The Treatment

This week on The Treatment, Elvis welcomes Lousy Carter star David Krumholtz to talk about his titular role in the dark comedy (now streaming). Then, actor, director, and writer Andrew McCarthy stops by to discuss his new Hulu documentary Brats. The film explores McCarthy’s mixed feelings about being grouped with a cohort of prominent young actors in the 1980s, pejoratively referred to as “The Brat Pack.” And for The Treat, Emmy winning Hacks co-creator Jen Statsky talks about the best TV pilot ever made.

This week on The Treatment, Elvis welcomes Pulitzer Prize winning New Yorker writer Emily Nussbaum whose newest project is the book Cue The Sun: The Invention of Reality TV. Next, director Richard LaGravenese stops by to talk about his new Netflix rom-com, A Family Affair. And for The Treat, rapper and actor Vince Staples talks about how he stays connected to his audience.

This week on The Treatment, Elvis welcomes back Oscar winning actor Sean Penn to discuss his latest role in the film Daddio, starring opposite Dakota Johnson. Next, writer Carrie Courogen stops by to talk about her revealing biography of multi-hyphenate Elaine May: Elaine May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius. And for The Treat, writer Philip Gefter reveals a childhood inspiration that helped Gefter create a “magical” home.

This week on The Treatment, Elvis sits down with actress, comedian, and Curb Your Enthusiasm star Susie Essman. The acclaimed HBO comedy ended its 12-season run earlier this year and Essman’s here to reflect. Next, actor John Leguizamo stops by to talk about his new series The Green Veil — available via the new (free) streaming service, The Network. And for The Treat, Oscar nominated costume designer Ellen Mirojnick talks about an incredibly stylish movie  that captivated her as a child. 

André Holland talks playing Huey P. Newton, Bill Pullman reflects on “Murdaugh Murders,” and Todd Haynes gives us a “gorgeous character study” for The Treat.

This week on The Treatment, Elvis sits down with Emmy winning actress Maya Rudolph, who is currently starring in the second season of the Apple TV+ series Loot. Then, director Richard Linklater joins to talk about his genre bending Netflix caper Hit Man. And for The Treat, Wildcat director Ethan Hawke talks about a 1981 “masterpiece” that has it all. 

This week on The Treatment, Elvis sits down with Academy Award winning director Ron Howard, whose latest foray into documentaries is the film Jim Henson: Idea Man on Disney+. Then Tony-winner Renée Elise Goldsberry stops by to talk about her outrageous role as Wickie Roy in the comedy Girls5Eva (now available on Netflix). And for the Treat, Murdaugh Murders star Bill Pullman talks about a subtle and creepy performance that cracked open a new world of acting. 

This week on The Treatment, Elvis sits down with actress and director Pamela Adlon to discuss her feature directorial debut, Babes. The buzzy comedy (out now) stars Ilana Glazer and Michelle Buteau as longtime friends navigating life and parenthood. Next, director Ned Benson talks about his new sci-fi romance film, The Greatest Hits. And for The Treat, director Brian Helgeland discusses a favorite film that’s all about sticking it to the man. 

This week on The Treatment, Elvis sits down with Emmy winning actor Jeff Daniels to discuss his latest project, the Netflix series adaptation Tom Wolfe’s A Man in Full. Next, Heeramandi director Sanjay Leela Bhansali joins to talk about his Netflix series and his robust career in Indian cinema. And for The Treat, Oscar nominated director Ava DuVernay talks about the 1993 film she always watches before beginning a new project.

This week on The Treatment, Elvis sits down with comedian and reality show star Jerrod Carmichael to talk about his revealing Max series Jerrod Carmichael Reality Show. Next, Unfrosted screenwriter and producer Spike Feresten talks about working with director and star Jerry Seinfeld on the new Netflix comedy about the breakfast wars. And for The Treat, Leave The World Behind director Sam Esmail talks about a controversial ending to an iconic series that he considers perfect.