The MIT Press Podcast

Around the world, liberal democracies are in crisis. Citizens have lost faith in their government; right-wing nationalist movements frame the political debate. At the same time, economic inequality is increasing dramatically; digital technologies have created a new class of super-rich entrepreneurs. Automation threatens to transform the free economy into a zero-sum game in which capital wins and labor loses. But is this digital dystopia inevitable?In our final discussion before the election, George Zarkadakis, author of Cyber Republic, reflects on the long term technological challenges and opportunities facing democracy.George Zarkadakis leads Future of Work at Willis Towers Watson in Great Britain, a global risk and human capital consulting firm. The author of In Our Own Image: The History and Future of Artificial Intelligence and other books, he has written extensively on science and technology for publications including Aeon and Wired.Hosted by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today.In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.)In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers.We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture’.Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She’s also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books.You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/

Prisons are not typically known for cutting-edge media technologies. Yet from photography in the nineteenth century to AI-enhanced tracking cameras today, there is a long history of prisons being used as a testing ground for technologies that are later adopted by the general public. If we recognize the prison as a central site for the development of media technologies, how might that change our understanding of both media systems and carceral systems? In Prison Media: Incarceration and the Infrastructures of Work and Technology (MIT Press, 2023), Anne Kaun and Fredrik Stiernstedt foreground the ways in which the prison is a model space for the control and transmission of information, a place where media is produced, and a medium in its own right.Examining the relationship between media and prison architecture, as surveillance and communication technologies are literally built into the facilities, this study also considers the ways in which prisoners themselves often do hard labor as media workers—labor that contributes in direct and indirect ways to the latest technologies developed and sold by multinational corporations like Amazon. There is a fine line between ankle monitors and Fitbits, and Prison Media helps us make sense of today's carceral society.Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today.The second episode of this series features a discussion with the author of Anti-vaxxers, Jonathan M. Berman. Vaccines are a documented success story, one of the most successful public health interventions in history. Yet there is a vocal anti-vaccination movement, featuring celebrity activists including actress Jenny McCarthy, talk-show host Bill Maher, and presidential hopeful Kanye West.How do we address those with views that might be deemed absurd and confusing? How do we ensure that the public sphere is based upon evidenced and good faith arguments? And what might be redeemed from world-views built upon misinformation?Jonathan M. Berman is Assistant Professor in the Department of Basic Sciences at NYITCOM–Arkansas. An active science communicator, he served as national cochair of the 2017 March for Science.Hosted by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

In this series of interviews from the MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today.In this, the first episode, Robert I. Rotberg (author of Anticorruption) discusses corruption - what is it? where is it? And is it getting worse? He explains the long history of corruption in the USA, as well as the measures that can be taken to eradicate it. We also explore issues of corruption across the globe, including the Lava Jato case in Brazil, the authoritarian anti-corruption of Rwanda and the ways in which corporate elites shape politics in countries like the US and the UK.Robert I. Rotberg is President Emeritus of the World Peace Foundation, Founding Director of Harvard Kennedy School's Program on Intrastate Conflict, and Fellow of the American Academy of Arts and Sciences. He is the author of The Corruption Cure: How Citizens and Leaders Can Combat Graft, Things Come Together: Africans Achieving Greatness in the Twenty-First Century, Transformative Political Leadership, and numerous other books.Hosted by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux

Michael Hollingshead, the man who turned Timothy Leary onto LSD, managed to fundamentally influenced modern drug culture whilst remaining virtually anonymous in popular culture at large. In this episode, biographer Andy Roberts talks us through the life of a key character in psychedelic history.Of all the figures associated with the history of LSD there is none more enigmatic than Michael Hollingshead. Appearing as if from nowhere, he turned Timothy Leary on to LSD in 1962, and was influential in Leary's years at Harvard, Millbrook, and beyond. A Zelig-like character, Hollingshead was a key player in London's early LSD scene. In 1965 he went to London to establish a cultural beachhead for Leary's LSD philosophy at the World Psychedelic Centre in Chelsea. Following a spell in prison, where he dosed KGB spy George Blake, he continued to pursue adventures with the Brotherhood of Eternal Love, established a psychedelic commune, created the first electronic I Ching installation, published an underground magazine, and spent time in Nepal, before dying a mysterious death in Bolivia in the 1980s.Psychedelic trickster guru, or conman and charlatan? Exactly who Hollingshead was and what his motives were remain unclear. Some believed he was working for the secret services, others that he was just a Leary wannabe, his aspirations destroyed by his deviant personality and addiction to alcohol and opiates. Divine Rascal is the first reliable biography of one of psychedelia's key figures, without whom the trajectory of LSD in the world would have been radically different.

In this episode, Bita Moghaddam discusses the emergence of ketamine as a combat anesthetic in the Vietnam war, its transformation into a recreation drug central to club culture, and its current transition into a treatment for depression. Ketamine, approved in 2019 by the Food and Drug Administration for the treatment of depression, has been touted by scientists and media reports as something approaching a miracle cure. This volume in the MIT Press Essential Knowledge series chronicles the ascent of a drug that has been around for fifty years--in previous incarnations, a Vietnam-era combat anesthetic and a popular club drug--that has now been reinvented as a treatment for depression. Bita Moghaddam, a leading researcher in neuropharmacology, explains the scientific history and the biology of ketamine, its clinical use, and its recently discovered antidepressant effects, for the nonspecialist reader.

This episode offers an insight into the work of leading cancer specialist and author of When Blood Breaks Down, Mikkael A. Sekeres. 1 in 2 people will develop cancer in their lifetime, but thankfully treatment for the disease is rapidly changing and improving. I ask Mikkael about the drugs that allow people to beat cancer and live better with it.When you are told that you have leukemia, your world stops. Your brain can't function. You are asked to make decisions about treatment almost immediately, when you are not in your right mind. And yet you pull yourself together and start asking questions. Beside you is your doctor, whose job it is to solve the awful puzzle of bone marrow gone wrong. The two of you are in it together. In When Blood Breaks Down, Mikkael Sekeres, a leading cancer specialist, takes readers on the journey that patient and doctor travel together.Sekeres, who writes regularly for the "Well" section of The New York Times, tells the compelling stories of three people who receive diagnoses of adult leukemia within hours of each other: Joan, a 48-year-old surgical nurse, a caregiver who becomes a patient; David, a 68-year-old former factory worker who bows to his family's wishes and pursues the most aggressive treatment; and Sarah, a 36-year-old pregnant woman who must decide whether to undergo chemotherapy and put her fetus at risk. We join the intimate conversations between Sekeres and his patients, and we watch as he teaches trainees. Along the way, Sekeres also explores leukemia in its different forms and the development of drugs to treat it--describing, among many other fascinating details, the invention of the bone marrow transplant (first performed experimentally on beagles) and a treatment that targets the genetics of leukemia.The lessons to be learned from leukemia, Sekeres shows, are not merely medical; they teach us about courage and grace and defying the odds.

Drawing on interviews with approximately sixty advocates, drug users, former users, friends, families, witnesses, clinicians, and scientists; Nancy D. Campbell has drawn together a history of a defining tragedy of contemporary life; the overdose. I ask her about the reality of drug overdoses and one of the tools being used by activists to prevent more deaths--Naloxone.For years, drug overdose was unmentionable in polite society. OD was understood to be something that took place in dark alleys--an ugly death awaiting social deviants--neither scientifically nor clinically interesting. But over the last several years, overdose prevention has become the unlikely object of a social movement, powered by the miracle drug naloxone. In OD, Nancy Campbell charts the emergence of naloxone as a technological fix for overdose and describes the remaking of overdose into an experience recognized as common, predictable, patterned--and, above all, preventable. Naloxone, which made resuscitation, rescue, and "reversal" after an overdose possible, became a tool for shifting law, policy, clinical medicine, and science toward harm reduction. Liberated from emergency room protocols and distributed in take-home kits to non-medical professionals, it also became a tool of empowerment.After recounting the prehistory of naloxone--the early treatment of OD as a problem of poisoning, the development of nalorphine (naloxone's predecessor), the idea of "reanimatology"--Campbell describes how naloxone emerged as a tool of harm reduction. She reports on naloxone use in far-flung locations that include post-Thatcherite Britain, rural New Mexico, and cities and towns in Massachusetts. Drawing on interviews with approximately sixty advocates, drug users, former users, friends, families, witnesses, clinicians, and scientists--whom she calls the "protagonists" of her story--Campbell tells a story of saving lives amid the complex, difficult conditions of an unfolding unnatural disaster.

C. Riley Snorton and Hentyle Yapp read from Saturation, a book that offers an analysis of racial representation and controversy in the art world.Controversies involving race and the art world are often discussed in terms of diversity and representation—as if having the right representative from a group or a larger plurality of embodied difference would absolve art institutions from historic forms of exclusion. This book offers another approach, taking into account not only questions of racial representation but also issues of structural change and the redistribution of resources. In essays, conversations, discussions, and artist portfolios, contributors confront in new ways questions at the intersection of art, race, and representation.The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.Copublished with the New Museum