Pantheon - Podcasts for Music Lovers

This is the original copy for the previous release of this episode on 12/26/21:"This episode is the story of a lost live album by the great Johnny & June Carter Cash, recorded shortly after the legendary Folsom Prison Live album. The contrast in energy of these two nights is stark, and part of the discussion. The mood the night of the show was appropriately laid back for San Francisco.The Carousel Ballroom, which would shortly become the Fillmore (West), hosted the April 24, 1968 concert, and tape was rolling, as was the case when Owlsley Stanley was at the sound board. He recorded most shows that he mixed, which gives purpose to his foundation's modern mission of preservation. This Carter-Cash album could do a lot of good in that area.Markus and Ray talk with William "Hawk" Semins and Pete Bell of The Owlsley Stanley Foundation, about this show, and their ongoing efforts to preserve this audio legacy!Then they're joined by John Carter Cash, legendary producer and artist, and son of John and June! He gives the family legacy's view of this show, among other things!An amazing way to explore this unexpected audio treat and to mark our 150th episode!!!Listen to this cool episode, and then get caught up here!!!Thanks to our sponsors, Crooked Eye Brewery for their support of the podcast!"And just like that! Summer Vacay 202 is a wrap! Look for fresh, new episodes, starting August 5th! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sorry for this episode being a little late….I’d meant to get it out earlier, but who knows where the time goes?????If you’ve not deserted me…..Welcome to episode 177 of Love That Album.Carrying on with the Fairport Convention connection of episode 176, I welcome three wonderful guests to the podcast this time around – all connected to the great Sandy Denny.Firstly, there’s a return visit from John Penhallow, the first manager of Fairport. He’s done a lot of archival work in relation to Sandy’s music over the years, and we discuss that.Then, there’s Sandy’s daughter, Georgia Rose Lucas and musician / composer Carla Fuchs. The two of them are behind an album released in 2023 called Songbird. Carla composed new music to lyrics written by Sandy in her journals that were never previously recorded. The two of them collaborated to make this project come to existence.Not on the show, but huge thanks as well go to Elizabeth Hurtt, wife of the late Trevor Lucas, who took the time to tell me about the journey of these lyrics in Sandy’s journals. There had been a plan many years ago for many artists to utilise her words for new songs….that didn’t happen, but we explain what DID in the show’s discussion. Huge thanks to Elizabeth for filling me in.My gratitude to all these wonderful folk for taking the time to talk about the Songbird project, the Attic Tracks songs put out on cassette and then CD by John on Raven Records years ago, Redgum, and Sandy’s life and music.If you wish to search out a copy of Carla’s album, it’s available on Bandcamp at:https://talkingelephantrecords.bandcamp.com/album/songbirdDownload this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.comLove That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows.You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbumProudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're rounding out our summer mini season with the incomparable Tyler Warren! Tyler is an incredible multi-instrumentalist and vocalist who tours with Queen + Adam Lambert, records with his band Flarelight, and has released full album covers of both Permanent Waves and, most recently, Grace Under Pressure on his YouTube channel. Tyler talks to us about falling in love with Rush, how he ended up touring with Queen + Adam Lambert, and the monumental task of playing every instrument on those amazing full album covers.You can watch Tyler's Permanent Waves cover here: Tyler Warren - Rush’s Permanent Waves (full album performance) (youtube.com)You can watch Tyler's Grace Under Pressure cover here: Tyler Warren - Rush's Grace Under Pressure (full album performance) (youtube.com) Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of 'Set Lusting Bruce,' podcast host Jesse Jackson interviews Jason Goldman, a musician, producer, and current chair of the Jazz Studies Department at USC. Although a self-identified jazz enthusiast, Goldman discusses his expansive career that spans from jazz to producing for artists like Michael Bublé, and even forming a new rock-soul band called The Fridays. He shares his early influences, including growing up in Norwalk, Connecticut, and choosing the saxophone due to his father's occasional playing. Goldman also talks about his educational journey, challenges in the music industry, and insights from producing diverse music genres. Additionally, he highlights the evolution and value of music, emphasizing quality and personal passion over mainstream success. https://www.jasongoldmanmusic.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Side Projects sees the return of Steve Dawson and Mark Mallman. They join me to discuss song structure. We go over some basic terms and structures that are typical and atypical. We talk about songs like The Wreck Of The Edmunds Fitzgerald by Gordon Lightfoot, Don’t Stop Believin’ by Journey, Stairway To Heaven by Led Zeppelin, and others.Is a successful song necessarily a GOOD song? Are streaming services, algorithms, & metrics changing pop song structures? Does the music delivery system (records, CD’s, streaming) play a part in the song structure that’s popular within that system? Steve studies the structure of a Taylor Swift song and Steve and Mark discuss where song structure might be headed in the future. Wrap up talking about Steve’s new album, which was recorded live, and Mark’s book, new music he’s writing, and how this conversation has inspired him. Go to stevedawsonmusic.com or Pravda Records to grab his new album. Follow him @stevedawso on Instagram. Follow Mark Mallman @markmallman on Instagram, TikTok, and X. Follow us @PerformanceAnx on Instagram and X. Grab merch at performanceanx.threadless.com. Send money for coffee at ko-fi.com/performanceanxiety. And now get ready to know everything you wanted to know about song structures on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

The week of July 24, 2024 on The Metallica Report…Renée has been mighty busy with her day job lately. This week, All Within My Hands announced its fourth Helping Hands Concert & Auction AND that its groundbreaking Metallica Scholars program will now include 60 schools in all 50 US states + Guam! To celebrate that exciting AWMH news, Steffan chats with James about his design and creation of the Foundation’s logo, which includes a tracing of his own hand.  This week also marks the launch of “Orion: A Tribute To Cliff Burton,” the latest exhibit in the band’s free digital museum, The Metallica Black Box. The exhibit will bring you closer to who Cliff was than ever before, as close friends and peers speak candidly about the man and the musician they knew so well.The Metallica Report - your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday.All Within My Hands Benefit Info: https://metallica.lnk.to/HH2024 Metallica Scholars Info: https://metallica.lnk.to/MSI-Year-6The Metallica Black Box (aka the Metallica Museum): https://www.metallica.com/museumEnter to Win VIP Couch Tickets to the Benefit: https://fandiem.com/metallicala  Upcoming M72 Tour Dates: https://www.metallica.com/tour  Music from The Metallica Report: https://metallica.lnk.to/TMR-music Wanna be featured on a future episode? Submit your questions or comments: http://metallica.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Strutters! This week is monumental as we celebrate the 10th anniversary of "Everybody Wants." Originally released in the UK on July 28, 2014, this debut album has shaped the band's trajectory despite initial challenges. Remember the iconic single "Could Have Been Me"? It’s still rocking hard! We take a nostalgic trip down memory lane, revisiting the tracks that didn't make the 2016 US reissue and discussing the bittersweet differences. As always, we're diving deep into the music that influences our favorite band, and this week’s pick is a legendary classic that you won't want to miss.In today's episode, Luke and I wrap up our series on influential albums by spotlighting Meat Loaf's "Bat Out of Hell." Luke shares how discovering this album on vinyl during a tough time in his life offered both solace and inspiration. From the epic theatrics of Jim Steinman’s songwriting to the relentless passion Meat Loaf brought to each track, this album has left an indelible mark on Luke’s musical journey. Whether it's the dramatic spoken word intro of "You Took the Words Right Out of My Mouth" or the rebellious energy that courses through the entire album, Luke’s insights will make you appreciate this rock masterpiece even more.So, grab your headphones and let’s get lost in the music together. Don’t forget to leave us a review and join our official Strutters group on Facebook to keep the conversation going.Until next time, keep strutting! Learn more about your ad choices. Visit megaphone.fm/adchoices

Inspired by his recent Day By Day series about the band, BJ counts down his top ten favorite Foo Fighters songs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew and Kyle close out the 5th season of Audio Judo by talking about the final studio album by Rush, 2012's 'Clockwork Angels'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo:https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7QIf you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month:https://www.patreon.com/audiojudoYou can also buy some swag with our logo on it:https://www.teepublic.com/user/audio-judo-podcastAs always, let us know what you think by emailing info(at)audiojudo(dot)com.Website: https://www.audiojudo.comGet in touch on social media:Facebook: https://www.facebook.com/audiojudoTwitter: @audiojudoInstagram: @audio_judoWe are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at https://www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Oasis in the UK are more than just rock royalty. They are the foul-mouthed, big riff, council estate kids with unibrows and bad attitudes that helped lift the UK out of it's 1980's/Thatcherism malaisse and into the Cool Britannia of the 1990s. Out was the doom and gloom of American grunge, in were melodic songs that kids could relate to. Anthems like Rock N Roll Star, Columbia and Cigarettes and Alcohol spoke directly to the young generation who were anxious to make their own mark on the world. Led by the songwriting and riff borrowing of Noel Gallagher and the sheer strength of the vocals of his younger brother Liam, Oasis debut Definitely Maybe became the fastest selling debut album in the UK at the time.However, in the US, though Oasis debut hit the charts and eventually went platinum, the band never took off to the heights they would enjoy in the UK and around the world. Maybe it was Creation Records lack of solid backing by the US record industry or maybe it was the brothers snarling and nasty attitudes (and those unibrows) that turned enough people off during the age of grunge that would soon give way to softer sounds like Hootie and the Blowfish. But Oasis were the spokesmen of their generation in the UK and knew who to borrow from (The Beatles, The Rolling Stones, T Rex, The Jam) to make a big, bright, loud sound that would have them headline Knebworth just 2 years after the release of this debut in front of 250,000 people over 2 nights.Oasis are also the masters of the b-side (a lost art in the US) and as CD singles with 4 tracks on them were all the rage, Oasis hit the playlists and sales from singles as well as anyone in the UK. So relive the big hits (Live Forever & Supersonic), enjoy the album tracks (Slide Away, Bring It On Down) and unearth some b-sides as we celebrate Definitely Maybe as it turns 30.Ugly American Werewolf in London WebsiteUgly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%!Visit our sponsor RareVinyl.com and use the code UGLY to save 10%!TwitterThreadsInstagramYouTubeLInkTreewww.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices