The MIT Press Podcast

Armed conflict and natural disasters have plagued the twenty-first century. Not since the end of World War II has the number of armed conflicts been higher. At the same time, natural disasters have increased in frequency and intensity over the past two decades, their impacts worsened by climate change, urbanization, and persistent social and economic inequalities. Providing the first comprehensive analysis of the interplay between natural disasters and armed conflict, Catastrophes, Confrontations, and Constraints: How Disasters Shape the Dynamics of Armed Conflicts (MIT Press, 2023) explores the extent to which disasters facilitate the escalation or abatement of armed conflicts—as well as the ways and contexts in which combatants exploit these catastrophes.Tobias Ide utilizes both qualitative insights and quantitative data to explain the link between disasters and the (de-)escalation of armed conflict and presents over thirty case studies of earthquakes, droughts, floods, and storms in Africa, the Middle East, Asia, and Latin America. He also examines the impact of COVID-19 on armed conflicts in Iraq, Afghanistan, Nigeria, and the Philippines.Catastrophes, Confrontations, and Constraints is an invaluable addition to current debates on climate change, environmental stress, and security. Professionals and students will greatly appreciate the wealth of timely data it provides for their own investigations.Dr. Tobias Ide is a Senior Lecturer in Politics and International Relations at Murdoch University in Perth, Australia. His work broadly focuses on the intersections of environmental change and environmental politics with peace, conflict, and security.Sidney Michelini is a PhD student at the Potsdam Institute for Climate Impact Research with the FutureLab - Security, Ethnic Conflicts and Migration. His work focuses on how climate, climate shocks, and climate change impact conflicts of different types.

In this episode, the journal’s Features Editor Liberty Vittert and Editor in Chief Xiao-Li Meng dig into the data behind sports with two experts: Brian Macdonald, sports analytics at Yale (formerly Carnegie Mellon University) and Kirk Goldsberry, NBA analyst at ESPN and author of Sprawlball: A Visual Tour of the New era of the NBA.This episode is syndicated from the new Harvard Data Science Review Podcast. Published by the MIT Press, Harvard Data Science Review is an open access multidisciplinary journal that defines and shapes data science as a scientifically rigorous field based on the principled and purposed production, processing, parsing and analysis of data.If you enjoy this preview of the Harvard Data Science Review podcast, find the journal on twitter at @TheHDSR and remember to subscribe to their podcast on your favorite platform.

In this episode, the journal’s Features Editor Liberty Vittert and Editor in Chief Xiao-Li Meng discuss fake news, disinformation, and misinformation with Scott Tranter, CEO and founder of Optimus Analytics, and Hany Farid, a professor from UC Berkeley who specializes in the analysis of digital images and is the author of two MIT Press books: Fake Photos and Photo Forensics.This episode is syndicated from the new Harvard Data Science Review Podcast. Published by the MIT Press, Harvard Data Science Review is an open access multidisciplinary journal that defines and shapes data science as a scientifically rigorous field based on the principled and purposed production, processing, parsing and analysis of data.If you enjoy this preview of the Harvard Data Science Review podcast, find the journal on twitter at @TheHDSR and remember to subscribe to their podcast on your favorite platform. 

What does data science tell us about art auctions? This episode is syndicated from the new Harvard Data Science Review Podcast. Published by the MIT Press, Harvard Data Science Review is an open access multidisciplinary journal that defines and shapes data science as a scientifically rigorous field based on the principled and purposed production, processing, parsing and analysis of data.In this episode, the journal’s Features Editor Liberty Vittert and Editor in Chief Xiao-Li Meng discuss art auctions with art curator Dan Cameron and Artnome’s Jason Bailey.If you enjoy this preview of the Harvard Data Science Review podcast, find the journal on twitter at @TheHDSR and remember to subscribe to their podcast on your favorite platform.

Over the last half century, "smartness"—the drive for ubiquitous computing—has become a mandate: a new mode of managing and governing politics, economics, and the environment. Smart phones. Smart cars. Smart homes. Smart cities. The imperative to make our world ever smarter in the face of increasingly complex challenges raises several questions: What is this "smartness mandate"? How has it emerged, and what does it say about our evolving way of understanding—and managing—reality? How have we come to see the planet and its denizens first and foremost as data-collecting instruments? In The Smartness Mandate (MIT Press, 2023), Orit Halpern and Robert Mitchell radically suggest that "smartness" is not primarily a technology, but rather an epistemology. Through this lens, they offer a critical exploration of the practices, technologies, and subjects that such an understanding relies upon—above all, artificial intelligence and machine learning. Orit Halpern is Lighthouse Professor and Chair of Digital Cultures and Societal Change at Technische Universität Dresden.Robert Mitchell is Professor of English at Duke University.Caleb Zakarin is the Assistant Editor of the New Books Network.

Featured episode from Between Art and Science, a new podcast from Leonardo.This episode, hosted by Erica Hruby, features a conversation between two authors published in the Leonardo special issue “Cosmos and Chaos:” Bettina Forget and Lindy Elkins-Tanton. Listen as these authors discuss the connection between art and science, the flawed idea of the hero, exploration of both land and space, and the complexities of being a woman in male dominated fields.

The Sistema de Alerta Sísmica Mexicano is the world’s oldest public earthquake early warning system. Given the unpredictability of earthquakes, the technology was designed to give the people of Mexico City more than a minute to prepare before the next big quake hits. How does this kind of environmental monitoring technology get built in the first place? How does its life-saving promise align with reality? And who shapes modern risk mitigation? In ¡Alerta!: Engineering on Shaky Ground (MIT Press, 2023), Elizabeth Reddy surveys this innovation to shed light on what it means to imagine a world where sirens could sound out an ¡alerta sísmica! at any moment—and what it would be like to live in such a world.Proponents of earthquake early warnings have long held that the technology can save lives and limit economic losses. Drawing on ethnographic fieldwork and archival data, Reddy conducts a thorough, qualitative analysis of these claims and considers the requirements and uses of the alert system. She embeds her study in a rich narrative of the engineers who designed the system in conjunction with contingent political and environmental conditions. The result demonstrates how addressing earthquake dangers is no small task: it means trying to change relationships between the environment, society, and technology. Doing so, she critiques universalist and techno-centric approaches to hazard risk mitigation and celebrates the potential of contextually appropriate and broadly supported efforts.¡Alerta! takes readers on a vivid journey into the world of Mexican earthquake risk mitigation, with critical insights for anthropologists and science and technology studies scholars, as well as specialists in the geosciences, engineering, and emergency management.Mentioned in this episode:Donna Riley’s interview with Lee Vinsel on the NBN Peoples & Things series.Elizabeth Reddy is Assistant Professor of Engineering, Design, & Society at the Colorado School of Mines, with a joint appointment in Geophysics.Liliana Gil is an anthropologist. She is incoming Assistant Professor of Comparative Studies (STS) at the Ohio State University.

Writer and educator Marcus Gilroy-Ware (After the Fact?, Filling the Void) speaks with Whitney Phillips and Ryan M. Milner about their new book You Are Here.Our media environment is in crisis. Polarization is rampant. Polluted information floods social media. Even our best efforts to help clean up can backfire, sending toxins roaring across the landscape. In You Are Here, Whitney Phillips and Ryan Milner offer strategies for navigating increasingly treacherous information flows. Using ecological metaphors, they emphasize how our individual me is entwined within a much larger we, and how everyone fits within an ever-shifting network map.Phillips and Milner describe how our poisoned media landscape came into being, beginning with the Satanic Panics of the 1980s and 1990s—which, they say, exemplify “network climate change”—and proceeding through the emergence of trolling culture and the rise of the reactionary far right (as well as its amplification by journalists) during and after the 2016 election. They explore the history of conspiracy theories in the United States, focusing on those concerning the Deep State; explain why old media literacy solutions fail to solve new media literacy problems; and suggest how we can navigate the network crisis more thoughtfully, effectively, and ethically. We need a network ethics that looks beyond the messages and the messengers to investigate toxic information's downstream effects.Produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

Joy White, author of Terraformed, speaks with Dhanveer Singh Brar about his forthcoming book Teklife, Ghettoville, Eski,Teklife, Ghettoville, Eski argues that Black electronic dance music produces sonic ecologies of Blackness that expose and reorder the contemporary racialization of the urban—ecologies that can never be reduced simply to their geographical and racial context. Dhanveer Singh Brar makes the case for Black electronic dance music as the cutting-edge aesthetic project of the diaspora, which due to the music's class character makes it possible to reorganize life within the contemporary city.Closely analysing the Footwork scene in South and West Chicago, the Grime scene in East London, and the output of the South London producer Actress, Brar pays attention to the way each of these critically acclaimed musical projects experiments with aesthetic form through an experimentation of the social. Through explicitly theoretical means, Brar foregrounds the sonic specificity of 12" records, EPs, albums, radio broadcasts, and recorded performances to make the case that Footwork, Grime, and Actress dissolve racialized spatial constraints that are thought to surround Black social life.Pushing the critical debates concerning the phonic materiality of Blackness, undercommons, and aesthetic sociality in new directions, Brar rethinks these concepts through concrete examples of contemporary Black electronic dance music production that allows for a theorization of the way Footwork, Grime, and Actress have--through their experiments in Blackness--generated genuine alternatives to the functioning of the city under financialized racial capitalism.Produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

Tariq Goddard (author, publisher and co-founder of Repeater Books) speaks with Victoria Nelson about her forthcoming book Neighbor George.Do you know the language of the birds?Summer, 1979: A lonely young woman housesitting for her aunt and uncle in an isolated bohemian enclave finds troubling reminders of a past family tragedy surfacing in odd and unsettling ways. When a mysterious man moves in next door, Dovey hopes for a romance like the ones in the novels she secretly devours. But a dark truth hidden since childhood erupts shockingly in a violent otherworldly intrusion, catapulting her into a desperate struggle for her life and sanity.Set in a haunted northern California landscape populated by poets, New Agers, stoners, and burnouts, Neighbor George is a deeply atmospheric story of psychological horror enacted in the liminal space where the natural collides with the supernatural.Produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux