The MIT Press Podcast

As we mark the one-year anniversary of the COIVD-19 pandemic, take the time to listen to this discussion of previous efforts to fight yellow fever, cholera, and plague pandemics. Lukas Engelmann and Christos Lynteris’s Sulfuric Utopias: A History Maritime Fumigation (MIT Press, 2020) tells the story of the international dream of stopping the spread of infectious disease in global shipping networks. Their work shows how the interests of capitalism clashed with the efforts of public health officials. At the center of their narrative lies the Clayton, a machine which combined technocratic enthusiasm and necropolitical logic. Sulfuric Utopias brings together the history disease, capitalism, public health, and science. It is both a contribution to maritime history and urban history. Personally, I was so excited to interview two authors who know more about the history of rat killing than I do.Lukas Engelmann is a Chancellor's Fellow in the History and Sociology of Biomedicine, in the department of Science, Technology and Innovation Studies at the University of Edinburgh. Christos Lynteris is a Senior Lecturer in Social Anthropology at the University of St. Andrews. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

As common as it is today to speak of the relative “height” of musical pitches or of the sense of “vocal space” as it opened up by particular recording techniques, we did not always understand sound to be spatial. How did it become so? In Stereophonica: Sound and Space in Science, Technology, and the Arts (MIT Press, 2021), Gascia Ouzounian (Associate Professor of Music, Oxford University; Fellow and Tutor, Lady Margaret Hall) explores the answer, drawing on episodes drawn from the history of stereo technologies in the nineteenth century through to visual representations of and in sonic environments today. Ouzounian takes the reader from early innovations in the laboratory study of stereophony to the mobilization of the human hearing sense during World War I. Her account covers spectacular demonstrations of new sound-reproducing technologies in the inter-war period, the applications of new psychoacoustic theories of spatial hearing in both peacetime and in war, and right up to the 21st century, as the relation between sound and space are interrogated in contemporary sound installation art and radical interventions in the urban soundscapes of modern-day Beirut, Lebanon. This entry into sound studies and the history of technology deals with an array of historical, instrumental, and artistic cases in the long history of spatial sound. The reward of following its broad purview is a rich web of connections that disclose sound and listening as a long-fruitful site not only of aesthetics but also of the ethics of space and place, thereby opening up further study in the intersection between sound studies and sonic urbanism.Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies.

Paola Bonifazio’s The Photoromance. A Feminist Reading of Popular Culture (MIT Press, 2020) is the first feminist reading of photoromances that examines both its industry and its fandom, arguing for their relevance as transmedia narratives in a transnational market. The photoromance, a form of graphic storytelling that uses photographs instead of drawings, reached a readership of millions in the 1960s. Despite its popularity, the photoromance was—and still is—widely scorned as a medium, and its largely female audience derided as naïve, pathetic, and uneducated. Bonifazio reframes and problematizes the “natural” association between this genre and the female readers, claiming that the photoromance is relevant to both feminism and media culture. She investigates how female readers powered the Italian photoromance’s industry success and discusses the photoromance as the precursor of the phenomenon of convergence culture—as in the case of Senso, a photoromance inspired by director Luchino Visconti’s Senso.Nicoletta Marini Maio is professor of Italian and Film Studies at Dickinson College.

What does the birth of babies whose embryos have gone through genome editing mean—for science and for all of us?In November 2018, the world was shocked to learn that two babies had been born in China with DNA edited while they were embryos—as dramatic a development in genetics as the 1996 cloning of Dolly the sheep. In this book, Hank Greely, a leading authority on law and genetics, tells the fascinating story of this human experiment and its consequences in CRISPR People: The Science and Ethics of Editing Humans (The MIT Press, 2021). Greely explains what Chinese scientist He Jiankui did, how he did it, and how the public and other scientists learned about and reacted to this unprecedented genetic intervention.The two babies, nonidentical twin girls, were the first “CRISPR'd” people ever born (CRISPR, Clustered Regularly Interspaced Short Palindromic Repeats, is a powerful gene-editing method). Greely not only describes He's experiment and its public rollout (aided by a public relations adviser) but also considers, in a balanced and thoughtful way, the lessons to be drawn both from these CRISPR'd babies and, more broadly, from this kind of human DNA editing—“germline editing” that can be passed on from one generation to the next.Greely doesn't mince words, describing He's experiment as grossly reckless, irresponsible, immoral, and illegal. Although he sees no inherent or unmanageable barriers to human germline editing, he also sees very few good uses for it—other, less risky, technologies can achieve the same benefits. We should consider the implications carefully before we proceed.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.

How to understand propaganda art in the post-truth era—and how to create a new kind of emancipatory propaganda art. Propaganda art — whether a depiction of joyous workers in the style of socialist realism or a film directed by Steve Bannon — delivers a message. In Propaganda Art in the 21st Century (MIT Press, 2019), Jonas Staal argues that propaganda does not merely make a political point; it aims to construct reality itself. Political regimes have shaped our world according to their interests and ideology; today, popular mass movements push back by constructing other worlds with their own propaganda.Jonas Staal speaks to Pierre d'Alancaisez about his proposal for a new model of emancipatory propaganda art — one that acknowledges the relationship between art and power and takes both an aesthetic and a political position in the practice of world-making.Jonas Staal is a scholar of propaganda and a self-described propaganda artist. He is the founder of the artistic and political organization New World Summit (2012–ongoing) and the campaign New Unions (2016–ongoing). With BAK, basis voor actuele kunst, Utrecht, he co-founded the New World Academy (2013–16). His most recent project Collectivize Facebook exploring legal ways to return the ownership of data in its many forms to the collective ownership of the users of software platforms.Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

In Extraterrestrial Languages (MIT Press 2020), Daniel Oberhaus tells the history of human efforts to talk to aliens, but in doing so, the book reflects on the relationship between communication and cognition, the metaphysics of mathematics, about whether dolphins have a language, and more. The challenge of communicating with extraterrestrials forces scientists and linguists to consider a range of problems. Would these listeners recognize radio signals as linguistic? How would they decode and interpret them? Would ETs even have linguistic capacities to begin with? Oberhaus shares the stories of, and theoretical bases for, a range of attempts to communicate with ETs, along the way tackling fundamental questions in linguistics, philosophy, mathematics, science, and even art.Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).

We live in an age of moral revolutions in which the once morally outrageous has become morally acceptable, and the formerly acceptable is now regarded as reprehensible. Attitudes toward same-sex love, for example, and the proper role of women, have undergone paradigm shifts over the last several decades. In this book, Robert Baker argues that these inversions are the product of moral revolutions that follow a pattern similar to that of the scientific revolutions analyzed by Thomas Kuhn in his influential book, The Structure of Moral Revolutions: Studies of Changes in the Morality of Abortion, Death, and the Bioethics Revolution (MIT Press, 2019).After laying out the theoretical terrain, Baker develops his argument with examples of moral reversals from the recent and distant past. He describes the revolution, led by the utilitarian philosopher Jeremy Bentham, that transformed the postmortem dissection of human bodies from punitive desecration to civic virtue; the criminalization of abortion in the nineteenth century and its decriminalization in the twentieth century; and the invention of a new bioethics paradigm in the 1970s and 1980s, supporting a patient-led rebellion against medical paternalism. Finally, Baker reflects on moral relativism, arguing that the acceptance of "absolute" moral truths denies us the diversity of moral perspectives that permit us to alter our morality in response to changing environments. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.

Everyone ages, and just about everyone uses language, making Changing Minds: How Aging Affects Language and How Language Affects Aging (MIT Press, 2019) a book with practically universal relevance. The authors, Roger Kreuz and Richard Roberts, show readers what cognitive science can tell us—and what it can’t—about the relationship between aging and language. Through accounts of research written for a general audience, Kreuz and Roberts explain how underlying cognitive functions, such as memory and perception, are responsible for much of the changes that people associate with aging, and that linguistic capabilities are more resilient than many may think. They explore a range of changes that occur as people age, focusing on speaking, listening, reading, and writing. While they are clear that the jury may be out on some of the phenomena they explore—such as whether older people have greater difficulty interpreting figurative language—they note that other correlations are more robust, such as the relationship between reading fiction and living long lives.Malcolm Keating is Assistant Professor of Philosophy at Yale-NUS College. His research focuses on Sanskrit philosophy of language and epistemology. He is the author of Language, Meaning, and Use in Indian Philosophy (Bloomsbury Press, 2019) and host of the podcast Sutras (and stuff).

The synthesizing mind is one that identifies a program or asks a question, pulls together information from across disciplines or creates new data through experimentation, and integrates everything into a novel solution or answer. Some of history’s most revolutionary thinkers – like Aristotle or Darwin – were synthesizers. But what do synthesizing minds actually do?Howard Gardner, the Hobbs Research Professor of Cognition and Education at Harvard’s Graduate School of Education, Senior Director of Harvard’s Zero Project, and author of over thirty books joins New Books in Education to talk about his latest book: A Synthesizing Mind: A Memoir from the Creator of Multiple Intelligences Theory (MIT Press, 2021).In this unique memoir, Dr. Gardner analyzes clues from his own life that helped him realize his mind worked in unique ways that are vital in today’s rapidly changing world. In this wide-ranging discussion, Gardner talks about his work creating Multiple Intelligence Theory and more recent work in ethics, as well as exploring the nature and roles of different kinds of minds.Jonathan Haber is an educational researcher and consultant working at the intersection of pedagogy, technology, and educational policy. His books include MOOCS and Critical Thinking from MIT Press and his LogicCheck project analyzes the reasoning behind the news of the day. You can read more about Jonathan’s work at http://www.jonathanhaber.org.

In the several decades since scholars in the humanities have taken up computational tools, they have borrowed many techniques from other fields, including visualization methods to create charts, graphs, diagrams, maps, and other graphic displays of information. But are these visualizations actually adequate for the interpretive approach that distinguishes much of the work in the humanities? Information visualization, as practiced today, lacks the interpretive frameworks required for humanities-oriented methodologies. In Visualization and Interpretation, Johanna Drucker continues her interrogation of visual epistemology in the digital humanities, reorienting the creation of digital tools within humanities contexts.Johanna Drucker is Martin and Bernard Breslauer Professor in the Department of Information Studies at the Graduate School of Education and Information Studies at the University of California, Los Angeles.Luca Scholz is Lecturer in Digital Humanities at the University of Manchester (UK). His research focuses on European and spatial history. He tweets at @DrLucaScholz.