When the glorious hero calls for his allies to follow him into battle... why should they? And how can that hero convince them? In this extremely-niche-themed episode, guest Anna Smith Spark joins us to explore the interplay of language and leadership! In fiction, we love a great, rousing speech -- but how realistic is that stirring moment? (And do we care if it's realistic, or do we follow the Rule of Cool?) What's left when you take out the flattering lighting and the emotionally manipulative musical score? Well, you've still got language -- and language can do a lot, not only for your character dynamics, but also to reflect the values of the society you've built. And maybe it's the place of speculative fiction to investigate the virtues and truths that just might be worth dying for. Bonus: Because Cass did promise there would be handouts: a rhetorical analysis of the St Crispin's day speech, courtesy of Cass's mentor, Ralph Alan Cohen. And if you really want to hear Cass give the speech... you can. [Transcript TK] Our Guest: Anna Smith Spark lives in London, UK. She loves grimdark and epic fantasy and historical military fiction. Anna has a BA in Classics, an MA in history and a PhD in English Literature. She has previously been published in the Fortean Times and the poetry website www.greatworks.org.uk. Previous jobs include petty bureaucrat, English teacher and fetish model. Anna's favourite authors and key influences are R. Scott Bakker, Steve Erikson, M. John Harrison, Ursula Le Guin, Mary Stewart and Mary Renault. She spent several years as an obsessive D&D player. She can often be spotted at sff conventions wearing very unusual shoes.

A lot of work and thought can go into worldbuilding, but sometimes, you just have to go with what feels right. In this episode, guest Seanan McGuire joins us to explore how writers can make the most of their worldbuilding flow and lean into their personal resonance. How can writers develop worldbuilding instinct? Why does worldbuilding come easily to some writers but require more conscious effort for others? When should you trust it to its core, and when might you need to temper it with a bit of a double-check? [Transcript TK] Our Guest: Seanan McGuire was born in Martinez, California, and raised in a wide variety of locations, most of which boasted some sort of dangerous native wildlife. Despite her almost magnetic attraction to anything venomous, she somehow managed to survive long enough to acquire a typewriter, a reasonable grasp of the English language, and the desire to combine the two. The fact that she wasn't killed for using her typewriter at three o'clock in the morning is probably more impressive than her lack of death by spider-bite. Often described as a vortex of the surreal, many of Seanan's anecdotes end with things like "and then we got the anti-venom" or "but it's okay, because it turned out the water wasn't that deep." She has yet to be defeated in a game of "Who here was bitten by the strangest thing?," and can be amused for hours by almost anything. "Almost anything" includes swamps, long walks, long walks in swamps, things that live in swamps, horror movies, strange noises, musical theater, reality TV, comic books, finding pennies on the street, and venomous reptiles. Seanan may be the only person on the planet who admits to using Kenneth Muir's Horror Films of the 1980s as a checklist. Seanan is the author of the October Daye urban fantasies, the InCryptid urban fantasies, and several other works both stand-alone and in trilogies or duologies. In case that wasn't enough, she also writes under the pseudonym "Mira Grant." For details on her work as Mira, check out MiraGrant.com. In her spare time, Seanan records CDs of her original filk music (see the Albums page for details). She is also a cartoonist, and draws an irregularly posted autobiographical web comic, "With Friends Like These...", as well as generating a truly ridiculous number of art cards. Surprisingly enough, she finds time to take multi-hour walks, blog regularly, watch a sickening amount of television, maintain her website, and go to pretty much any movie with the words "blood," "night," "terror," or "attack" in the title. Most people believe she doesn't sleep. Seanan lives in an idiosyncratically designed labyrinth in the Pacific Northwest, which she shares with her cats, Alice and Thomas, a vast collection of creepy dolls and horror movies, and sufficient books to qualify her as a fire hazard. She has strongly-held and oft-expressed beliefs about the origins of the Black Death, the X-Men, and the need for chainsaws in daily life. Years of writing blurbs for convention program books have fixed Seanan in the habit of writing all her bios in the third person, so as to sound marginally less dorky. Stress is on the "marginally." It probably doesn't help that she has so many hobbies. Seanan was the winner of the 2010 John W. Campbell Award for Best New Writer, and her novel Feed (as Mira Grant) was named as one of Publishers Weekly's Best Books of 2010. In 2013 she became the first person ever to appear five times on the same Hugo Ballot.

This one's for the folks who don't want to spend a few eons building their world before they can start their story. Author and game designer James L. Sutter joins us to share some quick-and-dirty methods for getting the worldbuilding going! In this episode, we explore the question of how much worldbuilding is necessary -- and when it's necessary. If you already have your plot and want to charge right in, that can be a different beast than if you're still feeling your way around what the story's about but know that there must be one in there somewhere. [Transcript TK] Our Guest:  James L. Sutter is a co-creator of the Pathfinder and Starfinder Roleplaying Games. From 2004 to 2017, he worked for Paizo Publishing, starting out as an editor on Dungeon Magazine, moving on to do foundational work for Pathfinder, and eventually becoming the Creative Director in charge of launching Starfinder, as well as the Executive Editor of the Pathfinder Tales novel line for Paizo and Tor. James is also the author of the young adult romance novels Darkhearts and The Ghost of Us (coming June 2024), as well as the fantasy novels Death's Heretic—a finalist for the Compton Crook Award for Best First Novel—and The Redemption Engine, which won the 2015 Scribe Award for Best Original Speculative Novel. His short stories have appeared in such venues as Nightmare, The Magazine of Fantasy & Science Fiction, Beneath Ceaseless Skies, Escape Pod, and the #1 Amazon best-seller Machine of Death. In addition, he's written comic books, essays in venues like Clarkesworld and Lightspeed: Queers Destroy Science Fiction, a wealth of tabletop gaming material, and video games. When not writing, James has performed with musical acts ranging from metalcore to musical theater. He lives in Seattle.

Shiny swords, sharpshooting archers, magically-assisted martial arts: all these things are staples of fantasy literature. But how do you do fights right? Guest SL Huang joins us to discuss all the pointy bits! In this episode, we think not just about the technology and technicalities of fighting, but also how combat fits into (or goes against the grain of) social norms. Is your world one where a citizen can routinely be challenged to a duel? Or expects to be punched in the face if they say something rude? Or is physical violence more taboo? How do societal standards and more tangible concerns shape the style of combat? How do ideas of gender and class play into who fights, where, when, and how? We explore all this and more! [Transcript TK] Our Guest: SL Huang is a Hugo-winning and Amazon-bestselling author who justifies an MIT degree by using it to write eccentric mathematical superhero fiction. Huang is the author of the Cas Russell novels from Tor Books, including Zero Sum Game, Null Set, and Critical Point, as well as the new fantasies Burning Roses and The Water Outlaws. In short fiction, Huang’s stories have appeared in Analog, F&SF, Nature, and more, including numerous best-of anthologies. Huang is also a Hollywood stunt performer and firearms expert, with credits including “Battlestar Galactica” and “Top Shot.” Find SL Huang online at www.slhuang.com or on Twitter as @sl_huang.

Hobbies and leisure activities aren't just neat ways to give your characters something to do in-between plot beats -- they can also communicate a lot to the reader about the world you're building! Developing hobbies and entertainment in a world also touches on what that culture thinks about work, income, community, and many other components of society. Guest Matt Wallace joins us to discuss the opportunities presented by giving your characters the chance to play, craft, and just muck about with things! How much of a hobby is devoted to pure pleasure? What changes when it's a side hustle that you monetize, or when it becomes competitive in some fashion? What does it mean when your characters have the money to spend on a hobby -- and who's providing them the goods and services they need for it? We explore these considerations and more as we pull apart what it means to kick back and relax in a fictional world. [Transcript TK] Our Guest: Matt Wallace is a Hugo Award winner and the author of the Sin du Jour series, the Savage Rebellion Trilogy, and the middle grade novels BUMP, THE SUPERVILLAIN’S GUIDE TO BEING A FAT KID, and NOWHERE SPECIAL. He’s also penned over one hundred short stories in addition to writing for film, television, and video games. In his youth he traveled the world as a professional wrestler and an unarmed combat and self-defense instructor before retiring to write full-time. He lives in Los Angeles with his wife, Nikki.

Our discussion of integrating religion and faith into your fantastical world continues! In this episode, guest Aparna Verma joins us to examine the deep connections between religious belief and the choices your characters make. How do they negotiate their relationship with their faith and the stories that go along with it? What happens when, thanks to a prophecy, they become one of those stories? Religion can be a powerful force moving politics and social dynamics -- especially when not everyone agrees on the interpretation of a text or a vision! Both your protagonists and antagonists can use faith to manipulate the ends they desire, although, as many historical and fictional narratives have demonstrated, that can also swiftly spiral out of control. Building a multifaceted religious landscape in your world will give you so many plot hooks and character motivations to weave together, helping to make your world feel fuller and more lived-in! Editor's Note: In the intro, Marshall calls this episode 110, but we apparently forgot how to count. It's 109! [Transcript TK] Our Guest: Aparna Verma was born in India and immigrated to the United States when she was two-years-old. She graduated from Stanford University with Honors in the Arts and a B.A. in English. The Phoenix King is her first novel. When she is not writing, Aparna likes to ride horses, dance to Bollywood music, and find old cafes to read myths about forgotten worlds. You can connect with Aparna on Twitter and Instagram at @spirited_gal.

What role do myths play in culture and tradition? Often, mythology is, itself, a form of worldbuilding, a way that people use story to make sense of the world around them. So how do we incorporate all of that into our fictional worlds? Guest Ehigbor Okosun joins us to discuss! Myths and cultural stories can speak so much about the people they originate with: what they value, what they assume about life, what they overlook. Myths can also reinforce power structures, or challenge them -- and that's as true in the modern day as it was for the ancients! How can myths influence what people think about their place in the world -- or inspire them to change their stars? We also want to remind you that our Kickstarter for Traveling Light, the Magical Nude Gate anthology, is ongoing! As of time of posting, we have one week left! Editor's Note: In the intro, Cass calls this episode 109, but we apparently forgot how to count. It's 108! [Transcript TK] Our Guest: Ehigbor Okosun (Eh-hee-bor Oh-koh-soon), or just Ehi, is an Austin-based author who writes speculative fiction, mystery thrillers, and contemporary novels for adult and YA audiences. Raised across four continents, she hopes to do justice to the myths and traditions she grew up steeped in, and to honor her large, multiracial and multiethnic family. She is a graduate of the University of Texas with degrees in Plan II Honors, Neurolinguistics, and English, as well as Chemistry and Pre-Medical studies and is a Cynthia Leitich Smith Mentorship Award finalist. When she’s not reading, you can catch her bullet journalling, gaming, baking, and spending time with her loved ones. 

What do your characters believe? Like, really truly deeply believe? Is it part of a codified religion? Is it a faith without much external structure? Do they trust entirely in science, or in magic, or in a code of ethics? In this episode, we explore the interplay of religion and point-of-view. The role that religion and faith play in your world can exist on a wide spectrum. In some societies, religion is so woven with life that some degree of faith is just a given, inextricable from other parts of how a character goes about their day. Other societies might be more secular on the whole, but people in them can still have deep spirituality. What your characters believe might fit them in line with their society -- or set them at odds with it. Either way, you can hang some great plot hooks on the choices that their deeply held believes cause them to make! We also spend a bit of time building some religious beliefs for the nations of our co-built world. From the highly-disorganized but community-focused ethics of Griasta to the holy act of debate among the Fjallaniri to the personalized virtues of the Al'notliri, we apply some of our considerations to our peoples! Additionally, our Kickstarter has 21 days to go! We're about halfway thorugh our time and not quite halfway to our goal, so please, if you want to read a collection of short stories set in the world of the Magical Nude Gates, spread the word! Convince your friends and family that they need this collection in their lives. Editor's Note: Marshall calls this episode 108 in the intro, but... we forgot how to count. It's 107. [Transcript TK]

In our continuing exploration of aesthetic and its interplay with worldbuilding, we're thinking about one spectrum with labels that often get applied to fantasy novels: the darkness and the light. Guest M.J. Kuhn joins us to discuss the societal components and cultural standards that can make a world feel further toward one end or the other of that continuum. What's the difference between a dark world and a dark story? How much do the characters' attitudes and the writer's narrative voice shape the reader's experience of a book as either light or dark? Does a high body count automatically make a book dark? We explore these considerations and the craft of shaping these elements. We also want to remind you that our Kickstarter for Traveling Light, the Magical Nude Gate anthology, is ongoing! As of time of posting, we're about one-third of the way to our goal, which is an awesome start. This anthology will only happen if we get fully funded, though, so if you want to see the amazing stories emerging, buck-nekkid, from the MNG, then become a backer and persuade your friends to do the same! [Transcript TK] Our Guest: M.J. Kuhn is a fantasy writer by night and a mild-mannered marketing employee by day. She lives in the metro Detroit area with her husband Ryan, a dog named Wrex, and the very spoiled cat Thorin Oakenshield. 

Welcome to the fifth season of Worldbuilding for Masochists! And we've got some big news in this episode! After many episodes talking about the Magical Nude Gate, we are diving fully in and launching a Kickstarter anthology! We want to tell some of the stories for which the MNG provides such glorious opportunity. We’ve solicited stories from former guests (see a full list below) and will open the anthology to submissions, as well. We hope to bring you an ebook anthology in summer of 2024! Contributing authors include:  Natania Barron Marie Brennan Mike Chen Kate Elliott Victor Manibo Kritika H. Rao Mike Underwood Valerie Valdes But of course, that will only happen if our Kickstarter meets its goals! Because we believe in paying people for their work. (Wild idea, in publishing, we know!) To learn more (and to see the rewards!), check out the Kickstarter! Then tell a friend! Tell all your friends! But that's not all! In this episode, we also give thanks to all the amazing guests, and then we explore some of our personal worldbuilding highs and lows -- our surprising wins and our epic fails. We've all taken "Choose, Don't Presume" to heart over the past few years, and that has paid off in wonderful ways -- but it also sometimes leads us to painting ourselves into corners that we then have to contort out of! [Transcript TK]