The Fretboard Journal Guitar Podcast

On today’s podcast, we talk to Foo Fighters guitarist Chris Shiflett. Chris tells us about growing up in Santa Barbara; starting out on guitar; his early love for metal; how he landed the Foo Fighters gig; why he started playing Telecasters; and the making of his new solo country album, ‘West Coast Town.’ Chris also talks to us about his weekly podcast, ‘Walking the Floor,’ where he’s interviewed a wide array of artists including Marty Stuart, Bob Mould, Lucinda Williams, Buddy Miller and others. Watch our video with Chris playing "Goodnight Little Rock" from the new album here.  For a limited time, use the coupon code PODCAST and save $5 off any Fretboard Journal subscription or order. This episode is sponsored by Retrofret Vintage Guitars and Dying Breed Music.  Tune in next week when we interview Andy Powers of Taylor Guitars. And don't forget to leave us a review on iTunes. 

On this week’s podcast, we talk to Ethan Gruska (Belle Brigade) about his 2017 solo album, Slowmotionary. As Gruska tells it, he innocently recorded a handful of songs thinking they would serve as a sort of business card to remind musician pals that he could do session work for them. Little did he know he'd eventually synch up with producer Tony Berg, record an entire album steeped in ‘60s and ‘70s singer-songwriter sounds and end up releasing it on Sire records. Gruska talks to us about working with Berg on the project, Blake Mills (who plays guitar on the album's second track) and what it was like to co-write a song for John Legend ("Right by You" on Legend’s Darkness and Light). Though Gruska says “the guitar is a series of happy accidents for me,” he’s a stellar player. Watch our video with him playing “Reoccurring Dream” on fretboardjournal.com. This episode of the Fretboard Journal Podcast is sponsored by Retrofret Guitars. Visit their website or Instagram and tell them the FJ sent you! http://retrofret.com http://www.ethangruska.com https://www.fretboardjournal.com

This week, we have a fun talk with Doug Kauer of Kauer Guitars, Titan Guitars and DRS racks. Doug tells us about how his family’s cabinetry business gave him the experience he needed to build instruments, why he utilizes CNC machines in his production facility and the unique business model behind the Titan line (an American-made electric guitar starting at $1300 with plenty of customization options). This episode is brought to you by Dying Breed Music. Dying Breed has an amazing selection of Golden Era Martins, Gibsons and other instruments available: http://www.dyingbreedguitars.com  www.fretboardjournal.comhttp://www.kauerguitars.com http://www.titanguitars.comhttp://www.drsracks.com

Another highlight from the 2016 Fretboard Summit: Rick Turner, Jack Casady (Jefferson Airplane, Hot Tuna) and Dan Schwarz have a candid talk about the evolution of instrument amplification and tone from the 1960s to today. Casady talks about his desire for higher fidelity bass sounds, even as rock concert sound systems got bigger and bigger, and the electronic experimentation that ensued. Schwarz talks about the fateful day in 1973 when he walked into the Alembic guitar factory. Meanwhile, Rick Turner discusses the back-and-forth collaborations that happen between luthiers and their clients. It's a deep (two hours long) talk that covers a lot of ground...   This episode of the Fretboard Journal Podcast is sponsored by Dying Breed Music.  Subscribe to the Fretboard Journal print magazine here.

Banjo virtuoso Noam Pikelny joins us on this week's Fretboard Journal Podcast to talk about his new (and excellent) solo album 'Universal Favorite', some of the instruments in his growing collection (including his 1930 Gibson Granada, his 1941 Gibson TB-7, his 1953 Martin D-28 and his 1953 Fender Telecaster) and a lot more.  Get Noam's tour dates and order 'Universal Favorite' here:  http://noam.net This episode is sponsored by Dying Breed Music:  http://www.dyingbreedguitars.com Subscribe to the Fretboard Journal Podcast via iTunes:  https://itunes.apple.com/us/podcast/fretboard-journal-podcast/id394447340?mt=2  

Relic’d guitars are nothing new in the world of electric instruments, but they’re relatively unheard of when it comes to acoustics. Pre-War Guitars – the duo of Wes Lambe and Ben Maschal – hopes to change that. The pair of veteran luthiers are creating guitars that tap into the vintage sound and feel of Martins and Gibsons of the 1930s and ‘40s with hide glue, ultra-thin finishes and torrefied top woods. But they’re also adding scratches, dents and play wear to each of their new guitars (they offer a variety of distress levels based on a customer's preference). On this week’s podcast, you can hear about how this company came together, how they're constructing these instruments and why sometimes a little wear can result in a better sounding guitar.  This week’s episode is sponsored by Dying Breed Music. Check out their Gbase page here: https://www.gbase.com/stores/dying-breed-music https://www.fretboardjournal.com https://www.pre-warguitars.com Don't forget to subscribe to us via iTunes and please leave us a review if you can. Our 38th issue of the Fretboard Journal is now mailing... with features on Daniel Lanois, Leo Kottke, the first "Loar" mandolin and a lot more. 

If you love a good story, you’ll want to tune into this week’s podcast with luthier Wyatt Wilkie. Though he comes from a musical family, Wilkie is a completely self-taught instrument maker. He built his very first instrument, a mandocello, while working in New Mexico as a gravedigger. He then moved to a small town in Wales where he honed his craft and eventually found himself in Georgia apprenticing for archtop guitar icon Bob Benedetto. Wilkie is now nestled in the Comox Valley on British Columbia’s Vancouver Island, where he divides his time today between mandolins and archtop guitars. Nearly all of his work is exquisite and custom… and no two guitars are alike. This week’s episode is sponsored by Dying Breed Music: https://www.gbase.com/stores/dying-breed-music Links mentioned: http://wilkiestringedinstruments.com http://laconnerguitarfestival.com https://www.fretboardjournal.com/columns/fretboard-journal-38-whats-inside/

On today’s Fretboard Journal Podcast, we talk to Jason and Pharis Romero of J. Romero Banjo Co. From the tiny town of Horsefly, British Columbia, the Romeros craft some of the most coveted new fretted instruments being made. They currently have a five year waitlist and, as they describe it, even getting on the waitlist is a bit of a challenge. The duo are also exceptional musicians and won the 2016 Juno Award for Best Traditional Album of the Year.  In June 2016, a fire swept through the Romeros entire shop, destroying many of their new instruments as well as some of the prized vintage possessions. During our conversation, we talk to them about the fire, the help they received from the music community and how their rebuild process is going. We also chat about some of their latest banjo creations and innovations.  http://www.romerobanjos.com https://www.fretboardjournal.com/video/fretboard-films-trip-romero-banjos/ (our film on the Romeros original shop)  Subscribe to the Journal here: https://shop.fretboardjournal.com/collections/all/products/fretboard-journal-subscription-no-auto-renew (use the coupon code PODCAST and save an additional $5 off your order) 

On this week’s podcast, we talk to luthier Maegen Wells. After years of working alongside famed archtop guitar and bass builder Tom Ribbecke, Maegen is now building her own guitar and mandolin creations out of her Forestville, California workshop.    Wells has devoted nearly her entire adult life to learning the craft of lutherie and woodworking. Straight out of high school, she enrolled in Bryan Galloup’s Galloup School of Guitar Building and Professional Guitar Repair. She then went on to work at the Reverend Guitars warehouse and served as an apprentice to both Andrew White and Ribbecke. Don’t forget to subscribe to the Fretboard Journal Podcast via iTunes and, if you can, leave us a review on iTunes to help us with our search rankings: https://itunes.apple.com/us/podcast/fretboard-journal-podcast/id394447340?mt=2 The Fretboard Journal’s latest issue, #38, is now mailing worldwide. Subscribe via fretboardjournal.com and we’ll start you off with this edition. This episode is brought to you via sponsor TR Crandall. Check out their amazing inventory of vintage archtops, electrics and flattop acoustic guitars. And tell them the Fretboard Journal sent you: http://trcrandall.com Links:  http://www.maegenwellsguitars.com https://www.fretboardjournal.comhttps://www.youtube.com/watch?v=CLYZL2xae8A (StewMac video featuring Maegen Wells creating a tortoloid pickguard for a Gibson archtop) 

On today's podcast, we talk to William Seeders Mosheim, the owner of Seeders Instruments. Seeders is an open-back banjo builder who has found success combining old world designs with new world craftsmanship. The Vermont-based luthier honed his woodworking craft at his father's furniture business but now has a multi-year wait list for his banjos. His custom creations can incorporate any number of tone ring styles, wood options and levels of ornamentation.  This episode is sponsored once again by TR Crandall. If you're visiting their store or website, don't forget to tell them that the Fretboard Journal sent you. trcrandall.com fretboardjournal.comseedersinstruments.com Don't forget to subscribe to all of the Fretboard Journal podcasts via iTunes. And leave us a review if you can!