New Books in Politics and Polemics

Many Canadians think of their country as a paragon of liberal democratic values at home, and a moderating force on the world stage—not so, argues the compelling new edited collection from Fernwood Publishing, Capitalism and Dispossession: Corporate Canada at Home and Abroad. In this conversation with co-editors, Dr. David P Thomas and Dr. Veldon Coburn, we discuss the book’s numerous case studies of how the Canadian state, and the corporate actors to which it delegates authority, are central actors within a system of global capitalism that is premised on processes of accumulation by dispossession in order to reproduce itself.Phil Henderson is a SSHRC Postdoctoral Research Fellow at Carleton University’s Institute of Political Economy where his research interests focus on the interrelations between Indigenous land/water defenders and organized labour in what’s presently known as Canada. More information can be found at his personal website. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Since the global financial crash of 2008, artists have become increasingly engaged in a wide range of cultural activism targeted against capitalism, political authoritarianism, colonial legacies, gentrification, but also in opposition to their own exploitation. They have also absorbed and reflected forms of protest within their art practice itself. The Art of Activism and the Activism of Art (Lund Humphries, 2021) maps, critiques, and celebrates activist art, exploring its current urgency alongside the processes which have given rise to activism by artists, and activist forms of art.Gregory Sholette speaks to Pierre d'Alancaisez about the vanishing distinctions between art, art activism, and traditional political activism, and the political dimensions of culture in a hyper-aestheticised world that is indicative of a broader crisis of capitalism. Sholette describes a new wave of activist art taking place not only within community-based protest groups, as it has for decades, but amongst professionally trained artists many of whom refuse to respect the conventional borders separating painting from protest, or art from utility.Gregory Sholette is an artist, writer, and activist. He has participated in, documented, and written about activist art for over forty years. He is the co-convenor of the school Social Practice Queens, a pioneering programme training artists to become social and political activists. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Enjoyment appears as purely private matter, but this is by far not the case. Ever since Aristotle the philosophical social critique is tormented by the question, whether the libidinal tendencies of human subjects allow the construction of a just political-economic order. It seemed at first that in modernity this problem had been overcome. Economic liberalism and utilitarianism argued that egoistic private interests and social justice were directly linked and that capitalism united libidinal and political economy in the best possible manner. But the political-economic panorama soon turned out significantly more complex and contradictory. Tomšič’s book The Labour of Enjoyment: Towards a Critique of Libidinal Economy (Walther Konig Verlag, 2020) recalls central Marxian and Freudian insights and circumscribes the political stakes of psychoanalysis under the general banner of a Critique of Libidinal Economy.Samo Tomšič is interim professor of philosophy in Hamburg at the University of Fine Arts.Reuben Niewenhuis is interested in philosophy, theory, technology, and interdisciplinary topics. Subscribe to his interviews here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

The Democratic Socialists of America have exploded in the last few years, going from just a couple thousand members to close to a hundred thousand. This was from a combination of factors; two insurgent presidential campaigns by Bernie Sanders, a proto-fascistic movement coalescing around Donald Trump, the specter of climate change, a worldwide pandemic, general increasing economic inequality and a general sense that this world is bad but a better one might be possible. But what exactly is the underlying political philosophy of this organization? Is it actually for socialism, or capitalism with a stronger safety net? Is it a subsection of the Democratic party, or an independent movement? And how does it see political and historical change actually happening?In order to answer these questions, my guest Doug Greene has written a biography of the organizations founder, Michael Harrington. Starting with his early life in Jesuit education, Greene tracks Harrington’s political development through the 1950’s all the way up to 1982 when he founded DSA. Along the way, Harrington developed a conception of political change that would happen within the Democratic party, a conception that still clearly animates the approach of many on the left today. Written as a comradely critique, Failure of Vision: Michael Harrington and the Limits of Democratic Socialism (Zero Books, 2022) manages to give a genealogy of many of the tensions that still run through the contemporary left, and offers a sobering assessment of what can actually be accomplished when playing by realism’s rules.Doug Greene is a freelance writer and historian in Boston. He is also the author of Communist Insurgent: Blanqui’s Politics of Revolution. His writing has also appeared in a number of outlets, including Left Voice. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

How are art and social justice intertwined? In Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism Paula Serafini, a Lecturer in Creative and Cultural Industries at Queen Mary University of London, explores the importance of art, artistic practice, and artistic movements to the struggle for social, environmental, and cultural justice in Latin America. Primarily focused on case studies from Argentina, although reflecting the cross-national nature of art and justice struggles, the book introduces the idea of extractivism, and demonstrates how art can be used to critique, challenge, and offer alternatives. Theoretically rich, with a huge range of examples, the book is essential reading across the arts, cultural studies, and social sciences, as well as for anyone interested in how art can change, and perhaps even save, the world.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Decolonisation has lost its way. Originally a struggle to escape the West’s direct political and economic control, it has become a catch-all idea, often for performing ‘morality’ or ‘authenticity’. In Against Decolonization: Taking African Agency Seriously (Hurst, 2022), Olúfẹ́mi Táíwò fiercely rejects the indiscriminate application of ‘decolonisation’ to everything from literature, language and philosophy to sociology, psychology and medicine.Olúfẹ́mi Táíwò speaks to Pierre d’Alancaisez about the project of ‘decolonisation’ as intellectually unsound and unrealistic. Táíwò rejects decolonisation’s conflation of modernity with coloniality and takes to task the decolonisers’ confused attempts at undoing of global society’s foundations.He argues that the decolonisation industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa. Worst of all, today’s movement attacks its own cause: ‘decolonisers’ themselves are disregarding, infantilising and imposing values on contemporary African thinkers.This much-needed intervention questions whether today’s ‘decolonisation’ truly serves African empowerment. Táíwò’s is a bold challenge to respect African intellectuals as innovative adaptors, appropriators and synthesisers of ideas they have always seen as universally relevant.Olúfẹ́mi Táíwò is Professor of African Political Thought and Chair at the Africana Studies and Research Center, Cornell University. His writings have been translated into French, Italian, German and Portuguese. His book How Colonialism Preempted Modernity in Africa won the Frantz Fanon Award in 2015.NBN interview with Olúfẹ́mi on Africa Must Be ModernPierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Capital is currently cannibalizing every sphere of life–guzzling wealth from nature and racialized populations, sucking up our ability to care for each other, and gutting the practice of politics. In Cannibal Capitalism: How our System is Devouring Democracy, Care, and the Planet and What We Can Do About It (Verso, 2022), leading Marxist feminist theorist Nancy Fraser charts the voracious appetite of capital, tracking it from crisis point to crisis point, from ecological devastation to the collapse of democracy, from racial violence to the devaluing of care work. These crisis points all come to a head in Covid-19, which Fraser argues can help us envision the resistance we need to end the feeding frenzy.What we need, she argues, is a wide-ranging socialist movement that can recognize the rapaciousness of capital - and starve it to death.Nancy Fraser is Henry and Louise A. Loeb Professor of Philosophy and Politics at the New School for Social Research. She is the author of Fortunes of Feminism and The Old is Dying and the New Cannot be Born, and co-author of Capitalism: A Conversation and Feminism for the 99%.Brian Hamilton is Chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Why do some scholars sacrifice truth and logic to political ideology and peer acceptance?With courage and intellectual integrity, queer scholar-activist Corinne Blackmer stages a pointed critique of scholars whose anti-Israel bias pervades their activism as well as their academic work. In contrast to the posturing that characterizes her colleagues’ work, this work demonstrates true scholarship and makes an important contribution to the field of Israel studies.In Queering Anti-Zionism: Academic Freedom, LGBTQ Intellectuals, and Israel/Palestine Campus Activism (Wayne State UP, 2022), Blackmer demonstrates how the Boycott, Divestment, and Sanctions (BDS) movement that seeks to delegitimize and isolate Israel has become a central part of social justice advocacy on campus, particularly within gender and sexuality studies programs. The chapters focus on the intellectual work of Sarah Schulman, Jasbir Puar, Angela Davis, Dean Spade, and Judith Butler, demonstrating how they misapply critical theory in their discussions of the State of Israel.Blackmer shows how these LGBTQ intellectuals mobilize queer theory and intersectionality to support the BDS movement at the expense of academic freedom, open discourse, and intellectual integrity.Send comments and suggestions to: reneeg@vanleer.org.il Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In this episode from the Institute’s Vault, we hear from Tod Gitlin. Gitlin was president of the Students for a Democratic Society, and went on to become a sociologist, political activist, and journalist, teaching at Berkeley, NYU and Columbia. He wrote sixteen books, and spoke at the Institute in 2007 about his book, The Bulldozer and the Big Tent: Blind Republicans, Lame Democrats, and the Recovery of American Ideals. Gitlin died in February 2022. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In his new book Islam and Anarchism: Relationships and Resonances (Pluto Press, 2022), Mohamed Abdou reimagines the parameters of political Islam and the possibilities of anarchistic interpretation of Islam and Islamic interpretation of anarchism, which is conceptualized as “Anarcha-Islam.” Rooted in the hermeneutical tradition of the Qur’an, the study draws from radical Indigenous, Black, Islamic anarchistic, and social movements discourses, as well as BIPOC and Queer thought. In outlining the commitments of anarcha-Islam, the book covers topics of non-authoritarian structures of governmentality, non-capitalist approaches to property and caretaking, and approaches to self-defensive violence. The book will be of use to scholars who think and teach on Qur’anic hermeneutics, political Islam, social movements, critical race studies, and decolonial approaches to Islam and Muslim communities. The book is also written particularly for activists on the ground involved in social movements and organizing.Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics