Book Fight

We revisit the topic of writers conferences, and offer advice on how to choose a good one. Also: do writers need to be well-versed in the literary canon (however that might be defined), or is it ok to mostly read contemporary work? And how can you add conflict and tension to a book without much plot?

A dystopian Russian novel that explores life after a mysterious "blast" has turned back history, leaving a barely-literate population toiling in mind-numbing jobs and trapping rodents for currency. We try to put the book into some context, talk about Tolstaya's other work, and Tom mulls a new segment that involves him watching terrible daytime television.

We recorded this episode pretty late at night. I am posting this episode recap pretty late at night. We talked about some things, like how much MFAs cost, whether grad student pay rates are fair, and why Tom is so anal retentive about organizing books on his super fancy bookshelves. We also talked about Baywatch. And now you can download our conversation and put it in your ears. Isn't modern life wonderful?

This book won the Man Booker prize, though at least one of us might have thrown it across his living room. We talk about funny novels versus "comic novels," middle-aged male novelists who can't stop writing about their penises, and when it's okay to quit on a book. Also, Mike's got another edition of Fan Fiction Corner, featuring some alternate-universe TV fan fic, and ... well, spanking. You can buy Mike's recommended album here. You can find out more about the podcast here.

Finally, listeners, it's here. We're reading the best-selling novel by Tom's nemesis and America's sweetheart, Q. Will Mike be won over by Pat Peoples' struggle to overcome a traumatic brain injury? Will Tom punch Mike in the face? We talk about the book's treatment of race and mental illness, whether its details about football fandom are accurate, and how it might serve as a "playbook," if you will, for how to write a commercially successful novel.

First up this week, Tom checks out several apps promising to provide writing prompts and creative inspiration. In our second segment we're joined by Lucas Mann, author of Class A: Baseball in the Middle of Everywhere, to discuss "unlikeable" narrators in nonfiction, and how to turn yourself into a character.

Well, it's the end of March, and finally Mike gets a pick: Ben Lerner's much-celebrated 2011 novel about a poet on a Fullbright in Spain struggling with a series of major and minor existential crises. We talk about poetry and "poetry," people having "profound experiences of art," and what makes writers' identity crises interesting or not. Mike's also got a new installment of Fan Fiction Corner, much to Tom's chagrin. This week we're checking out fan fiction about characters from the literary canon. For more, visit us online at bookfightpod.com. And check out Barrelhouse's various offerings at barrelhousemag.com. Also, there's still time to register for our D.C. writers' conference, Conversations and Connections, happening this weekend (April 5th).

This week we're answering questions about how to best make use of your limited writing time, and how to jolt yourself into action when you're between projects. How do you pick your next project? How do you generate material when you're not sure what you want to write? How do you choose between a bunch of potential writing projects when you've only got so many hours in the day? We also revisit the 2010 dust-up over the (apparent) increase of present-tense narration in novels, and whether there's a cultural significance to the rise of the present tense. For more, visit us online at bookfightpod.com

We're joined by musician and novelist Wesley Stace (who you may also know as John Wesley Harding) to discuss the first book in Anthony Powell's 12-novel cycle A Dance to the Music of Time. Mike geeks out over meeting one of his favorite musicians, then we talk about Powell's book, Stace's career, and people's general distrust of actors and musicians who write novels. Plus a lightning round featuring cricket, apple pie beds, and Mr. Bean.

Lots of websites and conferences claim they'll help you hone your "elevator pitch," but is this a useful skill for a writer? This week we're taking writing conferences, the agent querying process, and potential scams writers should look out for. We also answer a listener question about how to create confident protagonists who don't come off as parodies of confidence. For more--including links to the story of Melanie Mills--visit us at bookfightpod.com.