New Books in Sex, Sexuality, and Sex Work

Gender and sexuality in modern Iran are frequently examined through the prisms of nationalist symbols and religious discourse. In Revolutionary Bodies: Technologies of Gender, Sex, and Self in Contemporary Iran (Bloomsbury, 2020), Kristin Soraya Batmanghelichi, Associate Professor at the University of Oslo, Norway, takes a different approach, by interrogating how normative ideas of women's bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources, including a popular women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran, Batmanghelichi argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic. In our conversation we discuss the regulation of gender & sexuality through bodily technologies, tensions between state notions of modernization and Islamization, how Iranian women were visualized in the pages of magazines, a micro-history of the Red-light district in Tehran, organizing sex work within Islamic frameworks through temporary marriages, reinforcing “Islamic” public morality through the regulation of public space, the disfiguring of female mannequins, the challenges of ethnographic research and learning to ask new questions, and notions of gendered work in contemporary Iran.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholars Heather Hlavka (Marquette University) and Sameena Mulla (Emory University) have written a new book that examines and interrogates the place and space of the courtroom, the use of expertise, especially scientific expertise, in the adjudicative process, and how this all intersects with race and gender in cases of sexual assault. Bodies in Evidence: Race, Gender, and Science in Sexual Assault Adjudication (NYU Press, 2021) is the result of a long-term ethnographic study of sexual assault cases in the city of Milwaukee, and how those cases, as they come through the legal system, re-animate cultural narratives and re-inscribe the authority associated with law courts and the legal system itself. A key focus of the research was in examining the ways in which medicolegal and forensic evidence was used in the trial process, and how the reliance on these scientific resources and those who narrate and explain these dimensions of evidence and information are often set in contrast with the experiences of the victim-witnesses in sexual assault cases.Hlavka and Mulla, and their team of students and research assistants, spent more than five years in the Milwaukee County Courthouse, sitting in at all aspects of the trial process, from jury selection to the trial itself, and more. During this time, all of the researchers observed the dynamics around how victims and victim-witnesses were assessed based on their class, race, virtue, gender, and how their very bodies were re-visited during the course of the evidence presentment. This analysis was seen in contrast to the approach to “expert” testimony in the form of medical professionals, forensic professionals, police, and legal professionals. Key points that come through the research, and thus through the book, note how the racialize and gendered narratives are clear within the interactions in the courtroom, but these dynamics do not generally come through in trial transcripts, opinions, or the judicial record of a case. Thus, the deeply lopsided racial dynamics of the courtroom are not clear in the written record but are starkly clear within the walls of the courtroom.Bodies in Evidence: Race, Gender, and Science in Sexual Assault Adjudication is a multi-layered, multi-method examination of how the judicial system, in context of sexual assault adjudication, does not, in fact, achieve what might be a just outcome in many situations. The adversarial legal system in the United States does not generally assist the communities that are often broken by this very process. Hlavka and Mulla also suggest that the investment in and use of forensic and scientific evidence has not, in fact, shifted the outcomes in these kinds of cases. Bodies in Evidence will be of interest to a great many readers, from a host of different perspectives and disciplines.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Knowing Women: Same-sex Intimacy, Gender, and Identity in Postcolonial Ghana (Cambridge UP, 2021) is a study of same-sex desire in West Africa, which explores the lives and friendships of working-class women in southern Ghana who are intimately involved with each other. Based on in-depth research of the life histories of women in the region, Serena O. Dankwa highlights the vibrancy of everyday same-sex intimacies that have not been captured in a globally pervasive language of sexual identity. Paying close attention to the women's practices of self-reference, Dankwa refers to them as 'knowing women' in a way that both distinguishes them from, and relates them to categories such as lesbian or supi, a Ghanaian term for female friend. In doing so, this study is not only a significant contribution to the field of global queer studies in which both women and Africa have been underrepresented, but a starting point to further theorize the relation between gender, kinship, and sexuality that is key to queer, feminist, and postcolonial theories. This title is also available as Open Access on Cambridge Core.Serena O. Dankwa is an Associate Researcher in the Institute of Social Anthropology and the Interdisciplinary Center for Gender Studies at the University of Bern and is affiliated with Institute of African Studies, University of Ghana, Legon. She previously held the Sarah Pettit Fellowship at Yale University and worked as a music journalist with Swiss Radio and Television.Today, she advocates for the rights and dignity of migrant sex workers and women of color in Switzerland. She is a co-founder of the Black women’s network Bla*Sh and a co-editor of the book Racial Profiling: Struktureller Rassismus und antirassistischer Widerstand (2019).Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Half of Faith: American Muslim Marriage and Divorce in the Twenty-First Century, readers find a wide range of texts on Muslim Americans’ experiences with questions of marriage and divorce in an effort to do what is deemed Islamically acceptable. This exciting reader, which brings together previously published as well as new content, includes the broad themes of wedding, marriage, and divorce in the Muslim American experience. More specifically, the reader aims to explore the diversity in Islamic legal and theoretical thought, marriage and divorce practices, marriage contracts, wedding customs, and related issues.In today’s very vibrant and engaging conversation, I speak with Kecia Ali, the editor of the reader, in addition to several contributors, who are Zahra Ayubi, Aminah McCloud, and Asifa Quraishi-Landes. Each scholar speaks on her contribution to the volume—Ayubi on divorce, Quraishi-Landes on marriage contracts and Islamic law, and McCloud on African American Muslim women as they transition to Islam, get married, and face issues of male guardianship. Further, we discuss why an Islamic marriage even matters to Muslims, and Kecia and Asifa share their views on fundamental issues with the Islamic marriage contract and whether, as Asifa suggests, it’s possible to re-imagine the Islamic marriage contract as a partnership contract rather than a sales contract.The book, which is available for free, with a searchable PDF, through Boston University’s website, will be of interest to scholars and researchers interested in questions of marriage and divorce generally but more specifically in the context of Islam; individual practicing Muslims who seek resources on nikaah contracts, Islamic law, and divorce; Muslim and other religious leaders who serve Muslim communities; and undergraduate and graduate students in women’s and gender studies as well as religious studies courses.Shehnaz Haqqani is an Assistant Professor of Religion at Mercer University. She earned her PhD in Islamic Studies with a focus on gender from the University of Texas at Austin in 2018. Her dissertation research explored questions of change and tradition, specifically in the context of gender and sexuality, in Islam. She is currently working on a book project on Muslim women's marriage to non-Muslims in Islam. Shehnaz runs a YouTube channel called What the Patriarchy?! (WTP?!), where she vlogs about feminism and Islam in an effort to dismantle the patriarchy and uproot it from Islam (ambitious, she knows). She can be reached at haqqani_s@mercer.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1960, University of Illinois professor Leo Koch wrote a public letter condoning premarital sex. He was fired. Four years later, a professor named Revilo Oliver made white supremacist remarks and claimed there was a massive communist conspiracy. He kept his job.Matthew Ehrlich revisits the Koch and Oliver cases to look at free speech, the legacy of the 1960s, and debates over sex and politics on campus. The different treatment of the two men marked a fundamental shift in the understanding of academic freedom. Their cases also embodied the stark divide over beliefs and values--a divide that remains today. Ehrlich delves into the issues behind these academic controversies and places the events in the context of a time rarely associated with dissent but in fact a harbinger of the social and political upheavals to come.An enlightening and entertaining history, Dangerous Ideas on Campus: Sex, Conspiracy, and Academic Freedom in the Age of JFK (University of Illinois Press) illuminates how the university became a battleground for debating America's hot-button issues.Matthew C. Ehrlich is a professor emeritus of journalism at the University of Illinois Urbana-Champaign. His books include Kansas City vs. Oakland: The Bitter Sports Rivalry That Defined an Era and Radio Utopia: Postwar Audio Documentary in the Public Interest, winner of the James W. Tankard Book Award.Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Queer Voices of the South I talk to Dr. Sherry Scott about her new book Playhouses: Sexuality and Fundamentalism, released in February 2022 by Black Rose Writing.Three cousins fiercely defended their roles within the sanctity of their playhouses. But a six-year stint in a fundamentalist religious organization thwarted Scott's developing understanding of sexual orientation. Homosexuality was an insidious, infective spirit that conferred fear upon her adolescent naiveté, eventually eroding the relationship with her cousins. Playhouses is a journey from corrosive indoctrination to celebrating the differences in others. "Reconciling who we were took years, but survival led to relational ties without fear and a heart for activism in the face of rising institutionalized discrimination."Sherry Scott, M.D., is a pediatrician who has practiced palliative/hospice care for children and general medicine. She self-published her first literary work, The Year My Mother Died, 2011. She founded Paris Poet's Society and published a juried anthology of poetry and photography: What Brings You Here, 2016. She serves on the board of the Gendercide Awareness Project, founded in Dallas. She lives with her family in Paris, Texas.Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which has been optioned for TV/film development. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at www.morrisardoin.com. Twitter: @morrisardoin Instagram: morrisardoin. Learn more about your ad choices. Visit megaphone.fm/adchoices

Increasingly fraught debates about sex, consent, feminism, justice, law, and gender relations have taken centre stage in academic, journalistic and social media circles in recent years. This has resulted in myriad new theories, debates and mediated movements including #MeToo and #TimesUp. In Sex, Consent, and Justice: A New Feminist Framework (Edinburgh UP), Tina Sikka explores many of the contradictions and tensions that make up these debates and movements. She looks at those that draw together contemporary understandings of justice, violence, consent, pleasure and desire.Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole M. Guidotti-Hernández once again engages in the fearless work of challenging structures of domination. In her most recent book, Archiving Mexican Masculinities in Diaspora (Duke University Press, 2021), Profesora Guidotti-Hernández theorizes through the idea of the masculinized Mexican subject and leads us to the possibilities of historicizing how masculinities are archived and to what degree their intimacies, desires, and emotions emerge in both private collections and public institutions. By taking a Latinx feminist and queer reading of two of the most well-known stories in Mexican History in the United States (the Flores Magón brothers and the Bracero Program), she provides us with an affective history of Mexican masculinities in diaspora. Guidotti-Hernández declares early on that “...migration and separation…altered gender relations and expressions of gender” (2). This critical understanding provides her with a foundation on which to unravel the rest of her manuscript.Dr. Nicole Guidotti-Hernández first came into contact with the highly-curated archives of these two historical flashpoints and saw what other scholars and public audiences were supposed to see, but, she writes, “Yet I also saw something else that was harder to put into words” (12-13). By exemplifying rigorous interdisciplinary research, she puts into words how migration structured and created feelings. Mexican men’s intimacies, emotions, and desires, as a result of separation, influenced their lives as political and economic subjects. Over 16 chapters and 290 pages, Guidotti-Hernández offers field-shifting contributions to Latinx Studies, histories of migration and labor, and Gender and Sexuality. Readers interested in Latinx feminist and queer approaches to history, and those interested in the history of Mexicans in the United States, should immediately get their copy of Archiving Mexican Masculinities in Diaspora.Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Learn more about your ad choices. Visit megaphone.fm/adchoices

We tend to associate Roe v. Wade, the landmark Supreme Court decision that decriminalized abortion in 1973, with the choice not to have children. But Roe was equally transformative for Americans' understanding of family--having and raising children also came to be thought of as a choice. In Reproduction Reconceived: Family Making and the Limits of Choice after Roe v. Wade (University of California Press, 2021), Sara Matthiesen highlights the distance between this idea of choice and worsening forms of inequality that have forced far too many to work harder simply to create and maintain a family. In this new and timely work, Matthiesen shows how the effects of incarceration, for-profit and racist healthcare, disease, and poverty have been worsened by state neglect. At its core, Reproduction Reconceived is an urgent historical account: of the myriad labors that families have been made to perform simply to survive, and of the inevitable costs that pile up when family making is seen as a private responsibility rather than a public good.Dr. Nicole Bourbonnais is an Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational historical perspective. More info here. Twitter: @iheid_history and @GC_IHEID Learn more about your ad choices. Visit megaphone.fm/adchoices

Patricia Tilburg's Working Girls: Sex, Taste, and Reform in the Parisian Garment Trades, 1880-1919 (Oxford University Press, 2019) is at once a cultural, gender, urban, and labour history of the Belle Epoque era. The midinette is the central figure the book chases across serval chapters. Named for the lunch hour when thousands of female garment workers spilled into the streets of Paris each day, this female garment worker became a symbol of French taste and skill, the embodiment of productive labour and the pleasures of the modern capital. Represented by a range of observers during the period as young, cheerful, attractive, and sexually available, the midinette became the subject of (male) fantasy and philanthropy, her image working to assuage anxieties about a rapidly changing world.The lived experiences and activisms of the women workers who inspired these projections play significant roles throughout the book. Using a wide array of sources--state and police documents, municipal and philanthropic archival collections, press, fiction, music, letters, and more--the author ensures that the conditions of their working lives, their voices and demands, do not get lost in the swirl of ideas surrounding them. A cultural history that moves deftly between the material and the metaphoric, Working Girls is a pleasure to read, and I so enjoyed speaking with its author.  Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices