WARDROBE CRISIS with Clare Press

Fashion doesn’t exist in a vacuum. As Coco Chanel once said, it’s “in the sky, in the street; fashion has to do with ideas, the way we live, what’s happening.” So how, as a designer, you do respond to what’s going on in the world when that's a tragedy close to home or heart? On February 6, 2023 a magnitude 7.8 earth quake hit south-eastern Türkiye, and northern Syria. It was catastrophic - causing unfathomable damage and loss of life. Official figures put the death toll beyond 50,000 people. And to make matters worse, it was bitterly cold winter. Against such a backdrop, fashion’s concerns may seem trifling, but the region is a textiles centre, while and the many garment factories on the other side of Turkey will also feel the effects, with huge numbers of people displaced and vulnerable. Plus through all this, fashion month went on. What do you do as a creative from an affected country, when you’re reeling from this but not there on the ground? Or not physically impacted? How do you just carry on as normal? Should you even try? If not, then what? On a practical level, do you cancel your fashion show? Realistically, what good would that do? Do you try to compartmentalise, or block it out, or use your platform to speak out and raise money? Probably all of the above, at the same time! There’s obviously no correct answer, but these are the questions. And also, the context for this week’s interview with London-based Turkish designer Bora Aksu, who shares candidly about what it means to be a creative trying to navigate all this.But while this is how the conversation begins - it's not how it ends. At it's heart, this is a warm, hopeful and inspiring interview about fashion, family, craft, heritage, upcycling and the practical work of trying to choose the most sustainable textiles as a fashion designer – Bora has been has doing it for years, long before sustainability became the next big thing. If you’d like to make a donation to the ongoing relief and humanitarian work in Türkiye and Syria, please see the shownotes at www.thewardrobecrisis.comValue the show? Please help us spread the word by sharing it with a friend, and following, rating and reviewing in your fave podcast app. Got feedback? Tell us what you think! Find Clare on Instagram and Twitter @mrspress Hosted on Acast. See acast.com/privacy for more information.

How do you feel about trends? In sustainable fashion circles, that word can have negative connotations. After all, it's the sped-up trend cycle delivers us fast fashion. Flipping between different, and often conflicting, fashion trends, it's easy to lose control, buy and waste too much. But there's more to trend forecasting than predicting that next week you'll be wearing blue. Or Barbiecore. Or whatever momentary madness TikTok is serving.Mapping cultural, lifestyle, economic and societal trends helps us form a picture of where we are headed and shape our strategies for everything from new business models to reaching our chosen audiences.Want to know how the metaverse will impact retail? Or if consumers are really likely to spend more on sustainable solutions going forward? Keen to figure out how Gen Z thinks, or if that's even a thing? Some predict generational terms will soon be a thing of the past...This week, Clare sits down with Christopher Sanderson, co-founder of London-based trend-forecasters, The Future Laboratory, to ask, what's around the fashion corner - and how they heck do they figure that out anyway? What's the role of intuition, and how can you hone yours? A must-listen for anyone in business who doesn't want to fly blind.Enjoying the podcast? We are proudly independent, and rely on our listeners to help us stick around.Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. Find extended shownotes on www.thewardrobecrisis.comP.S. In Australia & want to book a presentation for your company? Here's the link to Chris's March 23 speaking tour. Hosted on Acast. See acast.com/privacy for more information.

No doubt you’ve heard the buzz about regenerative agriculture. But who’s actually putting it into practice for the textile sector? At the soil level? Brands can say they want it, regulators can try to incentivise it, chemical companies might resist it, but at the end of the day, it’s the grower who has to actually do it.What’s it really like for a small-scale Indian cotton farmer trying to make a living? What challenges do they face? And what’s in it for them if they do decide to transition their fields and methods back to the old ways? Yes, the old ways... because, guess what - regenerative agriculture is not at new idea!This week, Clare meets Nishanth Chopra, founder of Oshadi, a "seed to sew" fashion supply chain, contemporary womenswear brand, artisanal textile company and regenerative cotton farm in India.This is a story about how the future of textiles and modern artisanship relies on learning lessons from the past. It’s also about one extraordinary young man’s drive to make a difference, and his galvanising tactics - let’s just say, he’s not someone willing to take no for an answer. Nishanth is proving that it can be done.Enjoying the podcast? We are proudly independent, and rely on our listeners to help us stick around.Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. Find extended shownotes on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.

As New York Fashion Week rolls around again, it’s the perfect time to listen to this interview with Hillary Taymour, founder of the much-talked-about NYC label Collina Strada. Collina Strada is produced locally in small runs, using mostly deadstock. They’ve been working with the Real Real to upcycle unsold items, and with Liz Ricketts at the Or Foundation to upcycle and divert T-shirt waste in America before it heads offshore, and ends up in places like Kantamanto Market in Ghana.Known for shaking up the sustainability conversation stateside, this CFDA/ Vogue Fashion Fund finalist is also often heralded for its work around diversity and inclusion, and championing representation in their shows, but Hillary has no time for that. She says, they simply cast their community; their friends and artists they admire. Whether that’s the label’s co-designer Charlie’s septuagenarian mum; the model Aaron Philip (self- described “a black woman in a wheel chair who happens to be trans”); or a musician like Dorian Electra - it's not that Collina is doing something radical. Rather, that the conventional fashion system is super out of touch.This is a candid conversation about going your own way, finding joy on creativity, and the frustrations of trying to be a sustainable fashion designer inside an unsustainable system.*Note: We've been saving this one up - this conversation one was recorded before the break after Series 7.Also before Alessandro Michele’s departure from Gucci was announced.Enjoying the podcast? We are proudly independent, and rely on our listeners to help us stick around.Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com  Hosted on Acast. See acast.com/privacy for more information.

On the surface, this is the story of Samorn Sanixay’s epic adventure to map Australia through a colour study of its natural eucalyptus dyes. Last year, she set out to do just that, spending a year travelling around the country collecting leaves from these wonderfully diverse trees wherever she went.But that's just the starting point of this feel-good interview with the natural dyes expert and co-founder of artisanal weaving studio Eastern Weft in Vientiane.Ultimately, this is a conversation about belonging, forming friendships and connections to country, and the idea that we have more in common than we think.Enjoying the podcast? We are proudly independent, and rely on our listeners to help us stick around.Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.

Forget Vogue. Sourcing Journal should be required reading of you really want to know how the business of fashion works. Clare’s guest this week Edward Hertzman founded this trade journal (now part of FairChild, which owns WWD) out of frustration that no one in media was telling the full story about how supply chains operate. A former apparel sourcing agent himself, with a degree in economics, the tough-talking New Yorker tells it like it is.In the garment game, suppliers and manufactures take most of the risks, while brands wield most of the power. “It’s a very one-sided relationship,” he says. Add in unfair purchasing practices (which are way too common) and downward pressure on prices, and you’ve got a recipe for disaster - as we saw during the pandemic. And who do you think has to invest in all these new sustainability initiatives brands are talking up? Often, it’s the manufacturer. Remember what brands always say: “Well, of course we don’t own the factories or the mills …”Can the industry change? Who's doing it right? What does a true partnership - as opposed to a purely transactional relationship - between brands and suppliers look like? And what should we expect to happen this year when the cost of living crunch meets the realities of overstocked warehouses? Because many brands, particularly in the US, says Edward, are sitting on giant piles of unsold stock ...Required listening for anyone working in the fashion sector.Don't forget to check the shownotes for all the links. Find Sourcing Journal here.Enjoying the podcast? We are proudly independent, and rely on our listeners to help us stick around.Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.

In our first interview for 2023, we make the case for why Fashion’s New Year’s Resolution should be to slow the f*ck down...What does it mean to thrive in your career? How do you define success? Is that the same way that society, or your industry, defines it? Chances are there’s a disconnect. Because capitalism has been telling us for so long that it’s all about the hustle and the speedy output, that's become the dominant narrative. It's time you set your own pace. Fashion has a pretty terrible record on this, says Georgina Johnson, but it doesn't have to be this way. This inviting interview with the author of The Slow Grind is full of wise insights and practical inspiration.Don't forget to check the shownotes for all the links. Find Georgina on Instagram here, and at www.theslowgrind.worldEnjoying the podcast? We are proudly independent, and rely on our listeners to help us stick around. Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.

Turn it up for the holidays! As he publishes his latest book, Reflections, Clare sits down with the colourful genius behind Alternative Miss World, who believes life is too short for muted tones...Andrew Logan is an artist, sculptor, jewellery-maker, yoga devotee and one of legendary English counter-culture fashion eccentrics. He's also the founder of the Alternative Miss World event, which turned 50 in 2022. Billed as "a celebration creativity and beauty that goes beyond gender, age, race and sexuality", David Hockney was a judge at the first one in 1972, and over the years notable judges, co-hosts and contestants have included: Biba founder Baraba Hulaniki, Leigh Bowery, Divine, Jarvis Cocker, Derek Jarman, Grayson Perry, Brian Eno and the stars of The Rocky Horror Picture Show.This interview's got it all - from painting elephants for the Pirelli calendar in India with Zandra Rhodes, and going to Ozzie Clark’s fashion shows in the ‘70s, to developing a spiritual practice, communing with the trees ("They don't say much!") and absent friends.A high jinx conversation about finding and following your creative calling, fashioning the self with joy in your heart, and bringing the fun back to dressing up.Don't forget to check the shownotes for all the links.Love the show? We are proudly independent, and rely on our listeners to help us stick around. Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.

Ever worry that sustainability talk is so much hot air? Us too. So this week, we're focusing on... BURPS AND FARTS!Now that we've got your attention, this is serious topic. According to UNEP, methane has accounted for roughly 30% of global warming since pre-industrial times and is proliferating faster than at any other time since record keeping began in the 1980s. While it hangs around in the atmosphere for less time than carbon does, while it is here, it's more potent. Where does it come from? Livestock emissions account for about a third of human-caused methane emissions. And yes, there's a fashion connection thanks to leather and wool. What if feeding livestock a certain type of seaweed could help? It can!Meet Sam Elsom, the Aussie behind Seaforest - an environmental tech company set up to tackle climate change by the power of seaweed.Don't forget to check the shownotes for all the links.Love the show? We are proudly independent, and rely on our listeners to help us stick around. Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.

We hear so much about product in fashion; about the clothes, and the brands. Thankfully, we’re now starting to hear more about the makers, garment workers and skilled artisans behind the manufacturing scenes. But we still hear very little from the people and processes behind the raw materials.This week, we’re looking at wool, with a lovely interview with Tasmanian woolgrower Simon Cameron, who Clare met seven years ago while writing Wardrobe Crisis. Simon manages Kingston in the northern Midlands of Tasmania, near(ish) to Launceston. His father farmed it before him. In fact, the property has been it in the family for four generations. Now, as then, Simon shares the joint with wombats, wallabies, bettongs even Tassie devils, and mob of superfine Merino sheep. But the little things are just as important - the native grasses and wild flowers, which, here, are largely intact in some of the state’s last remaining pristine grasslands as they were pre-colonial invasion.What are the challenges of managing the land in this way? What’s life really like on the land? How is Kingston’s clip produced and what makes it so special? And what’s the story behind MJ Bale’s quest to make carbon neutral wool with Kingston as a partner?Love the show? We are proudly independent, and rely on our listeners to help us stick around. Can you share the episode on social media, or write us a glowing review in Apple podcasts?Find Clare on Instagram & Twitter. More on www.thewardrobecrisis.com Hosted on Acast. See acast.com/privacy for more information.