OnWriting: A Podcast of the WGA East

Kaitlin speaks with writer Katori Hall – the creator and showrunner of the Starz drama series P-VALLEY – about the show's journey from theater to TV, the showrunner as changemaker, how creating a show is like climbing a pole, and much more. Katori Hall is an acclaimed playwright whose stage credits include Hurt Village; Tina; and The Mountaintop – a fictionalized account of Martin Luther King Jr.'s last night alive, for which she received the 2010 Olivier Award for Best Play. P-VALLEY is an adaptation of Katori's play Pussy Valley. The series centers on a strip club in the "Dirty Delta" of Mississippi and the people whose lives—and secrets—revolve around it. The show premiered on Starz in July 2020, and was recently renewed for a second season. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin is joined by Kristen Bartlett and Mike Drucker—the Emmy-nominated and Writers Guild Award-winning co-head writers of FULL FRONTAL WITH SAMANTHA BEE—to talk about the challenges of writing comedy remotely, how they're taking more creative chances with material and the benefits and responsibilities of being co-head writers of a late night show in 2020. Before their time on the Full Frontal writing staff, Kristen Bartlett wrote on two seasons of SATURDAY NIGHT LIVE, while Mike Drucker wrote on THE TONIGHT SHOW STARRING JIMMY FALLON and BILL NYE SAVES THE WORLD. FULL FRONTAL WITH SAMANTHA BEE is a late-night talk and news satire show starring former Daily Show correspondent Samantha Bee, and is now in its fifth season on TBS. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin chats with Ramy Youssef—the writer, creator, Golden Globe-winning star, and frequent director of the Hulu comedy series RAMY—about the importance of representation in crafting his show, what was in his head when he won his Golden Globe, and why if you're going to be weird you have to earn it. Ramy Youssef kicked off his industry career as a co-star in the Nick at Nite comedy SEE DAD RUN, where he shadowed the writers' room. Since then, he's had a recurring role on USA Network's MR ROBOT and an HBO stand-up special. His latest project, RAMY, drops us into the day-to-day life of Ramy Hassan, a millennial Muslim living in New Jersey who's trying to navigate faith, family and being a first generation immigrant while also waiting in the murky waters of sex, love and trying to be good. Seasons 1 and 2 of the series are now streaming on Hulu, and the show was recently renewed for a 3rd season. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin is joined remotely by Tony McNamara—the Oscar-nominated and BAFTA-winning screenwriter and writer-creator of the satirical Hulu series THE GREAT—to discuss The Great's journey from theater to television, how smart women take on the status quo, and why the show's depiction of sex is so refreshing. Tony McNamara wrote a number of critically acclaimed films and TV series in his native Australia before receiving international attention - as well as an Oscar nomination and a BAFTA win - as the screenwriter for the 2018 period piece/black comedy THE FAVOURITE. His latest project, THE GREAT, is loosely based on the life and times of Russian monarch Catherine the Great. The series, which stars Elle Fanning is the titular Catherine, and Nicholas Hoult as her caddish husband Emperor Peter, is available to stream on Hulu, and was just renewed for a second season. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin chats with Liz Tigelaar – showrunner and head writer for the Hulu miniseries LITTLE FIRES EVERYWHERE – about the start of Liz's creative journey as a Dawson's Creek writer's assistant, how story arcs around mothers and daughters have evolved, why an intersectional writers' room is essential for all storytelling, and much more. Liz Tigelaar's long career in TV drama includes shows like BROTHERS AND SISTERS, ONCE UPON A TIME, and NASHVILLE, among others. She also created the CW series LIFE UNEXPECTED and ran the Golden Globe-nominated Hulu series CASUAL. Her latest project, LITTLE FIRES EVERYWHERE, stars Kerry Washington and Reese Witherspoon and is based on the novel by Celeste Ng. The series is a meditation on motherhood, race, and the tensions between them in a suburban Ohio town in the '90s. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin is joined via phone by Taika Waititi -- the writer, director, and star of the film JOJO RABBIT, and the producer of the show WHAT WE DO IN THE SHADOWS - both of which have earned him nominations at this year's Writers Guild Awards. Taika chats about writing a Nazi satire, using fear as a creative motivator, writing comedy when you aren't attracted to comedy writing, how he engages with the Indigenous filmmaking community worldwide, and more. Taika Waititi's filmmaking career started in the early 2000s and gained international attention when he received an Oscar for his 2004 short film TWO CARS, ONE NIGHT. Since then, he has written and directed films like EAGLE VS. SHARK, BOY, WHAT WE DO IN THE SHADOWS, HUNT FOR THE WILDERPEOPLE, and THOR: RAGNAROK, which have all been met with widespread critical acclaim. His latest project, JOJO RABBIT, is a dark comedy based on Christine Leunens's book Caging Skies. Set in Nazi Germany, the film follows Johannes "Jojo" Betzler, a Hitler Youth member who finds out that his mother is hiding a Jewish girl in their attic. Jojo must then question his beliefs, while dealing with the intervention of his imaginary friend -- a fanciful version of Adolf Hitler (played by Taika himself). It has received nominations at this year's Writers Guild Awards, as well as six Oscar nominations, including Best Picture, Best Supporting Actress, and Best Adapted Screenplay. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin sits down with writer, director, and actor Greta Gerwig – the writer and director of the 2019 film LITTLE WOMEN – to talk about why the world needs a new version of the classic story; how Greta cuts down her 400-page first drafts; the intersection between women, money, and writing; and much more. Greta Gerwig started her film career with a small acting role in the 2006 film LOL. She went on to act in, co-write, and co-direct several mumblecore films over the subsequent years, and has been a frequent collaborator of writer and director Noah Baumbach since 2010. She made her solo screenwriting and directorial début with the 2017 film LADY BIRD, for which she was nominated for both a Writers Guild and an Oscar. LITTLE WOMEN is an adaptation of the semi-autobiographical 1868/1869 novel by Louisa May Alcott. The film follows the four March sisters – Amy, Jo, Beth and Meg – as they come of age during the aftermath of the Civil War. The film will be released in theaters on December 25, 2019. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin is joined by Micah Fitzerman-Blue and Noah Harpster, co-writers of A BEAUTIFUL DAY IN THE NEIGHBORHOOD, to talk about the eternal battle between cynicism and kindness, the gravitational pull of Tom Hanks, and how keeping bankers' hours keeps them sane. Before their most recent project, Micah Fitzerman-Blue and Noah Harpster were writers and producers on the recently concluded Amazon series TRANSPARENT, for which they won a Peabody Award and were nominated for Emmy, Writers Guild, Golden Globe, and GLAAD Awards. The duo are also co-writers of MALEFICENT: MISTRESS OF EVIL, the 2019 sequel to the 2014 film MALEFICENT. Inspired by the Esquire Magazine article "Can You Say… 'Hero'?," A BEAUTIFUL DAY IN THE NEIGHBORHOOD is based on the true story of a friendship between renowned children's television host and educator Fred Rogers and journalist Tom Junod. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

In the season 5 premiere, Kaitlin sits down with Writers Guild Award- and Oscar-nominated writer and director Noah Baumbach to talk about his latest film, MARRIAGE STORY. They discuss how a film about divorce is really a film about love, what New York and LA mean on screen, when you know you're ready to open that final draft file and really write, and much more. Noah Baumbach made his feature film debut with his critically acclaimed 1995 film KICKING AND SCREAMING, and has gone on to write and direct such films as FRANCES HA, THE MEYEROWITZ STORIES, and THE SQUID AND THE WHALE – the script for which was nominated for both a Writers Guild Award and an Oscar. MARRIAGE STORY follows actor Nicole Barber and her stage director husband Charlie as they struggle through a grueling, coast-to-coast divorce that pushes them both to their personal and creative extremes. The film now streaming on Netflix. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

When you're a screenwriter moving to TV or a novelist moving to screenwriting or even a comedy writer moving to drama, you'll have questions about how this new territory differs from what you're used to. Questions like... how does breaking a script work? Or... how do I write character development over the course of a two hour film rather than over a full TV season? Questions are normal. But typically, there are at least some factors that are givens – things that have been established over the course of decades. Problem is, since podcasts are new territory for pretty much everyone, those sorts of rules and standards about the most basic issues don't exist yet. There's no consensus about how to format a podcast script, let alone any popular beliefs about things like whether you need a writer's room. To find answers for some of these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have gone on to become TV shows. In Part One, we heard from LIMETOWN co-creator Zack Akers, HOMECOMING producer Alicia Van Couvering, and WGA East executive director Lowell Peterson about the industry's business side: what the market looks like, how to break in, and how to protect yourself once you're there. Now, in Part Two, we'll take a deep dive – with the help of Zack and Alicia, as well as Danielle Trussoni (CRYPTO-Z), and River Donaghey (AMERICAN AFTERLIFE) – into the creative side of the industry – from recruiting talent, to necessary skillsets, to creative satisfactions and beyond. Learn more about the Guild's work in the scripted podcast industry: wgaeast.org/podcasting. -- The OnWriting Guide to Scripted Podcasting, Part Two was written & produced by Molly Beer; hosted by Kaitlin Fontana; sound design, mixing, and tech production by Stock Boy Creative; with special thanks to River Donaghey, Danielle Trussoni, Zack Akers, Skip Bronkie, Alicia Van Couvering, Lowell Peterson, Jason Gordon, and Marsha Seeman. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast