OnWriting: A Podcast of the WGA East

Host Geri Cole kicks off a new year, and a new season of OnWriting, in conversation with celebrated screenwriter, playwright, and author Tony Kushner—the screenwriter behind the recent adaptation of WEST SIDE STORY. Geri and Tony discuss the process of adapting one of the most famous musicals of all time, how in-depth research about New York's West Side added historical context and deeper meaning to the script, and how even the likes Tony Kushner get anxious looking at a blank page. Tony Kushner is a celebrated playwright, author, and screenwriter who is perhaps best known for writing the acclaimed play Angels in America: A Gay Fantasia on National Themes—and its TV miniseries adaptation—as well as for his collaborations with Steven Spielberg as screenwriter for MUNICH and LINCOLN, both of which earned him Oscar nominations for Best Adapted Screenplay. Angels in America earned Tony both the Pulitzer Prize for Drama and the Tony Award for Best Play in 1993, and he received Emmy and Writers Guild Awards for its onscreen adaptation. He also received the National Medal of Arts from President Barack Obama in 2013. His latest screenplay (and most recent collaboration with Spielberg) is the musical romantic period drama WEST SIDE STORY. The film—based on the 1957 stage musical and a follow-up of the acclaimed 1961 film adaptation—explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds, as they explore the ever-shifting (and never-changing) landscape of New York. WEST SIDE STORY was released in December 2021 and is now showing in theaters. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole is joined by Tracey Scott Wilson, writer of the Aretha Franklin biopic RESPECT, about writing the film’s screenplay on a very expedited timeline, how being a playwright has informed her film & television career, and her creative process – which includes writing in longhand and starting each day reading scripts. Tracey Scott Wilson is an accomplished television writer, producer and playwright. She served as a co-executive producer on FOSSE/VERDON and MORNING SHOW. Before that, she was co-executive producer on the award-winning series THE AMERICANS, where she wrote for 4 seasons and received two Writers Guild awards, two Peabody awards and a Golden Globe. Her plays include BUZZER, THE GOOD NEGRO, and THE STORY. She is the winner of multiple awards for her work as a playwright, including 2001 Helen Merrill Emerging Playwright Award, the 2003 AT&T Onstage Award, the 2004 Whiting Award, the 2004 Kesserling Prize, the 2007 Weissberger Playwriting Award, and the 2007 Time Warner Storytelling Fellowship. In 2009, she was the writer-in-residence at the O’Neil National Playwriting Conference. Her latest project is the Aretha Franklin biopic, RESPECT. The film follows the rise of Aretha Franklin's career — from a child singing in her father's church choir to her international superstardom — and tells the remarkable true story of the music icon's journey to find her voice. The film was released in August 2021 and is available to rent or buy on major streaming platforms. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

For the latest live taping of OnWriting, Amanda Peet and Jennifer Kim join host Geri Cole to discuss their work on the new Netflix (academi)comedy-drama series, THE CHAIR. Amanda Peet is the co-creator, showrunner, writer, and executive producer of THE CHAIR. You may also know her from her extensive acting credits, including DIRTY JOHN, BROCKMIRE, and TOGETHERNESS. Jennifer Kim is a writer on THE CHAIR, as well as a staff writer for the upcoming Mel Brooks variety series HISTORY OF THE WORLD, PART II, which was announced earlier this fall. THE CHAIR is the story of Professor Ji-Yoon Kim—the newly appointed chair of the English department at the prestigious Pembroke University, and the first woman of color to hold the position. The first season of the comedy-drama series follows Kim’s efforts to meet the dizzying demands and high expectations of a failing English department all while trying to ensure the tenure of a young black colleague; negotiate her relationship with her crush, friend, and well-known colleague Bill Dobson; and parent her strong-willed adopted daughter. The show was released in August 2021 and is available to stream on Netflix. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole talks to John Hoffman—co-creator and showrunner of ONLY MURDERS IN THE BUILDING—about the art of putting together a compelling mystery in a writers' room, how his own life experience shaped his connection to the series, and the creative value of staying in bed. Spoiler Alert: This episode contains lots of big reveals. We recommend you watch the series before you listen. John Hoffman is a writer, director, and actor who wrote and co-starred in the 1997 Disney Channel original movie NORTHERN LIGHTS before making his theatrical film debut (as both writer and director) with the 2003 MGM/Jim Henson Pictures comedy GOOD BOY!. Since then, his credits have included the 81st Academy Awards (for which he earned an Emmy nomination), the HBO series LOOKING, and the Netflix series GRACE AND FRANKIE. Hoffman is currently the showrunner of ONLY MURDERS IN THE BUILDING, which he co-created alongside Steve Martin. The mystery-comedy series follows three strangers (Steve Martin, Martin Short, and Selena Gomez) who share an obsession with true crime and suddenly find themselves wrapped up in one. When a grisly death occurs inside their exclusive Upper West Side apartment building, the trio suspects murder and employs their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years, but the secrets they keep from one another might be even more explosive. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it’s too late. The 10-episode first season is now streaming on Hulu, and the series was renewed for a second season in September 2021. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole speaks to PEN15 co-creators, co-writers, and co-stars Maya Erskine and Anna Konkle about how the duo met (at an experimental theater program in Amsterdam), how PEN15 has become even more honest and raw in its second season, and the curious case of writing for yourself as a 13-year-old. Maya Erskine is a writer and actor known for her onscreen roles in several comedy series, including MAN SEEKING WOMAN, HEARTBEAT, CASUAL, and INSECURE. Anna Konkle is a writer, actor, and director, known for co-starring in the Fox police procedural ROSEWOOD. Together, Erskine and Konkle co-created, co-write, and co-star in the Hulu series PEN15. The "traumedy" follows fictionalized versions of Maya and Anna as teenage outcasts in the year 2000, during a period when the best day of your life can turn into the worst with just the stroke of a gel pen. The series, which premiered in 2019, is available to stream on Hulu. Part two of Season 2 is scheduled for release on December 3. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole talks to Erica Saleh—writer & EP of ONE OF US IS LYING—about the process of developing the series for three different networks before finally finding its home on Peacock, how ’80s and ’90s nostalgia influenced the writers’ room, and the importance of having faith in your ability to finish a draft. Erica Saleh is a TV writer and playwright whose past television credits include EVIL, INSTINCT, WISDOM OF THE CROWD, and CHANNEL ZERO. As a playwright she is a member of Ensemble Studio Theatre, and her work has been produced and developed by multiple theaters across the NYC area. She also serves on the WGA East’s Council, as well as the Guild’s Committee for Inclusion and Equity. Erica developed, writes on, and executive produces the new young adult mystery series ONE OF US IS LYING. Based on Karen M. McManus’s New York Times best-selling novel, the show tells the story of what happens when five high schoolers walk into detention and only four make it out alive. Everyone is a suspect, and everyone has something to hide. ONE OF US IS LYING premiered in October 2021 and is currently streaming on Peacock. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole is joined by Jon Spaihts and Denis Villeneuve—two-thirds of the writing team behind DUNE—to discuss the challenges of writing a story that serves two audiences, relearning the lesson of focusing on the human element in science fiction, and just how much coffee it takes for three masters of filmmaking to collaborate on the script of DUNE (spoiler alert… it's a lot). Jon Spaihts wrote the screenplays for PROMETHEUS, THE DARKEST HOUR, and MARVEL'S DR. STRANGE. Denis Villeneuve is perhaps best known as the director of SICARIO, ARRIVAL, and BLADE RUNNER 2049. Third co-writer Eric Roth—who, unfortunately, couldn’t join us because of technical difficulties—is the writer of titles like FORREST GUMP, THE CURIOUS CASE OF BENJAMIN BUTTON, and A STAR IS BORN, among many others. DUNE—co-written by Spaihts, Villeneuve, and Roth and directed by Villeneuve— is a mythic and emotionally charged hero's journey adapted from the 1965 science fiction novel by Frank Herbert. The film tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive. DUNE is now playing in theaters, and can also be streamed on HBO Max. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole is joined by Jen Statsky—co-creator and showrunner of the HBO Max series HACKS—to talk about the show's journey from an idea on a road trip to a hit series, why writing about people's flaws can bring out the best in a character, and the challenges of writing a comedy series about writing comedy. Jen Statsky is a TV writer and comedian who cut her comedy-writing teeth on Twitter. Her posts were popular, and she eventually found herself with enough of a following that, in 2011, the account helped her land her first TV writing job at LATE NIGHT WITH JIMMY FALLON. Since then, she has written for a number of hit comedies, including BROAD CITY, THE GOOD PLACE, and PARKS & RECREATION (all while maintaining her Twitter account, of course). She currently serves as the showrunner of the comedy-drama series HACKS. The series, which Statsky co-created with Lucia Aniello and Paul W. Downs, follows legendary stand-up comic Deborah Vance (played by Jean Smart) as she works to maintain relevancy through a reluctant partnership with struggling millennial comedy writer Ava. The show premiered in May 2021, and was recently renewed for a second season. It's available to stream on HBO Max. -- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Geri Cole speaks with Danny Strong—creator and showrunner of the new Hulu series DOPESICK—about how he wove four stories across three timelines, writing stories that spark national conversations, and how falling into YouTube holes can be a part of the writing process. Danny Strong is a writer, director, and actor. Though he was initially best known for his roles in TV shows like BUFFY THE VAMPIRE SLAYER and GILMORE GIRLS, he quickly made a name for himself as a screenwriter. He earned a Writers Guild Award for his debut feature screenplay, the 2008 HBO political drama RECOUNT, as well as for the 2012 HBO film GAME CHANGE. His credits since then have included co-creating the hit series EMPIRE, and writing the screenplays for THE HUNGER GAMES: MOCKINGJAY – PART 1 and PART 2, LEE DANIELS' THE BUTLER; and the 2017 biopic REBEL IN THE RYE. His latest project is DOPESICK. The drama series, which Danny created is showrunner for, examines how one company triggered the worst drug epidemic in American history. The eight-episode series, viewers to the epicenter of America’s struggle with opioid addiction, from the boardrooms of Big Pharma, to a distressed Virginia mining community, to the hallways of the DEA. Defying all the odds, heroes will emerge in an intense and thrilling ride to take down the craven corporate forces behind this national crisis and their allies. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Geri is joined by Dan Perlman—co-creator and co-star of FLATBUSH MISDEMEANORS—to talk about the show's journey from a short to a network series, how the real Dan and Kevin compare to their onscreen characters, and the importance of hearing judgment-free feedback. Dan Perlman is a writer, stand-up comedian, and director. As a comedian, he has been featured on Comedy Central and was named one of the New Faces at the Montreal Just For Laughs Festival. He wrote and directed the 2020 short film CRAMMING, which won the Audience Award at the 2020 Brooklyn Film Festival and First Prize at the 2020 Rhode Island International Film Festival. Alongside Kevin Iso, Dan also co-created the award-winning web series "Flatbush Misdemeanors," the first installment of which received the Grand Jury Award for Best Narrative Short at the 2018 Florida Film Festival. Dan's latest project, FLATBUSH MISDEMEANORS, is an adaptation of the original web series. The dark comedy stars Dan and Kevin as fictionalized versions of themselves – young, up-and-coming comedians struggling to thrive in Flatbush, Brooklyn while tackling issues like race, gentrification, mental health and more. The series premiered in May 2021 and season 1 is available to stream on Showtime. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast