OnWriting: A Podcast of the WGA East

Host Alison Herman talks to David Magee about writing three films that were released in the same year, adaptation as a form of translation, exploring the deeper cause of pain and bitterness in both Chatterley and Otto, and much more. David Magee is the Academy Award-nominated screenwriter of FINDING NEVERLAND, THE LIFE OF PI, MARY POPPINS RETURNS and many more. His credits in 2022 include an impressive three feature films: THE SCHOOL FOR GOOD AND EVIL, now streaming on Netflix; an adaptation of D. H. Lawrence's LADY CHATTERLEY'S LOVER, also streaming on Netflix. And finally, A MAN CALLED OTTO, and an adaptation of the Swedish novel and film, A Man called Ove, which is now streaming in theaters. Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Alison Herman talks to Sharon Horgan about how she kept her stories straight when writing across two timelines, her tips for pitching a project, the universal ideas at the heart of a story about four sisters failing spectacularly at attempting murder, and more. Sharon Horgan is an acclaimed writer, actress, producer, and director, best known for her multiple award-winning sitcom CATASTROPHE, which she co-wrote and starred in with Rob Delaney. Her other writing credits include the BBC comedy series PULLING, the comedy series SHINING VALE, and the BBC sitcom MOTHERLAND. As an actress, Sharon is known for her roles in feature films like GAME NIGHT, DATING AMBER, THE UNBEARABLE WEIGHT OF MASSIVE TALENT, among others. Her latest project is BAD SISTERS, which she co-created, wrote, and stars in. The ten-part comedy thriller follows a group of five sisters (the Garveys) and the promise they make to always protect each other after their parents' premature death. The Writers Guild Award-nominated series premiered in the US in August 2022 and is available to stream on Apple TV+ Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Greg Iwinski talks to Ryan Coogler and Joe Robert Cole about their collaboration process for BLACK PANTHER and BLACK PANTHER: WAKANDA FOREVER, rewriting a screenplay while – and as part of – grieving, space-saving ways to write a half-dozen languages into your script, and more. Ryan Coogler is a writer-director whose credits include the 2013 biopic FRUITVALE STATION and the CREED franchise. Joe Robert Cole is a writer-director who has written for the series THE PEOPLE VS. O.J. SIMPSON: AMERICAN CRIME STORY, and wrote and directed the feature film ALL DAY AND A NIGHT. Ryan and Joe cowrote the screenplay for BLACK PANTHER as part of Phase Three of the MCU. The film was nominated for a Writers Guild Award for Adapted Screenplay and became the first superhero film to be nominated for an Academy Award for Best Picture. BLACK PANTHER: WAKANDA FOREVER – their latest project together and the sequel to the 2018 film – follows Queen Ramonda, Shuri, M'Baku, Okoye and the Dora Milaje during their fight to protect Wakanda from intervening world powers in the wake of King T'Challa's death. As the Wakandans strive to embrace their next chapter, the heroes must band together with Nakia and Everett Ross to forge a new path for their beloved kingdom. The film was released in November 2022. It's currently playing in theaters and will be available to stream on Disney+ starting February 1, 2023. Greg Iwinski is an Emmy-winning comedy writer and no-award-winning performer whose writing includes LAST WEEK TONIGHT and THE LATE SHOW WITH STEPHEN COLBERT. He recently finished writing the first season of GAME THEORY WITH BOMANI JONES on HBO, and can be found on Twitter @garyjackson. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Greg Iwinski talks to Rian Johnson about his latest project, the rich tradition of destination vacation murder mysteries, the joys of the theatrical experience, and the value of a good notebook. Rian Johnson is a writer and director who made his feature film debut with the 2005 neo-noir mystery BRICK. He went on to write and direct several critically acclaimed films, including the caper dramedy THE BROTHERS BLOOM in 2008, the sci-fi thriller LOOPER in 2012, and STAR WARS: THE LAST JEDI in 2017. In 2019 he returned to the mystery genre with KNIVES OUT (2019), which earned him Academy and Writers Guild Award nominations for Original Screenplay. His latest writing-directing credit is GLASS ONION: A KNIVES OUT STORY. In this sequel to the 2019 film, famed detective Benoit Blanc travels to Greece to peel back the layers of a mystery surrounding a tech billionaire and his eclectic crew of friends. GLASS ONION: A KNIVES OUT STORY was released in theaters in November 2022 and on Netflix in December 2022, and is currently available to stream on Netflix. Greg Iwinski is an Emmy-winning comedy writer and no-award-winning performer whose writing includes LAST WEEK TONIGHT and THE LATE SHOW WITH STEPHEN COLBERT. He recently finished writing the first season of GAME THEORY WITH BOMANI JONES on HBO, and can be found on Twitter @garyjackson. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Alison Herman talks to writer and director Noah Baumbach about the adaptation process, how his frequent collaborators influence and inform his work, and much more. Noah Baumbach is the writer/co-writer and director of more than a dozen feature films, starting with KICKING AND SCREAMING in 1995. His 2005 film THE SQUID AND THE WHALE and his 2020 film MARRIAGE STORY were both nominated for the Academy and Writers Guild awards for Original Screenplay. Most recently, he wrote and directed the absurdist dramedy WHITE NOISE. An adaptation of the 1985 Don DeLillo novel of the same name, the film follows college professor Jack Gladney, whose comfortable suburban life is upended when a nearby chemical leak causes "The Airborne Toxic Event," releasing a noxious black cloud over the region that forces the Gladney family to evacuate. WHITE NOISE was released in November 2022 and is available to stream on Netflix. Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Katie Rich talks to TOONING OUT THE NEWS co-creator and showrunner RJ Fried about how animation can help us address uncomfortable subjects, the challenges of covering topical issues on a streaming platform, and his transition from professional hockey player to professional writer. RJ Fried is a writer and performer. He co-created OUR CARTOON PRESIDENT, was the head writer on PROBLEMATIC WITH MOSHE KASHER, a writer on THE LATE SHOW WITH DAVID LETTERMAN, and wrote on the Writers Guild Award-winning series TRIUMPH'S ELECTION WATCH 2016. He's currently showrunner for the animated satirical news program TOONING OUT THE NEWS, which he co-created with Stephen Colbert, Chris Licht, and Tim Luecke. The show features a cast of animated characters, led by anchor James Smartwood, who lampoon top news stories and interview real-world guests, newsmakers and analysts. Seasons 1 and 2 of TOONING OUT THE NEWS can be streamed on Paramount+. Season 3 can be streamed on Comedy Central, and new episodes air on Wednesdays after THE DAILY SHOW. Katie Rich is an Emmy-nominated, WGA and Peabody award-winning writer, actor and producer who attended Northwestern University before joining Chicago's Second City. After Second City, Katie joined the writing staff of SATURDAY NIGHT LIVE, where she worked for seven seasons. She has also written for and consulted on many award shows such as The Emmys, The Academy Awards, The Golden Globes, The ESPYs, and NFL Honors. You can hear her writing on NPR's LIVE FROM HERE or actually hear her voice on Showtime's OUR CARTOON PRESIDENT, HBO's BATMAN: THE AUDIO ADVENTURES and Netflix's CHICAGO PARTY AUNT, on which she also served as co-creator and executive producer. Katie currently lives in Los Angeles where she is co-executive producer on the spin-off of HBOMax's HARLEY QUINN. Follow Katie on Twitter at @katiemaryrich. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Alison Herman is joined by Lena Dunham to talk about the challenges of adaptation, the impact of success at an early age, discovering a love for outlining, and how it all comes back to the writing. Lena Dunham is the writer and director of several feature films, including TINY FURNITURE and SHARP STICK, as well as the creator and star of the acclaimed HBO series GIRLS. Most recently, she is the writer and director of CATHERINE CALLED BIRDY. CATHERINE CALLED BIRDY is an adaptation of the 1994 novel of the same name by Karen Cushman. The film follows Catherine (known as Birdy), the daughter of a financially destitute Lord in medieval England, and her efforts to thwart her father's plans to marry her off to a wealthy suitor. The comedy film premiered in September 2022 and is available to stream on Prime Video. Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Alison Herman talks to THE MENU co-writers Will Tracy and Seth Reiss about the transition from satirical newspaper to late-night to feature writing, finding humor in sadness, the shared qualities between restaurant kitchens and writing rooms, and much more. Will Tracy and Seth Reiss are veterans of late-night shows like LAST WEEK TONIGHT WITH JOHN OLIVER and LATE NIGHT WITH SETH MEYERS, and before that, the satirical newspaper The Onion. Their first-ever feature screenplay is THE MENU, a horror satire that is set in the world of fine dining. The film was released in November 2022 and is now playing in theaters. Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Marina Fang is joined by SHE SAID screenwriter Rebecca Lenkiewicz to discuss the process of collaborating with Megan Twohey and Jodi Kantor, how screenwriting compares to the world of theater, creating a realistic depiction of journalism on screen, the importance of giving a voice to survivors, and more. Rebecca Lenkiewicz is a screenwriter and playwright. Her plays have been performed in London and internationally including at London's Royal National Theatre, and she has written numerous productions for BBC Radio. As a screenwriter, she is known for co-writing the 2013 drama IDA, the 2017 romance DISOBEDIENCE, and the 2018 biopic COLETTE, as well as for her work on TV series SECRET DIARY OF A CALL GIRL, THE EDDY, and SMALL AXE. SHE SAID is based on the groundbreaking New York Times investigation by reporters Jodi Kantor and Megan Twohey, and their editor Rebecca Corbit, as well as Jodi and Megan's book of the same name. The film follows Twohey and Kantor through the process of publishing the story that exposed sexual abuse allegations against Harvey Weinstein—and became a launching pad for the #MeToo movement, shattering decades of silence around the subject of sexual assault and harassment. The film premiered in September 2022 at the New York Film Festival, and will be released in theaters in the US on November 18, 2022. Marina Fang (she/her) is a senior culture reporter at HuffPost, based in New York. She primarily covers film and television, examining their intersection with politics, race and gender. She can be found on Twitter at @marinafang. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Host Alison Herman talks to writer and director James Gray about his upbringing as a secular Jew in Queens, attempting to empathize with Maryanne Trump, the purpose of art in encouraging empathy across class and racial lines, and more. James Gray is the writer and director of eight feature films, beginning with his 1999 debut LITTLE ODESSA, as well as films like the 2007 crime thriller WE OWN THE NIGHT and the 2013 drama THE IMMIGRANT, and the 2016 biopic THE LOST CITY OF Z. Most recently, he directed Brad Pitt in the 2019 space drama AD ASTRA, which he co-wrote with Ethan Gross. His latest project as writer-director is the semi-autobiographical drama ARMAGEDDON TIME, in which he returns to New York and more specifically Queens for an intimate portrait of social class, assimilation and coming of age. ARMAGEDDON TIME was released in late October 2022 and is now playing in theaters nationwide. Alison Herman is a staff writer for The Ringer, where she writes about culture in general and television in specific. When not fighting a losing battle against Peak TV, she tweets at @aherman2006. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast