The Treatment

This week on The Treatment, Elvis welcomes Grammy award winning musician and composer Branford Marsalis, whose latest project is the score for the Netflix biopic Rustin. Next, Weekend Edition Saturday host Scott Simon joins to talk about his new audiobook Swingtime for Hitler about the Nazis’ use of jazz music as propaganda. And on The Treat, Totally Killer director Nahnatchka Khan talks about the scary movies she wasn’t allowed to see as a kid (but did anyway).

Brian Koppelman and David Levien talk ending “Billions,” Julia Fox tells all, and Numa Perrier shares a favorite artist. 

This week on The Treatment, Elvis welcomes Tony, Grammy, and Emmy award winning actor Leslie Odom, Jr., — currently starring in the revival of the 1961 Ossie Davis play “Purlie Victorious” on Broadway. Next, LA Times TV critic Lorraine Ali joins to talk about the late Suzanne Somers’ fight for equal pay on Three’s Company, and the ripple effect it caused. And on The Treat, Paint actor Owen Wilson recommends a poet whose work was powerful and accessible.

This week on The Treatment, Elvis welcomes graphic novelist Daniel Clowes, whose latest book is the mother-daughter drama Monica. Next, writer-director Rebecca Miller joins to discuss her latest film She Came to Me. And on The Treat, Bottoms director Emma Seligman talks about a teen comedy that took its characters’ struggles seriously.

This week on The Treatment, Elvis welcomes director Nahnatchka Khan, whose film Totally Killer is a genre-mashing time machine thriller. Then, director Grant Singer joins to talk about having Benicio del Toro as the star and a co-writer on his feature film debut Reptile. And on The Treat, Oscar-winning actor Sir Ben Kingsley talks about the patterns he pays attention to in life.

This week on The Treatment, Elvis welcomes Pulitzer Prize-winning writer Hua Hsu, whose memoir Stay True — about grief, friendship, and identity — is now out in paperback. Then, co-directors Bethann Hardison and Fédéric Tcheng discuss their film about Hardison’s groundbreaking activism for people of color in the modeling industry. And for the Treat, Spider-Man: Across The Spider-Verse co-director Kemp Powers talks about a novel whose precise details inspired him in his own storytelling.

This week on The Treatment, Elvis sits down for an extended conversation with Oscar-winner Sean Penn, whose latest directorial effort is the documentary Superpower about Ukrainian president Volodymyr Zelensky. And on The Treat, The Afterparty star Zoë Chao talks about an inspirational artist who keeps it in the family.

This week on The Treatment, Elvis sits down with Universal Music Enterprises executive Harry Weinger to talk about the new deluxe edition of Marvin Gaye’s landmark 1973 album Let’s Get it On. Next, Pulitzer Prize-winning writer Mitchell S. Jackson talks about his new book Fly: The Big Book of Basketball Fashion. And on The Treat, John Wick: Chapter Four director Chad Stahelski talks about the influence of Sergio Leone’s 1966 epic spaghetti Western The Good, the Bad and the Ugly on the latest installment of the action franchise.

This week on The Treatment, Elvis sits down with journalist, CNN host, and author Jake Tapper to discuss his latest novel, the thriller All The Demons Are Here. Next, filmmaker Dorsay Alavi talks about her film Wayne Shorter: Zero Gravity, which chronicles the late jazz great. And for The Treat, Oppenheimer star Cillian Murphy talks about The Beatles’ “brilliant” song “A Day in the Life,” and why he believes it laid the groundwork for future musical innovation.  

This week on The Treatment, Elvis sits down with Reggie Rock-Bythewood, creator and showrunner of the Apple TV+ series Swagger, to discuss the show’s innovative way of filming sports action. Next, Bottoms director Emma Seligman talks about executing the highly specific tone of her genre-mashing high school movie. And for The Treat, actor and director Emilio Estevez shares the meaning he finds in repeatedly traveling through America by car.