New Books in Sex, Sexuality, and Sex Work

Professor Ruchira Gupta joins us to share her young adult novel I Kick and I Fly (Scholastic, 2023), which was inspired by her experience making the Emmy-award winning documentary The Selling of Innocents. I Kick and I Fly is set on the outskirts of the Red Light District in Bihar, India, where fourteen year old Heera is living on borrowed time until her father sells her into the sex trade to help feed their family and repay his loans. It is, she’s been told, the fate of the women in her community to end up here. But watching her cousin, Mira Di, live this life day in and out is hard enough. To live it feels like the worst fate imaginable. And after a run-in with a bully leads to her expulsion from school, it feels closer than ever. But when a local hostel owner shows up at Heera’s home with the money to repay her family’s debt, Heera begins to learn that fate can change.Content note: this episode addresses the subjects of sexual exploitation, sex trafficking, familial and intracommunity violence, anti-indigenous violence, poverty, food insecurity, housing insecurity, and violence against women and girls.Our guest is: Professor Ruchira Gupta, who is a writer, feminist campaigner, professor at New York University and founder of the anti-sex-trafficking organization, Apne Aap Women Worldwide. She won the Clinton Global Citizen award in 2009, the Sera Bangali Award in 2012 and an Emmy for outstanding investigative journalism in 1996. She has helped more than twenty thousand girls and women in India exit prostitution systems. She has edited As If Women Matter: The Essential Gloria Steinem Reader, and has written manuals on human trafficking for the UN Office for Drugs and Crime. Professor Ruchira divides her time between Delhi and New York. I Kick and I Fly is her debut novel.Our host is: Dr. Christina Gessler, who is the host and producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.Listeners also may be interested in: Apneaap.org Discussion Guides for I Kick and I Fly Welcome to Academic Life, the podcast for your academic journey--and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 175+ Academic Life episodes? You’ll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023)The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transgender Refugees and the Imagined South Africa: Bodies Over Borders and Borders Over Bodies (Palgrave MacMillan, 2018) tracks the conceptual journeying of the term ‘transgender’ from the Global North—where it originated—along with the physical embodied journeying of transgender asylum seekers from countries within Africa to South Africa and considers the interrelationships between the two. The term 'transgender' transforms as it travels, taking on meaning in relation to bodies, national homes, institutional frameworks and imaginaries. This study centres on the experiences and narratives of people that can be usefully termed 'gender refugees', gathered through a series of life story interviews. It is the argument of this book that the departures, border crossings, arrivals and perceptions of South Africa for gender refugees have been both enabled and constrained by the contested meanings and politics of this emergence of transgender. This book explores, through these narratives, the radical constitutional-legal possibilities for 'transgender' in South Africa, the dissonances between the possibilities of constitutional law, and the pervasive politics/logic of binary ‘sex/gender’ within South African society. In doing so, this book enriches the emergent field of Transgender Studies and challenges some of the current dominant theoretical and political perceptions of 'transgender'. It offers complex narratives from the African continent regarding sex, gender, sexuality and notions of home concerning particular geo-politically situated bodies.B Camminga (they/them) received a PhD from the Institute for Humanities in Africa (HUMA), University of Cape Town, in 2016. They have since held a postdoctoral fellowship at the African Centre for Migration & Society, Wits University, and several visiting fellowships, including at the Universities of Edinburgh and Oxford. They work on issues relating to gender identity and expression on the African continent with a focus on transgender migrants, refugees, and asylum seekers.Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Work of Gender: Service, Performance and Fantasy in Contemporary Japan (NIAS Press, 2022) is an edited volume of ethnographic research organized around a cluster of key themes such as affective labor and the commodified performance of gender in contemporary Japan. Refreshingly, the chapters consist exclusively of the work of early-career scholars, tied together with an introductory chapter and epilogue by the book’s editors, Gitte Marianne Hansen and Fabio Gygi. The authors are attentive to the spatial and temporal boundaries of gender performance, and the interactions between fantasy, play, performance, and identity in the marketplace of gendered service.Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a world dominated by the notion of autonomy, free choice, and consent, Akiko Takeyama takes us on a thought-provoking journey into the heart of Japan's adult video industry in her groundbreaking book, Involuntary Consent The Illusion of Choice in Japan’s Adult Video Industry. With an ethereal blend of ethnography and critical analysis, Takeyama challenges the pervasive idea that participation in the adult entertainment industry is always a matter of free will. Instead, she introduces us to the complex concept of "involuntary consent," shining a light on a phenomenon that resonates far beyond the boundaries of Japan's AV industry.The Paradox of Involuntary ConsentAt the core of Takeyama's narrative lies the paradox of involuntary consent, a concept that questions the very foundations of modern societies built on principles of autonomy, choice, and equality. In a world where the adult entertainment industry alone generates billions of dollars annually, the narrative of consent has taken center stage. However, Takeyama's meticulous exploration reveals that beneath this facade of consent often lies a murky world of coercion and pressure.Behind-the-Scenes Realities"Involuntary Consent" delves into the behind-the-scenes negotiations and abuses within Japan's adult video industry. While the industry's glossy exterior may suggest willing participation, Takeyama uncovers a troubling reality where sex workers, predominantly women, are frequently pressured to comply with production companies' expectations and demands. This issue extends beyond the borders of Japan, as the US Department of State has recognized forced performance as a human rights violation.Dualistic Contract-MakingOne of the book's central arguments is that the framework of contract-making within the adult entertainment industry is inherently dualistic. It often creates a binary where consent and pleasure are pitted against coercion and pain. Sex workers, employed on a contractual basis, find themselves outside the protective purview of standard labor and employment laws, leaving them vulnerable to exploitation and abuse.Global ImplicationsThe book's significance transcends the borders of Japan. The series of arrests and trials of former talent agency owners and executives within the Japanese AV industry led to a call for systematic investigations. The US Department of State's recognition of forced performance as a human rights violation underscores the global ramifications of the issue. "Involuntary Consent" serves as a poignant reminder that the exploitation and coercion within the adult entertainment industry are not confined to one nation but are indicative of broader systemic issues.Akiko Takeyama is a Professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is also the Director of the Centre for East Asian Studies.  Bing Wang receives her PhD at the University of Leeds. Her research interests include diasporic Chinese cultural identity and critical heritage studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

All families have secrets but the facts requiring secrecy change with time. Nowadays A lesbian partnership, a “bastard” son, an aunt who is a prostitute, or a criminal grandfather might be of little or no consequence but could have unravelled a family at an earlier moment in history. In Keeping Family Secrets: Shame and Silence in Memoirs from the 1950s (NYU Press, 2023), Dr. Margaret K. Nelson is interested in how families keep secrets from each other and from outsiders when to do otherwise would risk eliciting not only embarrassment or discomfort, but profound shame and, in some cases, danger. Drawing on over 150 memoirs describing childhoods in the period between the aftermath of World War II and the 1960s, Dr. Nelson highlights the importance of history in creating family secrets and demonstrates the use of personal stories to understand how people make sense of themselves and their social worlds.Keeping Family Secrets uncovers hidden stories of same-sex attraction among boys, unwed pregnancies among teenage girls, the institutionalisation of children with mental and physical disabilities, participation in left-wing political activities, adoption, and Jewish ancestry. The members of ordinary families kept these issues secret to hide the disconnect between the reality of their own family and the prevailing ideals of what a family should be. Personal accounts reveal the costs associated with keeping family secrets, as family members lie, hurl epithets, inflict abuse, and even deny family membership to protect themselves from the shame and danger of public knowledge. Keeping Family Secrets sheds light not only on decades-old secrets but pushes us to confront what secrets our families keep today.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Pregnancy in the Victorian Novel (Ohio State University Press, 2023), Livia Arndal Woods traces the connections between literary treatments of pregnancy and the medicalization of pregnancy and childbirth occurring over the nineteenth century. In the first book-length study of the topic, Woods uses the problem of pregnancy in the Victorian novel (in which pregnancy is treated modestly as a rule and only rarely as an embodied experience) to advocate for "somatic reading," a practice attuned to impressions of the body on the page and in our own messy lived experiences.Examining works by Emily Brontë, Charlotte Mary Yonge, Anthony Trollope, George Eliot, Thomas Hardy, and others, Woods considers instances of pregnancy tied to representations of immodesty, poverty, and medical diagnosis. These representations, Woods argues, should be understood in the arc of Anglo-American modernity and its aftershocks, connecting back to early modern witch trials and forward to the criminalization of women for pregnancy outcomes in twenty-first-century America. Ultimately, she makes the case that by clearing space for the personal and anecdotal in scholarship, somatic reading helps us analyze with uncertainty rather than against it and allows for relevant textual interpretation.Livia Arndal Woods earned her PhD in English Literature from the Graduate Center of the City University of New York (CUNY). As a scholar, she focuses on Victorian literature and culture, women and gender studies, and the medical humanities. Dr. Woods is an Associate Professor of English at the University of Illinois at Springfield.Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices

What it feels like: Visceral Rhetoric and the Politics of Rape Culture (Penn State Press, 2021) by Dr. Stephanie Larson interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Dr. Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice.Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Dr. Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Dr. Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion.Demonstrating the communicative power of bodily feeling, Dr. Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, the invention of the home pregnancy test changed what it means to be pregnant. For the first time, women could use a technology in the privacy of their own homes that gave them a yes or no answer. That answer had the power to change the course of their reproductive lives, and it chipped away at a paternalistic culture that gave gynecologists-the majority of whom were men-control over information about women's bodies.However, while science so often promises clear-cut answers, the reality of pregnancy is often much messier. Pregnancy Test (Bloomsbury, 2023) explores how the pregnancy test has not always lived up to the fantasy that more information equals more knowledge. Karen Weingarten examines the history and cultural representation of the pregnancy test to show how this object radically changed sex and pregnancy in the late 20th and early 21st centuries.Jana Byars is an independent scholar located in Amsterdam. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tracy Rutler's Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature (Oxford University Studies in the Enlightenment, Liverpool UP, 2021) explores the imaginaries of novels and plays from the "liminal" period that followed the end of Louis the XIV's reign in France. Examining a range of French works from the 1730s and 1740s, including writing by Antoine François Prévost, Claude Crébillion, Pierre de Marivaux, and Françoise de Graffigny, Rutler traces a set of utopian themes and impulses that questioned and resisted heteronormativity and bourgeois family relations during this period. Interrogating gender, sexuality, and kinship in both the content and the form of their work, these authors challenged patriarchal power and relations as the foundations of state and society in France. At once intimate and political, the characters, scenes, and narratives these authors produced also posed questions about (the) Enlightenment more broadly.In readings informed by thinkers like Foucault and Rancière, as well as the work of psychoanalytic, feminist, and queer theorists, Queering the Enlightenment is divided into three sections: Family Remains, Prodigal Sons, and Narrative Spinsters. Beginning with an analysis of eighteenth-century powerhouses Montesquieu and Voltaire on patriarchal decline and repair, Rutler goes on to consider literary representations of reproduction, masculinity, the public sphere, marriage, maternity, and same-sex community. The book will be of great interest to literary scholars and historians alike, particularly anyone interested the legacies of the Enlightenment and how historical struggles/debates over kinship, gender, and sexuality continue to resonate in the present.Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices