The MIT Press Podcast

Curious about something? Google it. Look at it. Ask a question. But is curiosity simply information seeking? According to this exhilarating, genre-bending book, what's left out of the conventional understanding of curiosity are the wandering tracks, the weaving concepts, the knitting of ideas, and the thatching of knowledge systems--the networks, the relations between ideas and between people. Curiosity, say Perry Zurn and Dani Bassett, is a practice of connection: it connects ideas into networks of knowledge, and it connects knowers themselves, both to the knowledge they seek and to each other.Zurn and Bassett--identical twins who write that their book "represents the thought of one mind and two bodies"--harness their respective expertise in the humanities and the sciences to get irrepressibly curious about curiosity. Traipsing across literatures of antiquity and medieval science, Victorian poetry and nature essays, as well as work by writers from a variety of marginalized communities, they trace a multitudinous curiosity. They identify three styles of curiosity--the busybody, who collects stories, creating loose knowledge networks; the hunter, who hunts down secrets or discoveries, creating tight networks; and the dancer, who takes leaps of creative imagination, creating loopy ones. Investigating what happens in a curious brain, they offer an accessible account of the network neuroscience of curiosity. And they sketch out a new kind of curiosity-centric and inclusive education that embraces everyone's curiosity. Curious Minds: The Power of Connection (MIT Press, 2022) performs the very curiosity that it describes, inviting readers to participate--to be curious with the book and not simply about it.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

Doomsday prophets of technology predict that robots will take over the world, leaving humans behind in the dust. Tech industry boosters think replacing people with software might make the world a better place--while tech industry critics warn darkly about surveillance capitalism. Despite their differing views of the future, they all agree: machines will soon do everything better than humans. In How to Stay Smart in a Smart World: Why Human Intelligence Still Beats Algorithms (MIT Press, 2022), Gerd Gigerenzer shows why that's not true, and tells us how we can stay in charge in a world populated by algorithms.Machines powered by artificial intelligence are good at some things (playing chess), but not others (life-and-death decisions, or anything involving uncertainty). Gigerenzer explains why algorithms often fail at finding us romantic partners (love is not chess), why self-driving cars fall prey to the Russian Tank Fallacy, and how judges and police rely increasingly on nontransparent "black box" algorithms to predict whether a criminal defendant will reoffend or show up in court. He invokes Black Mirror, considers the privacy paradox (people want privacy, but give their data away), and explains that social media get us hooked by programming intermittent reinforcement in the form of the "like" button. We shouldn't trust smart technology unconditionally, Gigerenzer tells us, but we shouldn't fear it unthinkingly, either.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

Freeman Dyson (1923–2020)—renowned scientist, visionary, and iconoclast—helped invent modern physics. Not bound by disciplinary divisions, he went on to explore foundational topics in mathematics, astrophysics, and the origin of life. General readers were introduced to Dyson’s roving mind and heterodox approach in his 1979 book Disturbing the Universe, a poignant autobiographical reflection on life and science. "Well, Doc, You're In": Freeman Dyson’s Journey through the Universe (MIT Press, 2022) (the title quotes Richard Feynman’s remark to Dyson at a physics conference) offers a fresh examination of Dyson’s life and work, exploring his particular way of thinking about deep questions that range from the nature of matter to the ultimate fate of the universe. The chapters—written by leading scientists, historians, and science journalists, including some of Dyson’s colleagues—trace Dyson’s formative years, his budding interests and curiosities, and his wide-ranging work across the natural sciences, technology, and public policy. They describe Dyson’s innovations at the intersection of quantum theory and relativity, his novel nuclear reactor design (and his never-realized idea of a spacecraft powered by nuclear weapons), his years at the Institute for Advanced Study, and his foray into cosmology. In the coda, Dyson’s daughter Esther reflects on growing up in the Dyson household. “Well, Doc, You’re In” assesses Dyson’s successes, blind spots, and influence, assembling a portrait of a scientist’s outsized legacy. Contributors: Jeremy Bernstein, Robbert Dijkgraaf, Esther Dyson, George Dyson, Ann Finkbeiner, Amanda Gefter, Ashutosh Jogalekar, David Kaiser, Caleb Scharf, William Thomas.Matthew Jordan is a university instructor, funk musician, and clear writing enthusiast. He studies the history of science and technology, driven by the belief that we must understand the past in order to improve the future.

Design in Motion: Film Experiments at the Bauhaus (MIT Press, 2022) provides the first comprehensive history of film experiments at the Bauhaus, the famous art school that operated between 1919 and 1933 and was located in Weimar, before moving to Dessau and later to Berlin. While the Bauhaus is commonly associated with the development of modern architecture and industrial design, Design in Motion focuses on film, and demonstrates how the cinematic medium became a proving ground for some of the school’s most innovative work.Laura Frahm is John L. Loeb Associate Professor of the Humanities at the Department of Art, Film, and Visual Studies at Harvard University. Frahm's work explores film and media through the lens of architecture, design, spatial theory, ecological thought, and process philosophy. In addition to her latest book Design in Motion: Film Experiments at the Bauhaus (2022), she is the author of Beyond Space: Cinematic Topologies of the Urban (2010), Moving Spaces: Spatial Configurations in Music Videos by Jonathan Glazer, Chris Cunningham, Mark Romanek, and Michel Gondry (2007) and Introduction to Media Cultural Studies (co-edited, 2005).Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Frederik Ruysch and His Thesaurus Anatomicus (MIT Press, 2022). This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as Rembrandts of anatomical preparation; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

This agenda-setting book presents a framework for creating a more just and equitable care-centered world. Climate change, pandemic events, systemic racism, and deep inequalities have all underscored the centrality of care in our lives. Yet care work is, for the most part, undervalued and exploited. In Care-Centered Politics: From the Home to the Planet (MIT Press, 2022), Robert Gottlieb examines how a care economy and care politics can influence and remake health, climate, and environmental policy, as well as the institutions and practices of daily life. He shows how, through this care-centered politics, we can build an ethics of care and a society of cooperation, sharing, and solidarity.Arguing that care is a form of labor, Gottlieb expands the ways we think about home care, child care, elder care, and other care relationships. He links them to the Green New Deal, Medicare for All, immigration, and the militarization of daily life. He also provides perspective on the events of 2020 and 2021 (including the COVID-19 pandemic, climate change, and movements calling attention to racism and inequality) as they relate to a care politics. Care, says Gottlieb, must be universal--whether healthcare for all, care for the earth, care at work, or care for the household, shared equally by men and women. Care-centered politics is about strategic and structural reforms that imply radical and revolutionary change. Gottlieb offers a practical, mindful, yet also utopian, politics of daily life.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people--in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines: How Sensors Shape Our Everyday Life (MIT Press, 2022), Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations.Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the "sensed self," investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter's story isn't just about what these machines want from us, but what we want from them--new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

Your heart is a miracle in motion, a marvel of construction unsurpassed by any human-made creation. It beats 100,000 times every day--if you were to live to 100, that would be more than 3 billion beats across your lifespan. Despite decades of effort in labs all over the world, we have not yet been able to replicate the heart's perfect engineering. But, as Sian Harding shows us in The Exquisite Machine: The New Science of the Heart (MIT Press, 2022), new scientific developments are opening up the mysteries of the heart. And this explosion of new science--ultrafast imaging, gene editing, stem cells, artificial intelligence, and advanced sub-light microscopy--has crucial, real-world consequences for health and well-being.Harding--a world leader in cardiac research--explores the relation between the emotions and heart function, reporting that the heart not only responds to our emotions, it creates them as well. The condition known as Broken Heart Syndrome, for example, is a real disorder than can follow bereavement or stress. The Exquisite Machine describes the evolutionary forces that have shaped the heart's response to damage, the astonishing rejuvenating power of stem cells, how we can avoid heart disease, and why it can be so hard to repair a damaged heart. It tells the stories of patients who have had the devastating experiences of a heart attack, chaotic heart rhythms, or stress-induced acute heart failure. And it describes how cutting-edge technologies are enabling experiments and clinical trials that will lead us to new solutions to the worldwide scourge of heart disease.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

What are teens actually doing on their smartphones? Contrary to many adults' assumptions, they are not simply "addicted" to their screens, oblivious to the afterlife of what they post, or missing out on personal connection. They are just trying to navigate a networked world. In Behind Their Screens: What Teens Are Facing (and Adults Are Missing) (MIT Press, 2022), Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help--"Get off your phone!" "Just don't sext!"--fall short.Weinstein and James warn against a single-minded focus by adults on "screen time." Teens worry about dependence on their devices, but disconnecting means being out of the loop socially, with absence perceived as rudeness or even a failure to be there for a struggling friend. Drawing on a multiyear project that surveyed more than 3,500 teens, the authors explain that young people need empathy, not exasperated eye-rolling. Adults should understand the complicated nature of teens' online life rather than issue commands, and they should normalize--let teens know that their challenges are shared by others--without minimizing or dismissing. Along the way, Weinstein and James describe different kinds of sexting and explain such phenomena as watermarking nudes, comparison quicksand, digital pacifiers, and collecting receipts. Behind Their Screens offers essential reading for any adult who cares about supporting teens in an online world.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland.

In this episode, we discuss a book that will be appealing to a general audience and which helps to bridge the gap of the story of communication in the broad history of computer technology. In Cellular: An Economic and Business History of the International Mobile-Phone Industry (MIT Press, 2022), Daniel D. Garcia-Swartz and Martin Campbell-Kelly make a splendid job to portray the evolution of this industry from the times of Marconi all the way to 5G networks, while considering developments in places as diverse as China, Mexico, New Zealand and of course, Europe, Japan and the USA.  Bernardo Batiz-Lazo is currently straddling between Newcastle and Mexico City. You can find him on twitter on issues related to business history of banking, fintech, payments and other musings. Not always in that order. @BatizLazo