New Books in Sex, Sexuality, and Sex Work

Scholars Stephen Engel and Timothy Lyle have a new book that dives into the thinking around power, political and cultural progress, and the LGBTQ+ communities in the United States. This book is fascinating and important in examining not only policy developments around rights and full citizenship for members of the LGBTQ+ communities, but also how these discussions and dialogues shape thinking about access to rights and dimensions of full citizenship. The overarching title of the book, Disrupting Dignity: Rethinking Power and Progress in LGBTQ Lives (NYU Press, 2021), gets to the heart of the rhetoric in the debate, specifically this concept of “dignity” and how dignity has become a particularly thorny component of defining out political, legal, and civil rights for the LGBTQ+ community. Both Engel and Lyle note that they found the term dignity very clearly associated with the legal reasoning in judicial opinions around LGBTQ+ rights, that it was a celebrated status, and that while it was more commonly used in international political rhetoric or in the legal dialogue in other countries, it is far less common in the United States and the U.S. legal tradition. And yet, it kept getting connected to the expansion of LGBTQ+ rights. Often, we think of dignity as an unalloyed good, but Engel and Lyle, as they start to unpack the way in which this term and concept are used, begin to reconsider exactly how and why this term, dignity, is also so often connected with LGBTQ+ communities, and not as connected to other communities and their legal, political, and civil rights. Engel and Lyle consider the way in which dignity is bestowed by the state, and in this way, how it becomes a tool of power. There is also the question of whether the way in which dignity is integrated into legal decisions helps to widen out equality, or does it instead redefine boundaries of otherness and inequality.In exploring the concept of dignity, especially as it has been connected to the expansion of LGBTQ+ rights, Engel and Lyle take the reader through three different case studies that examine the evolving rights status and rhetorical presentations of these kinds of dialogues and representations. These three case studies are kind of dialectics, in that they present two sides, often in tension with each other, wrestling with the power of the state, the individual’s rights, the social and cultural understandings of these situations, and the evolving outcomes. The first case study focuses in on the Politics of Public Health from AIDS to PREP. The second section of the book takes up popular culture representations of dignity—wrestling with the concept of sameness (in Love, Simon) in contrast with queer excess (in Pose). The final section of the book, and the part that might be of most interest to legal scholars, is the role of the courts in defining dignity in judicial opinions. This section also leads into the conclusion, as the authors take up the ongoing tension around the concept, implications, and use of dignity in regard to full citizenship, rights, and LGBTQ+ communities. Disrupting Dignity: Rethinking Power and Progress in LGBTQ Lives is a compelling exploration of the rights regimes in the United States and how the Constitution, the current cultural milieu, and the historical role of the state and state power have all contributed to this evolving question of full citizenship.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics Learn more about your ad choices. Visit megaphone.fm/adchoices

In Are Men Animals? How Modern Masculinity Sells Men Short (Basic Books, 2019), Matthew Gutmann examines how cultural expectations viewing men as violent and sex driven becomes a self-fulfilling prophecy. Dubious interpretations of the scientific study of the effects of testosterone, comparisons to the animal kingdom and the persistence of sex segregation reinforces ideas about what is natural. The idea that masculinity is the result of biology allows the “boys will be boys” excuse and reinforces patriarchal values harmful to women and setting false limits for male behavior. Presenting a cross-cultural survey Gutmann demonstrates how the variations across culture from Mexico to China contradict notions of a fixed masculinity. Seeing masculinity as a product of culture and malleable allows us to reimagine fathering, who is capable of leadership and offers new possibilities for how men and women will relate to each other.Matthew Gutmann is professor of anthropology at Brown University.Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we have John Christopoulos, Assistant Professor of History at the University of British Columbia, to talk about his new book, Abortion in Early Modern Italy (Harvard University Press, 2021)In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the “traditional family.” Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its practice varied.Bringing together medical, religious, and legal perspectives alongside a social and cultural history of sexuality, reproduction, and the family, Christopoulos offers a nuanced and convincing account of the meanings Italians ascribed to abortion and shows how prevailing ideas about the practice were spread, modified, and challenged. Christopoulos begins by introducing readers to prevailing ideas about abortion and women’s bodies, describing the widely available purgative medicines and surgeries that various healers and women themselves employed to terminate pregnancies. He then explores how these ideas and practices ran up against and shaped theology, medicine, and law. Catholic understanding of abortion was changing amid religious, legal, and scientific debates concerning the nature of human life, women’s bodies, and sexual politics. Christopoulos examines how ecclesiastical, secular, and medical authorities sought to regulate abortion, and how tribunals investigated and punished its procurers—or did not, even when they could have. Abortion in Early Modern Italy offers a compelling and sensitive study of abortion in a time of dramatic religious, scientific, and social change. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In There's a Disco Ball Between Us: A Theory of Black Gay Life (Duke UP, 2022), Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls “Black gay habits of mind.” In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Analysing materials from literature and film, this book considers the fates of women who did not or could not buy into the Japanese imperial ideology of "good wives, wise mothers" in support of male empire-building.Although many feminist critics have articulated women's active roles as dutiful collaborators for the Japanese empire, male-dominated narratives of empire-building have been largely supported and rectified. In contrast, the roles of marginalized women, such as sex workers, women entertainers, hostesses, and hibakusha have rarely been analyzed. This book addresses this intellectual lacuna by closely examining memories, (semi-)autobiographical stories, and newspaper articles, grounded or inspired by lived experiences not only in Japan, but also in Shanghai, Manchukuo, colonial Korea, and the Pacific. Chapters further explore the voices of diasporic Korean women (Zainichi Korean woman born in Japan, as well as Korean American woman born in Korea) whose lives were impacted, intervening ethnocentric narratives that were at the heart of the Japanese empire. An appendix presents the first English translation of a memorable statement on comfort women by former Japanese propaganda actress, Ri Kōran / Yamaguchi Yoshiko.Nobuko Ishitate-Okunomiya Yamasaki's book Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (Routledge, 2021) will appeal to students and scholars of Japanese literature and film studies, as well as gender, sexuality and postcolonial studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood. Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe.Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

A compelling study of medical and literary imaginations, Anne Linton's Unmaking Sex: The Gender Outlaws of Nineteenth-Century France (Cambridge University Press, 2022) examines the complex relationship between modes of seeing, thinking, and writing intersex bodies and lives. In this project, Linton brings a rich archive of medical cases from 1800 to 1902 into dialogue with canonical nineteenth-century authors (Honoré de Balzac, Théophile Gautier, and Emile Zola), as well as an impressive range of less well-known writers and popular fictions that captivated French readers during the period. Challenging the (Foucauldian) emphasis on the principle of a "true sex" that apparently preoccupied French doctors following the Napoleonic Code's regulation of sexual identification (within three days of birth), Linton looks at multiple instances in which the instability of sex, the uncertainties of bodies and their stories, came up again and again for medical and other observers. Revisiting the well-known case of Herculine Barbin, Linton situates Barbin's own account within the wider medical and literary worlds of nineteenth-century France. The book's earlier chapters lay a historical groundwork for subsequent closer readings of fictions that responded and contributed to a broader cultural fascination with sexual and gender identities, desires, and ambiguities. While historically specific in its research and arguments, Unmaking Sex offers much to readers interested in the past and present politics of medical, legal, and cultural debates surrounding intersex people, with implications well beyond the French context.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her book From Rage to Reason: Why We Need Sex Crime Laws Based on Facts, Not Fear (Bloomsbury Academic, 2023), Emily Horowitz shows how current sex-offense policies in the United States create new forms of harm and prevent those who have caused harm from the process of constructive repentance or contributing to society after punishment. Horowitz also illustrates the failure of criminal justice responses to social problems. Sharing detailed narratives from the experiences of those on registries and their loved ones, Horowitz reveals the social impact and cycle of violence that results from dehumanizing and banishing those who have already been held accountable.Emily Horowitz is professor of sociology and criminal justice at St. Francis College in Brooklyn, NY.Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Released in 1919, "Anders als die Andern" (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, "Anders als die Andern" is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates "Anders als die Andern"’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film’s release, Anders als die Andern (McGill-Queen's UP, 2023) serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.Ervin Malakaj is associate professor of German studies at the University of British Columbia.Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices

It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians: Sexuality and Gender in the Nineteenth-Century Archives (Oxford UP, 2022) argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition.LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.Simon Joyce is Professor of English, College of William and Mary. He holds a BA and MA from the University of Sussex and a PhD from the University of Buffalo. He is a Professor of English at the College of William and Mary in Virginia, where he teaches Victorian and modernist literature from Britain and Ireland and LGBTQI+ Studies.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices