Smarty Pants

There are a lot of very good, very long books out there: Middlemarch, War and Peace, Don Quixote, the Neapolitan Novels. And then there are the very long books you probably won’t ever want to read, like Leonid Brezhnev’s memoirs, Saddam Hussein’s hackneyed romance novels, or the Kim family’s film theory. This show is about that kind of very long book, and the man who decided to read all of them: Daniel Kalder, who joins us on the show to talk about his journey through The Infernal Library and what these books tell us about the dictatorial soul, assuming there is one. This episode originally aired in 2018.Go beyond the episode:Daniel Kalder’s The Infernal Library: On Dictators, the Books They Wrote, and Other Catastrophes of LiteracyDive into Turkmenbashi’s Ruhnama, if you dare.Daniel Kalder reviews Saddam Hussein’s prose—he “tortured metaphors, too”—or you can read it yourselfOr check out Kalder’s dispatches from The Guardian’s “Dictator-lit” archivesWhile we couldn’t find a video of Fidel Castro’s four-hour-and-29-minute address to the United Nations in 1960, you can read it hereTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

Suzanne Simard, an ecologist at the University of British Columbia’s Department of Forests and Conservation Sciences, has dedicated her life to mapping the relationships between trees: how they send nutrients to one another, remember the past, warn their neighbors of disease or drought, and support their offspring. Her new memoir, Finding the Mother Tree, tells how her work has unfolded from her first discoveries of mycorrhizal fungi in the “wood wide web” to the inheritance left behind by dying trees and the life-giving force of the largest elders. Simard used isotopes and mass spectrometers to quantify the Indigenous knowledge that inspired her to study the interconnectedness of forest communities—and our human ones. She joins us on the podcast to discuss what we might all learn from trees.Go beyond the episode:Suzanne Simard’s Finding the Mother TreeRead Miranda Weiss’s review from our Summer 2021 issue hereExplore the Mother Tree Project, an experiment on forest resilience in the face of climate changeSmarty Pants loves trees: listen to our interview with Isabella Tree on rewilding, Naoka Abe on cherry trees, and Carlos Magdalena on what life is like as the Plant MessiahTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

In the past 30 years, electronic dance music (or EDM) has gone from underground culture to a global phenomenon. Journalist Matthew Collin drew on the British rave scene for his earlier work—a book called Altered State. But in the 20 years since that book came out, and even in the time it took to write it, EDM and its culture have completely transformed. The tunes on the radio and the DJs who put on giant shows in places like Ibiza look—and sound—very different from the originators of the genre, like the musicians who invented acid house in 1980s Chicago. Collin traveled around the world to figure out whether the EDM of today still holds onto its liberating roots—or whether commercialization killed the music. This episode originally aired in 2019.Go beyond the episode:Matthew Collin’s Rave On: Global Adventures in Electronic Dance MusicRead about the clash between techno fans and extremists in TbilisiRead some of the many effusive obituaries commemorating Frankie Knuckles, “Godfather of House Music”Watch a trailer for the 1990 movie Paris Is Burning (streaming on Netflix) and the trailer for the 2017 film Kiki (available here)Listen to the full tracks featured in this episode: “Can You Feel It” by Fingers Inc and “Halcyon On and On” by OrbitalTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Despite the rampant success of books like Marie Kondo’s The Life-Changing Magic of Tidying Up, intellectual circles tend to look down on anything that sells itself as self-help. And yet, in a certain light, the most original form of self-help might actually be philosophy—an older and more respected genre, even, than the novel. So this week, we’re going back to the past and asking that old chestnut: what is a meaningful life? The Stoics are awfully popular these days, but the philosopher Catherine Wilson joins us this episode to pitch a different kind of Greek: Epicurus, whose teachings live on most fully in Lucretius’s On the Nature of Things. For a few centuries, Epicurus was wrongly remembered as the patron saint of whoremongers and drunkards, but he really wasn’t: his philosophy is rich with theories of justice, empiricism, pleasure, prudence, and equality (Epicurus, unlike the Stoics, welcomed women and slaves into his school). Epicureanism advocated for a simple life, something that appeals to more and more people today with the return to artisan crafts, self-sufficiency, and, yes, the KonMari method.Go beyond the episode:Catherine Wilson’s How to Be an EpicureanRead A. E. Stallings’s recent translation of Lucretius’s On the Nature of ThingsOr read Karl Marx’s university thesis on Epicurus, “The Difference Between the Democritean and Epicurean Philosophy of Nature”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

If when you read a work of fiction you are never alone, since you can hear the voice of the author, then when you read in translation, you're in sort of a threesome. The translator, as Cervantes is said to have said, is there at the edge of the frame, revealing the other side of the tapestry. Susan Bernofsky has been translating from German into English for decades, focusing on the writers Robert Walser, Yoko Tawada, and Jenny Erpenbeck. Her latest book is a biography of Walser, Clairvoyant of the Small, and she is now translating Thomas Mann’s The Magic Mountain, a (very) brief excerpt of which we published earlier this year. Bernofsky directs the literary translation program at Columbia’s School of the Arts. She joins us on the podcast to talk about the joys and struggles of bringing another writer’s words into English. Go beyond the episode:Susan Bernofsky’s latest book is Clairvoyant of the Small, a biography of Robert WalserYou can find her translations on her website and on her long-running blog, TranslationistaSubscribe to the magazine to read an excerpt from The Magic MountainThe Bible was translated, too: listen to our interview with Robert AlterIt took until 2017 for a novel in Malagasy or a short story collection in Tibetan to be translated into English—and we talked to both translatorsTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  Hosted on Acast. See acast.com/privacy for more information.

The first Gilded Age was a time of rampant corruption, the big business crooks of Tammany Hall, and lavish displays of wealth rivaled by abject poverty. It was also the period when America’s elite mastered the art of crafting the perfect cocktail. Though there were a few missteps along the way—including the Black Velvet, which included equal parts champagne and, disturbingly, porter—the era birthed the classic cocktails that we drink to this day. But what parties, what people, were around for the debut of the Manhattan? Or the martini, the daiquiri, the pisco sour? Cecelia Tichi, professor of American literature and culture at Vanderbilt University, tells all in her new book, The Gilded Age of Cocktails.Go beyond the episode:Cecelia Tichi’s The Gilded Age of CocktailsTichi mentioned a few other keepers of bartending history: David Wondrich, who wrote Imbibe!; and our own Wayne Curtis, who wrote And a Bottle of Rum and Neutral Ground, a long-running column on our website about all things New Orleans (including alcohol)For a reminder on how to partake with class, Michael Fontaine graced the podcast last year to talk about his book How to DrinkHere’s a great article on how to rustle up vintage cocktail books, like Jerry Thomas’s 1862 classic, The Bar-Tender’s GuideA few more how-to manuals to grace your bar: Mittie Helmich’s The Ultimate Bar Book, Gary Regan’s The Joy of Mixology, Amy Stewart’s The Drunken Botanist, David Embury’s The Fine Art of Mixing Drinks (which pairs well with Wayne Curtis’s great essay on reconciling Embury’s legacy with his bigotry)Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Each week on our sister podcast, Read Me a Poem, Amanda Holmes reads suggestions from listeners around the world. Recently, a listener requested a longer work by the poet Muriel Rukeyser, whose poetry is not as widely known 40 years after her death as it should be. Holmes joins us this week to discuss why Rukeyser’s work speaks to her and then to read the long poem cycle “Letter to the Front,” written in 1944.Go beyond the episode:Listen to Amanda Holmes each week on the Read Me a Poem podcastRead “Letter to the Front” by Muriel RukeyserTry not to chuckle as Rukeyser reads her poem “Waiting for Icarus,” written from the perspective of the ill-fated man’s wifeThe Book of the Dead (1938), reissued in 2018 by West Virginia University Press, was written in response to the 1931 Hawks Nest Tunnel Disaster, in which hundreds of miners, mostly Black, died of silicosis. Rukeyser combined her own observations with trial testimony from the surviving miners’ lawsuit against their employer.“In moments of desperation, a favorite poem has resurfaced lately, sometimes on Twitter and sometimes in memory,” writes Sam Huber in The Paris Review, of Rukeyser’s “Poem” from 1968 that begins “I lived in the first century of world wars”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Geoffrey Chaucer was born a wine-merchant’s son in 1340s London. He survived the plague, the Hundred Years’ War, the Great Rising, and an adolescence spent wearing tight pants in a rich woman’s house to become one of the most celebrated poets in English. In the first biography of Chaucer in a generation, historian Marion Turner makes the case that the man we think of as a great English poet was, in fact, a great European one. He was inspired by the literature of Italy, Spain, France, and elsewhere—but more importantly, he drew on his interactions with the people he encountered during his travels, and from the places he visited. For example, how did the frescoes of Florence give rise to the perspectives in The House of Fame? Did Chaucer’s visits to his daughter’s none-too-chaste nunnery influence the bawdy Nun’s Priest’s Tale? Marion Turner takes us back to the Middle Ages to find out. This episode originally aired in 2019.Go beyond the episode:Marion Turner’s Chaucer: A European LifeBrush up on your Middle English with the Norton edition of The Canterbury Tales or The Riverside ChaucerTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

On the eve of World War II, a young housewife named Alma Fielding found herself in the grip of a poltergeist hell-bent on flinging china through the air, toppling over dressers, and leaving no egg uncracked in her London home. Her case caught the attention of the Hungarian ghost hunter Nandor Fodor, whose tests at the International Institute for Psychical Research led to ever-odder phenomena from Alma: a bird flew from her skirts, beetles crawled beneath her gloves, stolen jewelry materialized on her fingers. In The Haunting of Alma Fielding, Kate Summerscale tells the story of an investigation that combines the supernatural and subconscious, revealing the very real anxieties of a changing society.Go beyond the episode:Kate Summerscale’s The Haunting of Alma FieldingIf you haven’t seen it yet, you must: PoltergeistAlso Carrie: because Alma’s story is in many ways a mashup of bothIn a reversal of Alma’s story, the unexpectedly excellent Ouija: Origin of Evil follows a family whose fraudulent tricks end in real possessionIn an earlier episode of Smarty Pants, “Scientists and Saints,” we covered women’s roles in American spiritualism and other fringe religionsRead Sudip Bose’s essay on how a séance lead a connoisseur of the occult to discover a lost Robert Schumann concertoTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Did you notice when it suddenly became okay not to say goodbye at the end of a text message conversation? Have you responded to work emails solely using ?? Is ~ this ~ your favorite punctuation mark for conveying exactly just how much you just don’t care about something? Welcome, Internet Person—you’re using a different kind of English from the previous generation. But these conversational norms weren’t set on high, and how they evolved over the past decades of Internet usage tells us a lot about how language has always been created: collaboratively. Or, as Internet linguist Gretchen McCulloch puts it, “Language is humanity’s most spectacular open source project.” She joins us to analyze the language we use online and off—how it got this way, where it’s going, and why it’s a good thing that our words are changing so quickly. This episode originally aired in 2019.Go beyond the episode:Gretchen McCulloch’s Because InternetRead her Resident Linguist column at Wired, formerly at The Toast (you may remember reading about the grammar of doge, perhaps? Much wow) or catch up on the Lingthusiasm PodcastPhone calls have been supplanted by text messages—will voice texting be next? Or are the people using voice texting pointing out a fundamental lack, in language or keyboard support?Inevitably, Godwin’s Law states, “as an online discussion continues, the probability of a reference or comparison to Hitler or Nazis approaches 1.” Read creator Mike Godwin’s explanation for why he created his counter-meme, and why, in the case of actual fascists, calling someone a Nazi is well within the norms of discoursePeruse the LOLCat Bible or the Creepypasta Wiki, deemed worthy of archive by the Library of Congress (file under folklore)If all these memes confuse you, you can always find your footing at Know Your MemeTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.