New Books in Sex, Sexuality, and Sex Work

The Divine Institution: White Evangelicalism's Politics of the Family (Rutgers University Press, 2021) provides an account of how a theology of the family came to dominate a white evangelical tradition in the post-civil rights movement United States, providing a theological corollary to Religious Right politics. This tradition inherently enforces racial inequality in that it draws moral, religious, and political attention away from problems of racial and economic structural oppression, explaining all social problems as a failure of the individual to achieve the strong gender and sexual identities that ground the nuclear family. The consequences of this theology are both personal suffering for individuals who cannot measure up to prescribed gender and sexual roles, and political support for conservative government policies. Exposure to experiences that undermine the idea that an emphasis on the family is the solution to all social problems is causing a younger generation of white evangelicals to shift away from this narrow theological emphasis and toward a more social justice-oriented theology. The material and political effects of this shift remain to be seen.Sophie Bjork-James is an Assistant Professor of Anthropology at Vanderbilt University. She has over ten years of experience researching both the US based Religious Right and the white nationalist movements.She is the author of The Divine Institution: White Evangelicalism’s Politics of the Family (Rutgers 2021, winner of the the Anne Bolin & Gil Herdt Book Prize from the Human Sexuality and Anthropology Interest Group (HSAIG)) and the co-editor of Beyond Populism: Angry Politics and the Twilight of Neoliberalism (2020). Her work has appeared recently in American Anthropologist, Oxford Bibliographies, the Journal of the American Academy of Religion, Feminist Anthropology, and Transforming Anthropology. She has been interviewed on the NBC Nightly News, NPR’s All Things Considered, BBC Radio 4’s Today, and in the New York Times. She has published op-eds in the LA Times, Religious Dispatches, and the Conversation among others. She is a senior fellow with the Centre for the Analysis of the Radical Right and a fellow with the Institute for Research on Male Supremacism and a board member for the Society for the Anthropology of Religion.Joseph Gaines can be reached at jgaines1091@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Many of the hundreds of thousands of Syrians who immigrated to the US beginning in the 1870s worked as peddlers. Men were able to transgress Syrian norms related to marriage practices while they were traveling, while Syrian women accessed more economic autonomy though their participation in peddling networks. In Possible Histories: Arab Americans and the Queer Ecology of Peddling (U California Press, 2023), Charlotte Karem Albrecht explores this peddling economy of the late nineteenth and early twentieth centuries as a site for revealing how dominant ideas about sexuality are imbricated in Arab American racial histories. Karem Albrecht marshals a queer affective approach to community and family history to show how Syrian immigrant peddlers and their interdependent networks of labor and care appeared in interconnected discourses of modernity, sexuality, gender, class, and race. Possible Histories conceptualizes this profession, and its place in narratives of Arab American history, as a "queer ecology" of laboring practices, intimacies, and knowledge production. This book ultimately proposes a new understanding of the long arm of Arab American history that puts sexuality and gender at the heart of ways of navigating US racial systems.Charlotte Karem Albrecht is Associate Professor of American Culture and Women's and Gender Studies at the University of Michigan, Ann Arbor, where she is also a core faculty member for the Arab and Muslim American Studies program. You can find her on Twitter: @ckaremalbrechtNajwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why do women in contemporary western societies experience contradiction between their autonomous and maternal selves? What are the origins of this contradiction and the associated ‘double shift’ that result in widespread calls to either ‘lean in’ or ‘opt out’? How are some mothers subverting these contradictions and finding meaningful ways of reconciling their autonomous and maternal selves?In Modern Motherhood and Women’s Dual Identities: Rewriting the Sexual Contract (Routledge, 2018), Petra Bueskens argues that western modernisation consigned women to the home and released them from it in historically unprecedented, yet interconnected, ways. Her ground-breaking formulation is that western women are free as ‘individuals’ and constrained as mothers, with the twist that it is the former that produces the latter.Bueskens’ theoretical contribution consists of the identification and analysis of modern women’s duality, drawing on political philosophy, feminist theory and sociology tracking the changing nature of discourses of women, freedom and motherhood across three centuries. While the current literature points to the pervasiveness of contradiction and double-shifts for mothers, very little attention has been paid to how (some) women are subverting contradiction and ‘rewriting the sexual contract’. Bridging this gap, Bueskens’ interviews ten ‘revolving mothers’ to reveal how periodic absence, exceeding the standard work-day, disrupts the default position assigned to mothers in the home, and in turn disrupts the gendered dynamics of household work.Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period Learn more about your ad choices. Visit megaphone.fm/adchoices

Sexuality and gender have come to serve as measures for cultural belonging in discussions of the position of Muslim immigrants in multicultural Western societies. While the acceptance of assumed local norms such as sexual liberty and gender equality is seen as successful integration, rejecting them is regarded as a sign of failed citizenship. Focusing on premarital sex, homosexuality, and cohabitation outside marriage, Sexual Self-Fashioning: Iranian Dutch Narratives of Sexuality and Belonging (Berghahn Books, 2022) provides an ethnographic account of sexuality among the Iranian Dutch. It argues that by embracing, rejecting, and questioning modernity in stories about sexuality, the Iranian Dutch actively engage in processes of self-fashioning.Rahil Roodsaz is an Assistant Professor of Anthropology at the University of Amsterdam. Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathleen Lubey,'s book What Pornography Knows: Sex and Social Protest Since the Eighteenth Century (Stanford UP, 2022) offers a new history of pornography based on forgotten bawdy fiction of the eighteenth century, its nineteenth-century republication, and its appearance in 1960s paperbacks. Through close textual study, Lubey shows how these texts were edited across time to become what we think pornography is—a genre focused primarily on sex. Originally, they were far more variable, joining speculative philosophy and feminist theory to sexual description. Lubey's readings show that pornography always had a social consciousness—that it knew, long before anti-pornography feminists said it, that women and nonbinary people are disadvantaged by a society that grants sexual privilege to men. Rather than glorify this inequity, Lubey argues, the genre's central task has historically been to expose its artifice and envision social reform. Centering women's bodies, pornography refuses to divert its focus from genital action, forcing readers to connect sex with its social outcomes. Lubey offers a surprising take on a deeply misunderstood cultural form: pornography transforms sexual description into feminist commentary, revealing the genre's deep knowledge of how social inequities are perpetuated as well as its plans for how to rectify them.Kathleen Lubey is Professor of English at St. John's University. She is the author of Excitable Imaginations: Eroticism and Reading in Britain, 1660-1760 (2012).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Commercial dating agencies that facilitate marriages across national borders comprise a $2.5 billion global industry. Ideas about the industry are rife with stereotypes-younger, more physically attractive brides from non-Western countries being paired with older Western men. These ideas are more myth than fact, Monica Liu finds in Seeking Western Men: Email-Order Brides Under China's Global Rise (Stanford UP, 2022). Her study of China's email-order bride industry offers stories of Chinese women who are primarily middle-aged, divorced, and proactively seeking spouses to fulfill their material and sexual needs. What they seek in their Western partners is tied to what they believe they've lost in the shifting global economy around them. Ranging from multimillionaire entrepreneurs or ex-wives and mistresses of wealthy Chinese businessmen, to contingent sector workers and struggling single mothers, these women, along with their translators and potential husbands from the US, Canada, and Australia, make up the actors in this multifaceted story. Set against the backdrop of China's global economic ascendance and a relative decline of the West, this book asks: How does this reshape Chinese women's perception of Western masculinity? Through the unique window of global internet dating, this book reveals the shifting relationships of race, class, gender, sex, and intimacy across borders.Dr. Monica Liu is a sociologist whose teaching and research interests include gender, globalization, family, immigration, race/ethnicity, Asia and Asian America, digital technology/media, and qualitative methods. She has explored the phenomenon of global internet dating and cross-border marriage between women from China and men from English-speaking Western countries. She is currently working on a new project that examines institutional racism against Asian women leaders in higher education.Born and raised in China, Dr. Liu immigrated to the U.S. at the age of eight. Before joining the University of St. Thomas, she taught at Colgate University and Carleton College.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

