. His books, which have been translated into ten languages, include Globalists: The End of Empire and the Birth of Neoliberalism, Crack-Up Capitalism: Market Radicals and the Dream of a World without Democracy, and Hayek’s Bastards: Race, Gold, IQ and the Capitalism of the Far Right . A Guggenheim Fellow for 2025-6, he has been an associate fellow at Chatham House and held residential fellowships at Harvard University and Free University Berlin. Project Syndicate put him on a list of 30 Forward Thinkers and Prospect UK named him one of the World’s 25 Top Thinkers.https://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I want people to understand South Asian art as broader than a single gallery or a single artist, but as a larger cultural movement. I want people to encounter art in all parts of their lives, and I’m constantly thinking about new ways to achieve that. I was very aware, as someone launching a South Asia-focused gallery, that this was the cultural dynamic that undergirded the way that most people in the West were thinking about art from the region. Taking that on directly and inviting artists to work with that theme was a really important ground for setting the ethos of the gallery and the types of critical questions we wanted to tackle with the work we were doing.”My guest today is Rajiv Menon, a gallerist and curator who is carving out a distinctive space in the contemporary art world. Based in Los Angeles, Rajiv Menon holds a PhD from NYU, where he studied global media and visual culture, and he's also a passionate collector of South Asian art. He founded Rajiv Menon Contemporary with a clear mission: to bring artists from South Asia and its diaspora to a wider audience, and to cultivate a new generation of art collectors within these communities. His exhibitions have tackled fascinating themes, from the exuberant and sometimes overwhelming world of the Indian wedding through Viraj Khanna's intricate textile art in Why Did I Say Yes?, to a deep dive into the creativity of Kerala in Three Steps of Land, and a compelling look at how artists transform nostalgia into an aesthetic movement in The Past Is a Country. His work resonates far beyond the gallery walls, aiming to shift our collective culture. He's also recently been honored by the City of Los Angeles for his contributions to the arts. @rajivmenoncontemporaryEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?PAUL SHRIVASTAVA (Co-President of The Club of Rome) discusses the need for a holistic, eco-civilizational future, emphasizing that science, technology, and economics are important but not the whole picture. He urges us to design our own lives and livelihoods to meet diverse ecological futures, and later highlights the importance of embodied, emotional, and spiritual learning as essential to evolving human consciousness in a technologically dominated world.BAYO AKOMOLAFE (Philosopher, Psychologist, Writer & Founder of the Emergence Network) shares a deeply personal story about the loss of his father, describing how it forced him to mature quickly and become the breadwinner for his family. He reflects on the lessons learned from his children, especially his autistic son, who teaches him about grace, possibility, and futurity.MICHEL FORST (Human Rights Advocate & the UN Special Rapporteur on Environmental Defenders) explores how theology and meditation serve as ongoing sources of inspiration, shaping his values and career choices in human rights advocacy.DR. GUY LESCHZINER(Neurologist & Author of The Nocturnal Brain, The Man Who Tasted Words  & other books; Consultant Neurologist & Professor at King's College London) analyzes the concept of free will, suggesting that much of what we do is influenced by factors beyond our control. He also discusses the importance of striving to make the world better, the role of sleep and dreams in memory and emotional processing, and the changing nature of mentorship and education.EIREN CAFFALL (Musician & Author of All the Water in the World) highlights the importance of preserving knowledge and human history, imagining how future generations might rebuild society after catastrophe by holding onto stories, traditions, and the hope of repair.DR. FERNANDO GARCÍA-MORENO (Neuroscientist, Ikerbasque Research Associate at the Achucarro Basque Centre for Neuroscience) explains that while our brains have not changed biologically for thousands of years, cultural evolution has accelerated. He emphasizes the unique human roles of generating and transmitting knowledge across generations.NATASHA HAKIMI ZAPATA (Journalist, Author of Another World Is Possible: Lessons for America From Around the Globe) shares her inspiration from the generosity and hope she encounters in others, and describes how connecting with nature—especially bodies of water—reinforces the importance of conservation policies that integrate human communities into ecosystems.IRVIN WEATHERSBY JR. (Author of In Open Contempt) reflects on the influence of his church upbringing and family, especially his grandmother, on his writing and creative expression. He discusses the impact of music, particularly hip hop, and the importance of lyricism and cultural heritage in shaping his literary voice.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things.”In this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Dan Hicks about the present’s responsibility to itself. How do not only monuments, but also the very idea of monumentality, serve to mystify and perpetuate beliefs that maintain social orders that deserve to be strenuously re-evaluated? Archaeologist and anthropologist Dan Hicks traces the development of a particularly virulent strain of monument-worship, that which emerges out of what he calls “militarist realism,” which harnesses technologies of war, particularly colonial, white supremacist war, to build institutions, disciplines, museums in its image in order to permanently maintain a border between those deemed human subjects and the object-worlds of the non-human—which includes racial others. Rather than grant the past immunity, Hicks argues that we need to decide for ourselves what we chose to remember, and what deserves to be forgotten.Dan Hicks is Professor of Contemporary Archaeology at Oxford University, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College. He has written widely on art, heritage, museums, colonialism, and the material culture of the recent past and the near-present. Dan's books include The Brutish Museums: the Benin Bronzes, colonial violence and cultural restitution (Pluto 2020) and Every Monument Will Fall: a story of remembering and forgetting (Hutchinson Heinemann 2025). Bluesky/Insta: @ProfDanHicks www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn’t make sense. We’re growing animals to produce food that we can’t eat so that we can ship it halfway around the world. It’s a system that doesn’t work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can’t handle any more carbon absorption; they’re acidifying and heating up. We need to take the carbon we’ve emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I think the community came together more when we started getting those notices about people being swept up by these supposedly ICE agents who are just covered up. So that was the thing that made us come out there and start defending everyone who doesn't want to come out to defend themselves.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu speaks with Daniela Navin and Jeanette de La Riva, two members of Grupo Auto Defensa a community organization based in Pasadena CA, which has come about in response to attacks by ICE, which have violently disrupted everyday life and led people to form new relations of mutual support and care. We hear their stories of how Trump lieutenant Stephen Miller's demand that ICE arrest 3000 people every day has put unbelievable constraints on hard-working people's lives. Nevertheless, we also hear how they have invented tactics to challenge these repressive measures. We are joined by journalist-activist Maxmillian Alvarez of The Real News Network who grew up in Los Angeles and comments on the broad networks of resistance cropping up organically to fight fascism.Maximillian Alvarez is an award-winning journalist and the Editor-in-Chief and Co-Executive Director of The Real News Network (TRNN) in Baltimore. He is the founder and host of Working People, "a podcast about the lives, jobs, dreams, and struggles of the working class today," and the author of "The Work of Living," a collection of interviews with US workers recorded during Year One of the COVID-19 pandemic. Prior to joining TRNN, he was an Associate Editor at the Chronicle Review. His writing has been featured in outlets like The Nation, In These Times, Poynter, Boston Review, The Baffler, Current Affairs, and The Chronicle of Higher Education; as an analyst and commentator, he has appeared on programs like PBS NewsHour, Breaking Points, Democracy Now!, The New Republic, NPR’s 1A, The Hill’s Rising, and more.www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,’ have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast