Smarty Pants

The birth of religion is commonly held to lie far back in human history, with the occasional exception of an angel Moroni or the borderline godhood of a cult leader. But in Accidental Gods, Anna Della Subin documents how a surprising number of 20th-century men (it’s almost always men) found themselves labeled divine, sometimes without their knowledge and nearly always without their consent. Some, like General Douglas MacArthur, were even crowned four different ways, on three separate continents. Subin joins the podcast to explore the urges that lead us to declare a mortal man a god, and what this desire tells us about modernity.Go beyond the episode:Anna Della Subin’s Accidental Gods: On Men Unwittingly Turned DivineRead “Philip’s People” in The London Review of BooksA corollary to the book: a brief history of objects turned into godsMeet the balsa wood carving of General Douglas MacArthur from the Guna people of PanamaTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

The North has been a blank, snowy canvas for our best and worst fantasies for thousands of years, home to biting winds, sea unicorns, fearsome Vikings, and even a wintry Atlantis. And it is also home, of course, to Indigenous communities, whose existence and culture could be inconvenient to myths of Aryan purity. Historian Bernd Brunner explores this curiosity cabinet of a region in his new book, Extreme North, translated by Jefferson Chase. Brunner argues that the North was as much invented as it was discovered by the European explorers, colonists, and armchair enthusiasts who ventured there. Encounters with the cultures of the North would inspire epic storytellers (Tolkien, Wagner), grifters (James Macpherson and his Poems of Ossian), racists (Hitler), and countless other complicated figures (Franz Boas, Nanook of the North). Brunner joins us on the podcast to explore the outer, icy limits of the known world and why it still has a hold on us today.Go beyond the episode:Bernd Brunner’s Extreme North, translated by Jefferson ChaseFull show notes on our episode pageRosamond Purcell re-created the Museum Wormianum of Arctic curiositiesYou can read all the extant Icelandic family sagas for free onlineThe Poems of Ossian has been called the “Harry Potter of the 18th century”—except the boy wizard wasn’t a literary hoaxHow the handshake came to NunavutWhy the top of the map faces northTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Antwerp, the other port city on the North Sea, is frequently overshadowed by its Dutch big brother, Amsterdam. But long before the latter was dubbed the “Venice of the North,” Venetians—and Germans, Britons, Jews fleeing the Portuguese Inquisition, and others—flocked to Antwerp, the wealthiest European city of the 16th century and a huge beneficiary of the Age of Exploration. Pepper, silver, wool, sugar, salt, books, wine, and diamonds all passed through Antwerp in the complex web of trade spanning the Ottoman and Holy Roman empires, India, the Americas, and Africa. The city’s star burned brightly for a century, and then was snuffed out first by Spanish soldiers in 1576 and then the Calvinists in 1577. In his new book, Europe’s Babylon, Amsterdam-based writer Michael Pye brings Antwerp’s golden age to life in all its scandalous, sparkling glory.Go beyond the episode:Michael Pye’s Europe’s Babylon: The Rise and Fall of Antwerp’s Golden AgeVisit the episode page for images of the paintings described in the episodeSee the shadows of the age with a visit to today’s AntwerpA beginner’s guide to Belgian beer stylesGet to know genever, the Low Countries’ answer to gin and whiskeyAntwerp’s golden age of fashion came in 1986, with the Antwerp SixTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

It’s hard to imagine an American city without a Chinese restaurant, a pizza parlor or three, and at least one taco joint. But the cooks who originally made American tastebuds salivate at the thought of a good stir-fry or a curry are hardly household names, even though their impact on our cuisine lingers. Mayukh Sen’s new book, Taste Makers, chronicles seven immigrant women, each from a different country, who transformed American cookery but have since faded from memory: Chao Yang Buwei (China), Elena Zelayeta (Mexico), Madeleine Kamman (France), Marcella Hazan (Italy), Julie Sahni (India), Najmieh Batmanglij (Iran), and Norma Shirley (Jamaica). He joins us on Smarty Pants to talk about why these women mattered, and why they have been unjustly forgotten.Go beyond the episode:Mayukh Sen’s Taste MakersRead excerpts from the book in The New Yorker, The Atlantic, and Mother JonesGet the full set of links on our websiteTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastDownload the audio here (right click to “save link as …”)Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

The third novel from John Darnielle, the creative force behind the band The Mountain Goats, draws on the surprisingly fertile combination of freeway towns, goth teenagers, Le Morte d’Arthur, and Chaucer. Devil House followstrue-crime writer Gage Chandler, who, at the urging of his editor, moves into the newly renovated “Devil House” of Milpitas, California, once an abandoned porn shop and the site of a grisly, unsolved double murder on Halloween in 1986. News clippings about the crime point to disaffected teenagers who transformed the old shop into a kind of clubhouse, replete with pentagrams, video art, and schlocky monsters, but no arrests were ever made. Gage struggles with the nature of his work and how to tell the story of Devil House fairly: “What happens when somebody tells a story that has real people in it? What happens to the story; what happens to the teller; what happens to the people?” Darnielle joins the podcast to talk about Devil House, a novel less about the crime than the search for truth.Go beyond the episode:John Darnielle’s Devil HouseDip into The Mountain Goats’ discography (our host’s go-tos are usually Tallahassee, All Hail West Texas, and The Sunset Tree)Mentioned in the interview: “Unicorn Tolerance” from the album Goths, Thomas Malory’s Le Morte d’Arthur (read it all online or try your hand at deciphering the British Library’s 15th-century manuscript)Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Learning Chinese is intimidating: four tones, 3,000-odd characters or ideograms to carry on a basic conversation, a completely different orientation of words on the page … oh, and about a dozen languages classified as “Chinese” whose speakers wouldn’t understand one another. Becoming literate in any Chinese language was even more difficult at the turn of the 20th century than it is now. Then, no standard pronunciation system existed to get you started on the road to learning one of them. The story of how Mandarin won out—and how its tens of thousands of ideograms survived threats of colonization, simplification, and Romanization—is the subject of Kingdom of Characters by Jing Tsu, a professor of East Asian languages and literature at Yale. She joins us on the podcast to discuss the rebels, novelists, engineers, librarians, and fringe reformers who made modern Mandarin what it is today.Go beyond the episode:Jing Tsu’s Kingdom of CharactersSomething else that radically changed Chinese culture: modern artNot all languages survive encounters with the West: listen to our interview with Don Kulick about the death of TayapTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Between Hello Kitty, anthropomorphized Disney candlesticks, and the prevalence of doe-eyed sticker-comments on Facebook, it’s safe to say that cuteness has permeated everything. But what makes something “cute,” and how might there be something disquieting going on beneath all the sugar and spice and everything nice? The philosopher Simon May has spent a lot of time thinking about what cuteness has to tell us about the shifting boundaries between ourselves and the outside world, and how it plays with the dichotomies of gender, age, morality, species, and even power itself. After all, cute is adorable, and kind of harmless—but for all that, it’s also a little bit unnerving. This episode originally aired in 2019.Go beyond the episode:Simon May’s The Power of CuteThe sweet and sinister art of Yashimoto NaraArt historian Elizabeth Legge wrote about Jeff Koons’s Baloon Dog and the Cute Sublime in her paper “When Awe Turns to Awww …”And here is an entire book on Hello Kitty: Christine R. Yano’s Pink GlobalizationFor a primer on cute scientific research, see Natalie Angier’s article “The Cute Factor” Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

According to the prevailing logic, America has an anger management problem: it’s counterproductive, destructive, and, unchecked, might lead you to storm the Capitol. But not all anger is made equal, and perhaps the best way to master its uses and abuses is to understand its differences. In her new book, The Case for Rage, University of California philosophy professor Myisha Cherry contends that this misunderstood emotion—wielded successfully in the past by figures like Audre Lorde, Martin Luther King Jr., and Ida B. Wells—can fuel today’s fight against racism. Cherry joins us on the podcast to discuss how to cultivate the kind of rage we need to make a better world.Go beyond the episode:Myisha Cherry’s The Case for Rage (read an excerpt here)Read Audre Lorde’s seminal essay, “The Uses of Anger,” which inspired Cherry’s coining of the term Lordean rageListen to our interview with Pankaj Mishra about the ressentiment that fuels our Age of AngerDown with the Stoics, up with Epicureanism!Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

A few years ago, we ran a special winter episode on the Snow Maiden, an adored figure from Slavic folklore. Today, we travel to Austria for an encounter with the Krampus. Each December, this devil clad in sheepskin and goat horns wanders the Alpine valleys of Bavaria and Tyrol. The Krampus lurks in other parts of Austria, as well—and some of his cousins pop up even farther afield in Eastern Europe—but the specter of this dark Christmas legend is strongest in the mountains. You might have met some version of him in the 2015 Hollywood horror movie Krampus or the 2010 Finnish film Rare Exports. But the real story of the Krampus is better than the movies. Here to tell us about it is Al Ridenour, host of the dark folklore podcast Bone & Sickle and the author of the book The Krampus and the Old Dark Christmas.Go beyond the episode:Al Ridenour’s The Krampus and the Old Dark ChristmasListen to the Bone & Sickle podcast, co-hosted by Ridenour and Sarah ChavezLooking for more winter folktales? The Snow Maiden awaits.Rare Exports (2010) is our host’s favorite holiday horror flickKrampus (2015) is not entirely true to the myth, but we love it anywayAnd there’s always Santa slashersThis episode features an arrangement of “Carol of the Bells” performed and recorded by myuu.Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • Acast Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Elizabeth D. Samet teaches English at West Point, where future Army officers learn how not to lose. There, as in any U.S. military setting, everything can be won—and should be won—unequivocally, whether it’s a sports match, an exam, or a war. But what happens when, as Samet writes in our Winter 2022 cover story, “The ambiguities of life are confused with the clarity of sport?” What are the stakes when the ambiguities of war are disguised by the very institutions sending young people to fight, in places like Iraq and Afghanistan, on time scales that can be measured in decades? Samet, the author of the recently published book, Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness, joins us to discuss the hazards of never owning loss. The opinions expressed here are Samet’s own and do not necessarily reflect those of the U.S. Military Academy, the Department of the Army, or the Department of Defense. Go beyond the episode:Elizabeth D. Samet’s Winter 2022 cover story, “The Art of Losing”Read her new book, Looking for the Good War: American Amnesia and the Violent Pursuit of HappinessHer past writing for The American Scholar expands on the meaning of Civil War monuments, the scourge of military sexual assault and the masculine code, and the long history behind the Army’s Jim Crow fortsTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.