Smarty Pants

America in the 1830s was stranger than we might think: cities were made of wood, primeval forests towered above East and West coasts alike, and the Great Dismal Swamp still swallowed more than a million acres of Virginia. Alexander Nemerov, an art historian at Stanford University, brings this unruly and uncanny world to life in his new book, The Forest: A Fable of America in the 1830s. Neither history nor fiction, the book offers dozens of gem-like stories of man’s last real encounters with these ancient forests: Nat Turner’s woodland hiding place, the inscription of the Cherokee language both in trail trees and on paper, Harriet Tubman’s view of the Leonid meteor shower, the painter Thomas Cole’s top hat of felted beaver fur. Nemerov joins us on the podcast to discuss what his unusual approach reveals about this turning point between civilization and the wild.Go beyond the episode:Alexander Nemerov’s The Forest: A Fable of America in the 1830sSaidiya Hartman’s Wayward Lives, Beautiful Experiments is a luminous work of historical imaginationYou can walk along Chicago’s lone wooden block alley, a remnant of the world that went up in smoke in the Great Fire of 1871The Great Dismal Swamp may have shrunk, but it’s still thereVisit the episode page for a selection of paintings by Thomas Cole and Sanford Robinson GiffordTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Spotify  • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

We first spoke to Marion Turner, an English professor at Oxford University, in 2019, about her award-winning biography of Geoffrey Chaucer. In her latest book, The Wife of Bath: A Biography, Turner paints an unconventional portrait of Chaucer’s most famous—and clearly favorite—character: a bawdy, middle-aged, middle-class woman of multiple marriages. Alison of Bath is but one of the pilgrims Chaucer gathers around the table in his Canterbury Tales, but she is the only one to have inspired everyone from Shakespeare to James Joyce to Zadie Smith—and an equal number of misogynist critics, whether they were writing on vellum or in a 20th-century academic journal. Turner joins us on the podcast to discuss the Wife of Bath in her time and beyond, and why her voice still rings out with such force today.Go beyond the episode:Marion Turner’s The Wife of Bath: A BiographyListen to our previous interview with Turner about Geoffrey Chaucer’s lifeWatch Jean “Binta” Breeze perform her adaptation of Chaucer’s tale, “The Wife of Bath in Brixton Market”Read Zadie Smith’s play, The Wife of Willesden (which you can see performed this month with its original star if you happen to find yourself in Cambridge, Massachusetts)Read Patience Agbabi’s poem “The Wife of Bafa” or watch her perform it at the modern version of the Tabard Inn—a breweryTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Spotify  • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

In the world of Gunnhild Øyehaug’s fiction, the mechanics of the short story are constantly being pulled apart and played with: characters we’ve followed on a bus turn out to be the inventions of the narrator on page four; an omniscient “analysis department” argues with the author about the validity of a story ending; Baudelaire’s Flowers of Evil turn out to be real flowers growing by the side of the road and the cause of a woman’s broken foot. But the magic of Øyehaug’s latest collection, Evil Flowers, translated from Norwegian by Kari Dickson, is how these subversions still manage to awaken us to the wonder of real, ordinary, corporeal life, whether our main character is a loner searching for connection on a travel forum or a girl who turns everything she touches into slime eels.Go beyond the episode:Gunnhild Øyehaug’s Evil Flowers, translated by Kari DicksonRead “Nice and Mild,” from Knots, her first collection to be translated into EnglishCheck out her two novels, Present Tense Machine and Wait, Blink, adapted into the film Women in Oversized Men’s Shirts (sadly only available in Norwegian)Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Spotify • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

The drumbeat of people being unlawfully killed by police officers continues. Not even the mass protests of 2020 could push Congress to enact federal legislation banning chokeholds or no-knock warrants. Why does reform remain so difficult? Joanna Schwartz, a law professor at the University of California, Los Angeles, has devoted more than two decades to analyzing how our legal system protects the police at every level, from the Supreme Court to municipal governments. Her new book, Shielded: How the Police Became Untouchable, details the dozens of ways in which civil rights plaintiffs, no matter their tax bracket, race, or zip code, can be thwarted: from the difficulties of acquiring a lawyer to the controversial doctrine of qualified immunity, designed to protect police officers from personal liability.Go beyond the episode:Joanna Schwartz’s Shielded: How the Police Became UntouchableProPublica ran a year-long investigation into America’s largest police department: the NYPDRead more about the Supreme Court’s dismissal of Alexander Baxter’s case against the Nashville police, which was thrown out under the doctrine of qualified immunity. Baxter initially represented himself (and handwrote his complaint) but was later defended by the ACLU.“Elite” police units, like the SCORPION Unit that killed Tyre Nichols this year in Memphis, are frequently the subject of scandals and complaintsTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Spotify  • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Marie Arana is the award-winning Peruvian-American author of Silver, Sword, and Stone: Three Crucibles in the Latin American Story, a book about a whole continent that manages not to be a thousand pages long—even though it covers about a thousand years of history. She makes the compelling case that there are really three driving forces behind the entire region: exploitation and extraction; violence; and religion. Of course, all of these forces are deeply interrelated—and that’s the point. To drive home how tangled the past is with the present, Arana weaves the stories of three contemporary Latin Americans together with a millennium of history to ultimately show why you can’t really explain the rest of the world without first understanding the story of Latin America.Go beyond the episode:Marie Arana’s Silver, Sword, and Stone: Three Crucibles in the Latin American StoryRead Richard Moe’s review on our website (“a long-overdue and persuasive corrective”)Here’s a less blood-soaked tale from the cloisters of Peru: librarian Helen Hazen on a clutch of rare books tucked away in an Andean conventTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

In 1889, a group of Jewish families fleeing Russian pogroms arrived in Argentina, hoping for a new life—or at least a safe place to reside for a while before making their way to Israel. Moisés Ville, the town they founded, some 400 miles from Buenos Aires, was one of the first Jewish agricultural communities in Argentina and over the next 50 years would come to be called the “Jerusalem of South America,” replete with theaters, libraries, and two synagogues. But this sunny story of life in the new world has a dark underside, as Argentinian journalist Javier Sinay learned one day, upon reading a 1947 Yiddish newspaper article written by his own great-grandfather. The article detailed 22 murders of Jewish colonists in swift succession, all in the last decade of the 19th century. Why these people were killed—and what it says about the complex history of this once grand town—is the subject of Sinay’s new book, The Murders of Moisés Ville, translated from the Spanish by Robert Croll. Sinay joins us to talk about how a story from 100 years ago changed the way he saw his country, and his own relationship to Judaism.Go beyond the episode: Javier Sinay’s new book, The Murders of Moisés VilleIt’s never too late to connect with the language of your ancestors, as Phyllis Rose writes in “My Mother’s Yiddish”Journey further afield into the driving forces of Latin America in our interview with Marie AranaView historical images from Moisés Ville on our websiteTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

The codices and manuscripts of the Middle Ages are littered with the acts of kings and the edicts of bishops, full of tales of knightly romance and monkish devotions. Read between the lines, though, and you’ll find the women who made the medieval world run: bookkeepers and brewers, weavers and wine merchants, serfs and sex workers. They never got credit for it, and even their first names are often obscured by those of their husbands and fathers, but their lives were much richer and more varied than we have been led to expect. Eleanor Janega, who teaches medieval and early modern history at the London School of Economics, devotes her new book, The Once and Future Sex, to these ordinary and extraordinary women. Her analysis of the ways in which their lives were circumscribed shows how radically gender norms have changed—though not always improved—since the so-called dark ages.Go beyond the episode:Eleanor Janega’s The Once and Future Sex: Going Medieval on Women’s Roles in SocietyOn her blog, Going Medieval, read Janega’s take “On beer, or, why chicks rock” or peruse the index of medieval subjectsJanega’s podcast about the Middle Ages, “We’re Not So Different” considers “how we’ve always been idiots”Smarty Pants has gone medieval itself: in this interview with Mary Wellesley about the ordinary lives in manuscripts, or this conversation with Jack Hartnell about physicality and the bodyWe also love The London Review of Books’s podcast miniseries, “Close Readings: Encounters with Medieval Women,” hosted by Wellesley and Irina DumitrescuTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

John Singer Sargent is often thought of as a quintessentially American painter. Born in Florence in 1856, he shuttled across the Atlantic, painting society divas and wealthy eccentrics, Venetian gondoliers and Spanish dancers, imbuing each of his canvases with a sense of life and movement beyond the frame. But in his new biography of the artist, The Grand Affair, Paul Fisher, a professor of American studies at Wellesley College, delves into the hidden half of Sargent’s life—the portraits of male models and the romantic friendships with men that he kept hidden. Fisher joins Smarty Pants to discuss what Sargent has to offer the contemporary art lover, and how our understanding of his work changed in the intervening century. Go beyond the episode:Paul Fisher’s The Grand Affair: John Singer Sargent in His WorldExplore “Boston’s Apollo,” the 2020 exhibition at the Isabel Stewart Gardner Museum devoted to Sargent’s late-life muse and model, Thomas McKellerThe National Gallery of Art’s “Sargent and Spain” exhibition is sadly past, but you can explore selected works onlineVisit our website for a selection of the art discussed in this episodeTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

In 2018, the novelist and poet Perhat Tursun disappeared into a Uyghur detention center somewhere in Xinjiang, China, where he is now serving a 16-year prison sentence for an unspecified offense. Between one and three million Uyghurs, including a number of academics, writers, and cultural figures, have been arrested by the Chinese government on similarly spurious or entirely opaque grounds. Tursun is the author of, among other works,The Backstreets, which never found a publisher in his homeland despite the success of his previous books. This extraordinary novel follows an unnamed narrator, who has left his rural village for a temporary office job in Urumqi, as he wanders through the night, the city smog, and his memories. The book was recently published in English, translated by the anthropologist Darren Byler and an anonymous co-translator, who was last seen in 2017 and is also presumed to be in a Chinese detention center. Byler, an assistant professor of international studies at Simon Fraser University and the author of Terror Capitalism: Uyghur Dispossession and Masculinity in a Chinese City, joins us to talk about Tursun and his mesmerizing work.Go beyond the episode:Perhat Tursun’s The Backstreets: A Novel from Xinjiang, translated by Darren Byler and anonymousDarren Byler’s Terror Capitalism: Uyghur Dispossession and Masculinity in a Chinese CityRead more about Tursun’s poem “Elegy,” translated by Joshua FreemanThe poet Tahir Hamut Izgil, one of Tursun’s closest friends, wrote about the crisis in his homeland for The Atlantic: “One by One, My Friends Were Sent to the Camps”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

For all the glühwein and good cheer, mid-December also marks the darkest part of the year, when families around the world gather to watch their favorite holiday ghost story: A Christmas Carol. Easily the most famous spooky Yuletide movie, it is by no means the only one: Black Christmas was arguably the first American slasher movie; the mischievous creatures from Gremlins squealed their way into many hearts in 1984; and the Alpine Krampus has more credits to his name than Santa has reindeer. For generations, the heart of winter—not Halloween—was when we told unsettling stories around the fire, whether they featured the ghosts of our own pasts or Gryla the Icelandic ogre and her evil Yule cat. This week on Smarty Pants, writer and director Kier-La Janisse offers a primer on how these stories have found their way onto the screen, from annual BBC television specials to big-budget Hollywood bloodbaths.Go beyond the episode:Kier-La Janisse’s Yuletide Terror, co-edited with Paul Corupe, is out of print, but her House of Psychotic Women, an “autobiographical topography of female neurosis in horror and exploitation films” was just released in an expanded editionJanisse’s documentary Woodlands Dark and Days Bewitched is a thorough history of folk horror, which makes its way to the holidays with movies like Krampus (2015) and Rare Exports (2010), and wintry tales like Marketa Lazarová (1967), The White Reindeer (1952), Hagazussa (2017), and November (2017)You can watch the newest episode of the BBC’s anthology series A Ghost Story for Christmas on Britbox. Discussed in this episode: The Stalls of Barchester (1971) and A Warning to the Curious (1972), both based on M. R. James stories of the same name, and Stigma (1977)Visit our website for a full list of links and trailersTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Stitcher • Google PlayHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.