Asian Review of Books

In December 1992, Hindu nationalists seize the Babri Masjid mosque and tear it down, proclaiming their wish to build a Hindu temple in its stead. The brazen act of destruction sparks riots throughout the country, particularly in Mumbai, where Muslims and Hindus clash in the streets. An estimated nine hundred people, both Muslim and Hindu, die in the violence.The riots are the backdrop of Lindsay Pereira’s latest novel, The Memoirs of Valmiki Rao (Vintage Books, 2023). The titular Rao is a retired postman, living in the slums decades after the riots tore through his community. And he’s also a writer, portraying the life of one neighbor in particular: Rama, once a youth leader, beset by tragedy amid the riots.In this interview, Lindsay and I talk about the 1990s, these communities in India, and how his novel parallels one of the classic works of Indian literature, the Ramayana.Lindsay Pereira is a journalist and editor. He was co-editor of Women's Voices: Selections from Nineteenth and Early Twentieth Century Indian Writing in English (Oxford University Press: 2004). His first novel, Gods and Ends (Vintage Books: 2021), was shortlisted for the 2021 JCB Prize for Literature, and Tata Literature Live! First Book Award (Fiction).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Memoirs of Valmiki Rao. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Ming China in 1642 had suffered a series of disasters. Floods, and then drought had destroyed successive rice crops, sending the price of grain to astronomical levels. As one schoolteacher wrote:“There was no rice in the market to buy. Even if a dealer had grain, people passed by without asking the price. The rich were reduced to scrounging for beans or wheat, the poor for chaff or rotting garbage. Being able to buy a few pecks of chaff or bark was ecstasy.”The Ming Dynasty collapsed two years later.Timothy Brook, in his latest book The Price of Collapse: The Little Ice Age and the Fall of Ming China (Princeton University Press: 2023), points to environmental disaster as the spark that helped cause the Ming Dynasty’s fall, relying on a history of surging prices to show how the over-275 year dynasty eventually fell to the Qing.In this interview, Timothy and I talk about inflation in Ming China, how it connects to climate change, and how short-term environmental shocks can cause a market to break down.Timothy Brook is professor emeritus of history at the University of British Columbia and a fellow of the British Academy. His many books include Great State: China and the World (Harper: 2020), Mr. Selden's Map of China: Decoding the Secrets of a Vanished Cartographer (Bloomsbury Press: 2013), and Vermeer's Hat: The Seventeenth Century and the Dawn of the Global World (Bloomsbury Publishing: 2009).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Price of Collapse. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

On an August night in 1933 Harbin in then-Japanese controlled Manchuria–Semyon Kaspe, French citizen, famed concert musician, and Russian Jew, is abducted after a night out. Suspicion falls on the city’s fervently anti-semitic Russian fascists. Yet despite pressure from the French consulate, the Japanese police slow-walk the investigation—and three months later, Semyon is found dead.The abduction, murder and trial catch the world’s attention right as Japan is trying to win international support for the puppet state of Manchukuo—and it’s the subject of Scott Seligman’s latest book, Murder in Manchuria: The True Story of a Jewish Virtuoso, Russian Fascists, a French Diplomat, and a Japanese Spy in Occupied China (U Nebraska Press, 2023)In this interview, Scott and I talk about Harbin, the major players in Semyon’s abduction and murder, and how the investigation and trial became an international sensation.Scott D. Seligman is a writer and historian. He is the national award-winning author of numerous books, including The Great Kosher Meat War of 1902: Immigrant Housewives and the Riots That Shook New York City (Potomac: 2020), The Third Degree: The Triple Murder that Shook Washington and Changed American Criminal Justice (Potomac: 2018), and The First Chinese American: The Remarkable Life of Wong Chin Foo (Hong Kong University Press: 2013)You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Murder in Manchuria. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In August, Representative Alexandria Ocasio-Cortez took to Twitter to complain about how U.S. regulations are holding local sunscreens back compared to the rest of the world. And while she didn’t name any specific country, the video featured headlines that did name one nation: South Korea. On social media, Korean cosmetics are now viewed as the world’s best.But where did this success come from—and, perhaps, what does it say about South Korea? Elise Hu, during her time in South Korea, tried to find out, researching and reporting on not just the cosmetics industry, but gender politics, the culture of lookism, K-Pop, and cosmetic surgery, all covered in her latest book Flawless: Lessons in Looks and Culture from the K-Beauty Capital (Dutton, 2023)In this interview, Elise and I talk about South Korea, its world-leading cosmetics industry, and what that says about gender and lookism in this buzzing East Asian economy.Elise Hu is a correspondent and host at-large for NPR, the American news network; and since April 2020, the inaugural host of TED Talks Daily, the daily podcast from TED that’s downloaded a million times a day in all countries of the world. For nearly four years, she was the NPR bureau chief responsible for coverage of North Korea, South Korea, and Japan.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Flawless. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Like countless other migrants from China, Hugo Wong’s great-grandfathers–Wong Foon Chuck and Leung Hing–travel across the Pacific to make a life for themselves in San Francisco. Unlike many of their peers, they don’t stay, instead traveling south, to Mexico–in part to escape growing anti-Chinese prejudice in the United States.They thrive, at least initially, in Mexico, as Hugo explains in his book America's Lost Chinese: The Rise and Fall of a Migrant Family Dream (Hurst, 2023). They assimilate and become upstanding members of the Mexican business community–only for things to fall apart during the Mexican Revolution.In this interview, Hugo and I talk about his great-grandfathers, why they decided to make a life in Mexico, and the lost history of Chinese migration to this Latin American country.Hugo Wong grew up between Paris and Mexico City. From the early 1990s, he has lived almost fifteen years in Greater China, including in Beijing, where he has helped found various Sino–foreign joint ventures, such as China’s first investment bank. He has built his career in emerging markets investing at major financial institutions in Hong Kong, London and New York.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of America’s Lost Chinese. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1929, Bernardine Szold Fritz left Paris on a train bound for China. She was on her way to her fourth wedding, and her fourth husband: An American investment banker named Chester Fritz, who’d proposed after a whirlwind meeting earlier in Shanghai. Bernardine is then forced to find herself things to do in interwar China–and her husband isn’t helping much.That’s how Susan Blumberg-Kason’s newest book, Bernardine’s Shanghai Salon: The Story of the Doyenne of Old China (‎Post Hill Press: 2023), starts. The book charts Bernardine’s life as she sets up a theater, and makes friends with such illustrious figures like Lin Yutang, Victor Sasoon and Anna May Wong.In this interview, Susan and I talk about Bernardine, her life, and why interwar Shanghai remains such a compelling setting for fiction and nonfiction writers.Susan Blumberg-Kason is also the author of a memoir, Good Chinese Wife: A Love Affair with China Gone Wrong. She is also the co-editor of Hong Kong Noir . Susan is a regular contributor to the Asian Review of Books, Cha: An Asian Literary Review and World Literature Today. Her work has also appeared in the Los Angeles Review of Books, PopMatters, and the South China Morning Post.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernardine’s Shanghai Salon. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Post-independence India had a big problem–about 40% of its land wasn’t, well, India. Instead, this land was in the hands of the princely states: Rulers who had signed agreements accepting the rule of the British Empire, while getting a relatively free hand to rule their local jurisdictions.And these weren’t small states. Hyderabad–whose ruler made noises about independence, at least initially–had a larger income than Belgium, and was bigger than all but twenty UN member countries.But the power of the princes was so eroded over time that, by 1971, then-Prime Minister Indira Gandhi could remove one of the last remaining public privileges of the prince. How did India (and its neighbor Pakistan) win the battle against the princes? John Zubrzycki in his book Dethroned: The Downfall of India’s Princely States (Hurst, 2024) explains how New Delhi persuaded, encouraged–and browbeat–the princes to accept a future with India.In this interview, John and I talk about the major players in these negotiations, like Viceroy Montbatten and Sardar Patel, how they “encouraged” the princely states to join India, and whether any of these princes could really go it alone.John Zubrzycki has worked in India as a foreign correspondent and diplomat. His other books are The House of Jaipur: The Inside Story of India s Most Glamorous Royal Family (Juggernaut: 2020); and Empire of Enchantment: The Story of Indian Magic (Oxford University Press: 2018), chosen by William Dalrymple as a Book of the Year. He is also the author of The Shortest History of India.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Dethroned. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Earlier this month, Toho Studios released “Godzilla Minus One”—the 37th film in the now almost seven-decade-old franchise. Godzilla has gone through many phases over the past 70 years: symbol of Japan’s nuclear fears, cuddly defender of humanity, Japanese cultural icon and, now, the centerpiece of another Hollywood cinematic universe.But it was 1954’s Godzilla that launched the whole thing, with a story written by Japanese author Shigeru Kayama. He also wrote a novelization for the movie and its sequel Godzilla Raids Again (University of Minnesota Press: 2023), both translated by Jeffrey Angles.In this interview, Jeffrey and I talk about these novels, how they differ from the movies, and how they start Godzilla’s journey to becoming a cultural icon.Jeffrey Angles is a professor and advisor of Japanese in the Department of World Languages and Literatures at Western Michigan University. He is also a prominent translator of modern Japanese literature, with several volumes of Japanese literature in translation to his name. His book of poetry won the Yomiuri Prize for Literature, making Jeffrey the first American ever to win this prestigious prize for a book of poetry.Jeffrey can be followed on Twitter at @jeffreyangles.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Godzilla and Godzilla Raids Again. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The northeast Indian state of Assam has had a complex history. As independence loomed, Assam was a large British province, bordering the fellow British colony of Burma and covering a large segment of India’s northeast. Today’s Assam is much smaller: First partition cut Assam off from the rest of India, with just a tiny “chicken neck” of land connecting the state with India proper. Then decades of tension between the Assamese and minority groups led to new states being created from within its borders: Nagaland, Meghalaya and Mizoram, to name a few.Arupjyoti Saikia takes on the task of explaining six decades of Assam history in his latest book, The Quest for Modern Assam: A History, 1942-2000 (India Allen Lane, 2023)In this interview, Arupjyoti and I talk about Assam’s history from the Second World War and the decades since independence, including some of the wild schemes the British tried to apply to the Indian northeast, and why it’s important to understand Indian history through its federal states.Arupjyoti Saikia is a professor of history at the Indian Institute of Technology Guwahati. He held the Agrarian Studies Programme Fellowship at Yale University and visiting fellow positions at Cambridge University and the School of Oriental and African Studies (SOAS), University of London. He is also the author of Forests and Ecological History of Assam, 1826-2000 (Oxford University Press: 2011), A Century of Protests: Peasant Politics in Assam since 1900 (Routledge: 2014), and The Unquiet River: A Biography of the Brahmaputra (Oxford University Press: 2019).You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Quest for Modern Assam. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Silk—a luxury fabric, a valuable trade good, and a scientific marvel. This material, created by the bombyx mori silkworm, has captivated artisans for centuries—and it captivated science presenter and writer Aarathi Prasad, who was studying the scientific potential of silk for new treatments.That started Aarathi on a journey to explore the world of silk—not just the traditional silk we use today, but all its different varieties: wild silks, made from less famous moths; sea silks, made from mollusks; and spider silk, strong, yet significantly more difficult to harvest. This all comes together in her latest book, Silk: A History in Three Metamorphoses (William Collins, 2023)In this interview, Aarathi and I explore this world of silk, in all its forms, and why silk may be the hottest new material in biotechnology today.Aarathi Prasad is a writer, broadcaster, and researcher interested in the intersection of science and technology with cultures, history, health, and the environment. She is also the author of In The Bonesetter’s Waiting Room: Travels Through Indian Medicine (Profile Books Limited: 2016) which was about health and disease in modern India, and Like A Virgin: How Science is Redesigning the Rules of Sex (Simon and Schuster: 2012), which explored the history and future of reproduction. Aarathi has a PhD in genetics from Imperial College London and is an Honorary Research Fellow at University College London’s Department of Genetics, Evolution and Environment.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review