Book Fight

Mike Ingram and Tom McAllister
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Nov 4, 2019 • 1h 1min

Ep 301: Stories And Time

This week, we're on the hunt for stories that do interesting things with time. More specifically, we talk about how "time" can be a useful angle into talking about story structure in a creative writing class. Our story picks are Stuart Dybek's "Paper Lanterns" and Raymond Carver's "Are These Actual Miles?" (or, "What Is It," depending on what version of the story you've got). Also: it's November, which means it's National Novel Writing Month, which means it's time for us to visit the NaNoWriMo forums! If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Oct 28, 2019 • 54min

Ep 300: Quest Stories

This week, you might say that we're on a quest to find the best quest story to teach in a creative writing class. For years, both of us have taught Sherman Alexie's "What You Pawn I Will Redeem," but for a variety of reasons--including accusations of sexual harassment against the author--we're looking for something new. Will it be Charles Yu's story "Fable," or Chris Offutt's "Out of the Woods"? If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Oct 21, 2019 • 56min

Ep 299: Setting

This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces where setting plays a strong role: Tony Earley's "The Prophet From Jupiter" and "Roots" by Michael Crummey. We talk about how both authors evoke a strong sense of place through small details, and how to discuss that kind of world-building with creative writing students. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Oct 14, 2019 • 52min

Ep 298: Breakup Stories

This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces about breakups: Courtney Bird, "Still Life, With Mummies" and "Cat Person" by Kristen Roupenian. You might remember the latter as "that story that went viral and briefly broke the internet," spurring hot takes from a bunch of people who seemingly hadn't read a short story in a very long time.   If you like the show, and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Oct 7, 2019 • 1h 3min

Ep 297: Magical Realist Stories

This week, we're continuing our quest for the best stories to use in a creative writing course, with pieces that incorporate magical elements: "The Healer" by Aimee Bender versus a trio of very short stories by Etgar Keret. We talk about what the term "magical realism" actually means, and how we introduce it in the classroom. We also discuss ways to open up a fiction class to a diversity of styles and genres while still assuring that students are challenging themselves and trying new things. Plus: Are magicians creeps? And Tom revisits the work of Jim Harrison, mostly out of spite. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Sep 30, 2019 • 1h 5min

Ep 296: Second Person Stories

This fall, we're exploring the canon of creative writing, trying to find the best stories to teach in creative writing classes. Each week we'll have a different theme, either a craft element or type of story, and we'll each nominate a story we think works particularly well in the classroom. We'll pit the stories against each other and by the end of the episode crown a winner. This week we've got two second person stories: "How to Leave Hialeah," by Jennine Capo Crucet, going up against Lorrie Moore's "How to Be an Other Woman." If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Sep 23, 2019 • 1h 10min

Ep 295: Unreliable Narrators

It's a new season on the calendar, and that means a new season of Book Fight. This fall, we're going to be exploring the canon of creative writing, trying to find the best stories to teach in creative writing classes. Each week we'll have a different theme, either a craft element or type of story, and we'll each nominate a story we think works particularly well in the classroom. We'll pit the stories against each other and by the end of the episode crown a winner. This week we've got Denis Johnson going up against Matthew Vollmer, with two stories featuring unreliable narrators: "Emergency" and "Will and Testament." If you like the show, and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest--and steamiest!--novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Sep 16, 2019 • 1h 3min

Ep 294: Virginia Woolf, To the Lighthouse

It's the last week of our Summer School season, and we're ending on a book (and author) Tom had never read. Topics include: Diner en Blanc, the titular lighthouse (and whether they'll ever reach it), mental health, donut holes, pumpkin spice, and why the kids these days love the TV show Friends. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest romance novels. We've also recently begun a new series of Patreon-only mini-episodes called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations.
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Sep 9, 2019 • 54min

Ep 293: Ford Madox Ford, The Good Soldier

For years, Mike would see references to Ford Madox Ford in articles about famous modernist writers and think: "I should really check that guy out one of these days." Well, listeners, that day is today. Mike drags Tom along for an exploration of The Good Soldier, Ford's most famous book, a short novel about two couples whose lives intersect at a German spa for people with heart ailments. "This is the saddest story I have ever heard," the book begins, before plunging readers into a sometimes disorienting tale of infidelity and (maybe?) murder. We talk about the book's non-chronological storytelling technique, as well as the unreliable narrator at its center, whose version of events we're never quite sure how much to trust. Also this week: #DonutQuest2019 continues, with Tom bringing over a couple samplings from his home state of New Jersey.
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Sep 2, 2019 • 55min

Ep 292: Jim Harrison, "The Summer He Didn't Die"

This week is a Tom pick: a novella by Jim Harrison featuring his beloved character Brown Dog. In "The Summer He Didn't Die," Brown Dog has some tooth problems, and also some sex. Just regular old Brown Dog stuff. Harrison is considered a master of the novella form, and a chronicler of Michigan's Upper Peninsula. Is this his best work? Reviews are mixed. Also this week: Mike continues his summer-long quest for a good donut, with a return trip to Philly favorite Federal Donuts. If you like the show and would like more Book Fight in your life, consider subscribing to our Patreon. For $5/month, you'll get access to regular bonus episodes, including monthly episodes of Book Fight After Dark, where we read some of the world's weirdest romance novels. And starting this week, we'll be adding new mini-episodes in a series called Reading the Room, in which we offer advice on how to navigate awkward, writing-related social situations. Thanks for listening!

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