First taking hold of the American cultural imagination in the 1990s, the sexual purity movement of contemporary evangelicalism has since received considerable attention from a wide range of media outlets, religious leaders, and feminist critics. Virgin Nation: Sexual Purity and American Adolescence (Oxford UP, 2015) offers a history of this movement that goes beyond the Religious Right, demonstrating a link between sexual purity rhetoric and fears of national decline that has shaped American ideas about morality since the nineteenth century.Concentrating on two of today's best known purity organizations, True Loves Waits and Silver Ring Thing, Sara Moslener's investigation reveals that purity work over the last two centuries has developed in concert with widespread fears of changing traditional gender roles and sexual norms, national decline, and global apocalypse. Moslener highlights a number of points in U.S. history when evangelical beliefs and values have seemed to provide viable explanations for and solutions to widespread cultural crises, resulting in the growth of their cultural and political influence. By asserting a causal relationship between sexual immorality, national decline, and apocalyptic anticipation, leaders have shaped a purity rhetoric that positions Protestant evangelicalism as the salvation of American civilization.From the purity reformers of the nineteenth century to fundamentalist leaders such as Billy Graham and Carl F.H. Henry, Moslener illuminates the evolution of a strain of purity rhetoric that runs throughout Protestant evangelicalism.Sara Moslener is a lecturer in the Department of Philosophy, Anthropology, and Religion at Central Michigan University, where she teaches courses on the history of religious and racial discrimination in the United States. Sara’s work has been featured in The Revealer, The Guardian, The Washington Post, The New York Times, Cosmopolitan Magazine, Sojourners Magazine, Jezebel, Religion Dispatches, Religion & Politics, Religion News Service, and The Baffler. She has appeared on numerous podcasts and is a regular contributor to the podcast Straight White American Jesus. Learn more about your ad choices. Visit megaphone.fm/adchoices

Seeing Sodomy in the Middle Ages (University of Chicago, 2015) explores the relation between sodomy and motifs of vision and visibility in medieval culture through the categories of gender and sexuality as we understand them today. Although substantial energy has already been devoted to examining the textual evidence of sodomy in the Middle Ages, Robert Mills's aim here is to add a further visual dimension to these discussions in what amounts to the first large-scale comparative analysis of sodomitical themes in medieval literary and visual art, built around an impressive range of texts and artworks from high and late medieval England, France, and Italy. As Mills shows, sodomy does enter the field of vision in certain contexts, despite being associated with a rhetoric of unmentionability. He shows why sodomy appears when it does and in which media and genres (e.g., commentaries on the Bible and Ovid s Metamorphoses, in manuscript illuminations and sculpture); how it shifts categories as a means of becoming visible (e.g., appearing in narratives involving age difference or gender transformation); and how, as readers/viewers, the process of translating the medieval category of sodomy into the languages of the present is at once a necessity and an impossibility. In a single stroke, Mills revises the way we think about well known medieval literary and visual materials in the light of twenty-first century thinking and the interaction between the visual and the textual, bringing both literary and art historical discourse on the subject to a new level of maturity."Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who is believed in our mediated world? In Believability: Sexual Violence, Media and the Politics of Doubt (Polity Press, 2023),  Sarah Banet-Weiser, Distinguished Professor at the University of Pennsylvania’s Annenberg School for Communication and Professor of Communication at the University of Southern California’s Annenberg School for Communication and Journalism, and Kathryn Claire Higgins, Postdoctoral Fellow at the University of Pennsylvania’s Annenberg Center for Collaborative Communication, examine this question by introducing the conception of an economy of believability governing who is, and who is not, believed or doubted. Written in the wake of #MeToo, the book engages directly with key contexts such as post-truth and the commodification of sexual violence. Thinking through questions of race and class, the analysis ranges widely, covering representations of sexual violence in fiction and non-fiction media, contemporary controversies and court cases, and the backlash from men in positions of power. The book is essential reading across the humanities and social sciences, as well as for anyone seeking to understand ongoing gender inequalities in media and in society.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices