OnWriting: A Podcast of the WGA East

Host Geri Cole talks to Zach Baylin—screenwriter of KING RICHARD—about how a serendipitous meeting before heading to the US Open led to the script landing in the hands of Will Smith, his experience collaborating with the Williams family, and the importance of writing every day, because even a few lines can feel like a success. Zach Baylin is a screenwriter whose script, KING RICHARD, was #2 in the 2018 Black List survey, and is his first produced writing credit. His next project is CREED III, which is currently in production for MGM. KING RICHARD is the true story of how Venus and Serena Williams were raised and coached by their parents to become the tennis legends they are today. Zach's screenplay won the 2022 Black Film Critic Circle Award and is currently in the running for a Writers Guild Award, a BAFTA Award, and an Academy Award. KING RICHARD was released in November 2021. It's currently playing in theaters and available to stream on VOD. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Geri Cole turns it over to David O. Russell for a conversation with Adam McKay about his latest project, DON'T LOOK UP. David O. Russell is the Oscar- and Writers Guild Award-nominated writer and director best known for his work on titles like FLIRTING WITH DISASTER, THREE KINGS, I HEART HUCKABEES, SILVER LININGS PLAYBOOK, AMERICAN HUSTLE, and most recently, JOY. Adam McKay is a writer, director, comedian, and co-founder of the comedy group Upright Citizens Brigade. He kicked off his film & TV career in the '90s as a head writer for SATURDAY NIGHT LIVE before rising to fame in the 2000s for his collaborations with fellow comedian and SNL alum Will Ferrell, with whom he co-wrote the hit comedies ANCHORMAN, STEP BROTHERS, and THE OTHER GUYS. In the 2010s, McKay ventured into more dramatic waters as co-writer & director of the 2015 dramedy/biopic THE BIG SHORT—for which he and Charles Randolph received the Academy and Writers Guild Awards for Adapted Screenplay—and as writer & director of the 2019 Oscar- and Writers Guild Award-nominated Dick Cheney biopic VICE. His most recent project is DON'T LOOK UP, a comedy-drama and cautionary tale written and directed by McKay and based on a story by himself and David Sirota. The film follows two astronomers who discover a comet orbiting within the solar system and which is set on a direct collision course with Earth. The problem? No one really seems to care. Turns out warning mankind about a planet-killer the size of Mount Everest is an inconvenient fact to navigate. The astronomers embark on a media tour that takes them from the office of an indifferent President and her sycophantic son and Chief of Staff to the airwaves of upbeat morning show The Daily Rip. With only six months until the comet makes impact, the team struggles to manage the 24-hour news cycle and gain the attention of the social media-obsessed public—before it's too late. DON'T LOOK UP was released in December 2021 and is available to stream on Netflix. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole is joined by four writers from THE DAILY SHOW WITH TREVOR NOAH: supervising producer and head writer Zhubin Parang, writers Kat Radley and Josh Johnson, and correspondent Roy Wood Jr. The writers and Geri cover what it takes to put together an episode of THE DAILY SHOW… and to do it daily, how being encouraged to bomb creates a sense of community in the writers' room, and how segments like "CP Time" help teach chapters of Black history you won't find in a textbook. THE DAILY SHOW WITH TREVOR NOAH is the Emmy- and Peabody Award-winning evening news program that examines the day's biggest news stories in politics, pop culture, entertainment, sports and more. In each episode, Trevor and his team of correspondents provide coverage of (and catharsis from) daily events through a sharp, reality-based lens. Episodes of THE DAILY SHOW WITH TREVOR NOAH air live on Comedy Central nightly. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole is joined by Julie Rottenberg and Elisa Zuritsky—writers and executive producers of AND JUST LIKE THAT—to talk about how they first came to work on SEX AND THE CITY, their very intimate writing process for AND JUST LIKE THAT, and how success can sometimes feel like being lost in L.A. Julie Rottenberg and Elisa Zuritsky are long-time collaborators whose credits together include SEX AND THE CITY, SIX DEGREES, SMASH, ODD MOM OUT—where they also served as co-showrunners, and DIVORCE. Their latest collaboration is on the new limited series AND JUST LIKE THAT. The ten-episode revival of SEX AND THE CITY follows Carrie, Miranda and Charlotte as they navigate the journey from the complicated reality of life and friendship in their 30s to the even more complicated reality of life and friendship in their 50s. AND JUST LIKE THAT premiered in December 2021 and is currently available to watch on HBO and HBO Max. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole kicks off a new year, and a new season of OnWriting, in conversation with celebrated screenwriter, playwright, and author Tony Kushner—the screenwriter behind the recent adaptation of WEST SIDE STORY. Geri and Tony discuss the process of adapting one of the most famous musicals of all time, how in-depth research about New York's West Side added historical context and deeper meaning to the script, and how even the likes Tony Kushner get anxious looking at a blank page. Tony Kushner is a celebrated playwright, author, and screenwriter who is perhaps best known for writing the acclaimed play Angels in America: A Gay Fantasia on National Themes—and its TV miniseries adaptation—as well as for his collaborations with Steven Spielberg as screenwriter for MUNICH and LINCOLN, both of which earned him Oscar nominations for Best Adapted Screenplay. Angels in America earned Tony both the Pulitzer Prize for Drama and the Tony Award for Best Play in 1993, and he received Emmy and Writers Guild Awards for its onscreen adaptation. He also received the National Medal of Arts from President Barack Obama in 2013. His latest screenplay (and most recent collaboration with Spielberg) is the musical romantic period drama WEST SIDE STORY. The film—based on the 1957 stage musical and a follow-up of the acclaimed 1961 film adaptation—explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds, as they explore the ever-shifting (and never-changing) landscape of New York. WEST SIDE STORY was released in December 2021 and is now showing in theaters. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole is joined by Tracey Scott Wilson, writer of the Aretha Franklin biopic RESPECT, about writing the film's screenplay on a very expedited timeline, how being a playwright has informed her film & television career, and her creative process – which includes writing in longhand and starting each day reading scripts. Tracey Scott Wilson is an accomplished television writer, producer and playwright. She served as a co-executive producer on FOSSE/VERDON and MORNING SHOW. Before that, she was co-executive producer on the award-winning series THE AMERICANS, where she wrote for 4 seasons and received two Writers Guild awards, two Peabody awards and a Golden Globe. Her plays include BUZZER, THE GOOD NEGRO, and THE STORY. She is the winner of multiple awards for her work as a playwright, including 2001 Helen Merrill Emerging Playwright Award, the 2003 AT&T Onstage Award, the 2004 Whiting Award, the 2004 Kesserling Prize, the 2007 Weissberger Playwriting Award, and the 2007 Time Warner Storytelling Fellowship. In 2009, she was the writer-in-residence at the O'Neil National Playwriting Conference. Her latest project is the Aretha Franklin biopic, RESPECT. The film follows the rise of Aretha Franklin's career — from a child singing in her father's church choir to her international superstardom — and tells the remarkable true story of the music icon's journey to find her voice. The film was released in August 2021 and is available to rent or buy on major streaming platforms. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

For the latest live taping of OnWriting, Amanda Peet and Jennifer Kim join host Geri Cole to discuss their work on the new Netflix (academi)comedy-drama series, THE CHAIR. Amanda Peet is the co-creator, showrunner, writer, and executive producer of THE CHAIR. You may also know her from her extensive acting credits, including DIRTY JOHN, BROCKMIRE, and TOGETHERNESS. Jennifer Kim is a writer on THE CHAIR, as well as a staff writer for the upcoming Mel Brooks variety series HISTORY OF THE WORLD, PART II, which was announced earlier this fall. THE CHAIR is the story of Professor Ji-Yoon Kim—the newly appointed chair of the English department at the prestigious Pembroke University, and the first woman of color to hold the position. The first season of the comedy-drama series follows Kim's efforts to meet the dizzying demands and high expectations of a failing English department all while trying to ensure the tenure of a young black colleague; negotiate her relationship with her crush, friend, and well-known colleague Bill Dobson; and parent her strong-willed adopted daughter. The show was released in August 2021 and is available to stream on Netflix. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole talks to John Hoffman—co-creator and showrunner of ONLY MURDERS IN THE BUILDING—about the art of putting together a compelling mystery in a writers' room, how his own life experience shaped his connection to the series, and the creative value of staying in bed. Spoiler Alert: This episode contains lots of big reveals. We recommend you watch the series before you listen. John Hoffman is a writer, director, and actor who wrote and co-starred in the 1997 Disney Channel original movie NORTHERN LIGHTS before making his theatrical film debut (as both writer and director) with the 2003 MGM/Jim Henson Pictures comedy GOOD BOY!. Since then, his credits have included the 81st Academy Awards (for which he earned an Emmy nomination), the HBO series LOOKING, and the Netflix series GRACE AND FRANKIE. Hoffman is currently the showrunner of ONLY MURDERS IN THE BUILDING, which he co-created alongside Steve Martin. The mystery-comedy series follows three strangers (Steve Martin, Martin Short, and Selena Gomez) who share an obsession with true crime and suddenly find themselves wrapped up in one. When a grisly death occurs inside their exclusive Upper West Side apartment building, the trio suspects murder and employs their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years, but the secrets they keep from one another might be even more explosive. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it's too late. The 10-episode first season is now streaming on Hulu, and the series was renewed for a second season in September 2021. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole speaks to PEN15 co-creators, co-writers, and co-stars Maya Erskine and Anna Konkle about how the duo met (at an experimental theater program in Amsterdam), how PEN15 has become even more honest and raw in its second season, and the curious case of writing for yourself as a 13-year-old. Maya Erskine is a writer and actor known for her onscreen roles in several comedy series, including MAN SEEKING WOMAN, HEARTBEAT, CASUAL, and INSECURE. Anna Konkle is a writer, actor, and director, known for co-starring in the Fox police procedural ROSEWOOD. Together, Erskine and Konkle co-created, co-write, and co-star in the Hulu series PEN15. The "traumedy" follows fictionalized versions of Maya and Anna as teenage outcasts in the year 2000, during a period when the best day of your life can turn into the worst with just the stroke of a gel pen. The series, which premiered in 2019, is available to stream on Hulu. Part two of Season 2 is scheduled for release on December 3. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole talks to Erica Saleh—writer & EP of ONE OF US IS LYING—about the process of developing the series for three different networks before finally finding its home on Peacock, how '80s and '90s nostalgia influenced the writers' room, and the importance of having faith in your ability to finish a draft. Erica Saleh is a TV writer and playwright whose past television credits include EVIL, INSTINCT, WISDOM OF THE CROWD, and CHANNEL ZERO. As a playwright she is a member of Ensemble Studio Theatre, and her work has been produced and developed by multiple theaters across the NYC area. She also serves on the WGA East's Council, as well as the Guild's Committee for Inclusion and Equity. Erica developed, writes on, and executive produces the new young adult mystery series ONE OF US IS LYING. Based on Karen M. McManus's New York Times best-selling novel, the show tells the story of what happens when five high schoolers walk into detention and only four make it out alive. Everyone is a suspect, and everyone has something to hide. ONE OF US IS LYING premiered in October 2021 and is currently streaming on Peacock. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast