

Entitled Opinions (about Life and Literature)
Robert Harrison
The narcotic of intelligent conversation
Episodes
Mentioned books

Feb 8, 2011 • 0sec
Nicholas Halmi on the Romantic symbol
Nicholas Halmi is University Lecturer in Romantic Literature at Oxford University and a Fellow of University College, Oxford. He is a Visiting Professor in English at Stanford during Winter quarter 2011. His research interests include the Enlightenment and Romantic literature, philosophy, and visual culture; the reception of classical antiquity; the history of literary theory and […]

Feb 1, 2011 • 0sec
Héctor Hoyos on Roberto Bolaño
Héctor Hoyos holds a Ph.D. and an M.A. from Cornell University. He was born in Bogotá, where he studied philosophy and literature at the Universidad de los Andes. He is preparing two book-manuscripts, entitled Beyond Bolaño: The Global Latin American Novel and El deber de la travesura: César Aira y la crítica cultural. His interests […]

Jan 25, 2011 • 0sec
Mace Perlman on the Commedia dell'Arte
Mace Perlman is an actor, teacher, director, and translator whose theatrical training began with two years under Marcel Marceau at his International School of Mimodrama in Paris. Following studies at Stanford University (BA in Humanities Special Programs: Baroque Studies, MA in Humanities), Mace trained and worked for six years at the Piccolo Teatro in Milan […]

Jan 18, 2011 • 0sec
Caroline Winterer on Classicism in America
Caroline Winterer is an intellectual and cultural historian of early America in its transatlantic contexts. Her focus is the history of scholarship, books, reading, libraries, and education, as well as the history of art and material culture. She is also interested in the many ways in which early Americans have made sense of the past, […]

Jan 11, 2011 • 0sec
Andrea Nightingale on Moby Dick
Andrea Nightingale has worked primarily on Greek and Roman philosophy and literature. She is currently researching and writing on the philosophy and literature of ecology (in the modern and postmodern periods). She has been awarded a fellowship at the Stanford Humanities Center, an ACLS Fellowship, and a Guggenheim Fellowship. She is presently serving as a […]

Jun 23, 2010 • 0sec
The Ethos of “Cool”: Robert Harrison on Jim Morrison and The Doors
The Ethos of “Cool”: Robert Harrison on Jim Morrison and The Doors “Hot is momentary. It quickly turns to ashes. But cool stays cool.” Fifty years ago, the award-winning album The Doors was released into the world – a landmark debut for what would become L.A.’s biggest band. The Doors and its lead singer Jim Morrison have […]

May 25, 2010 • 0sec
Laura Wittman on Georges Bataille
Laura Wittman primarily works on 19th- and 20th-century Italian and French literature in a comparative perspective, and in particular is interested in connections between modernity, a new spirituality, the twentieth century religion of politics, and the literary expressions thereof. She is also interested in exploring the role of the ineffable, the mystical, and the body in […]

May 18, 2010 • 0sec
Thomas Sheehan on Heidegger’s Being and Time
Thomas Sheehan is Professor of Religious Studies at Stanford and specializes in contemporary European philosophy and its relation to religious questions, with particular interests in Heidegger and Roman Catholicism. Before coming to Stanford he taught at Loyola University of Chicago since 1972. He received his B.A. from St. Patrick's College and his Ph.D. from Fordham […]

May 11, 2010 • 0sec
Thomas Harrison on Pink Floyd
Thomas Harrison is Professor of Italian at UCLA, where he has been since 1994. He received his B.A. from Sarah Lawrence College and his M.Phil. and Ph.D in Comparative Literature from CUNY. Before joining the faculty of UCLA in 1994 he taught in Italian and comparative literature programs at the University of Pennsylvania, New York […]

May 4, 2010 • 0sec
Rush Rehm on Glass Wave, Robert Harrison's cerebral rock band
Rush Rehm, Professor of Drama and Classics at Stanford, engages members of the cerebral rock band Glass Wave in a conversation about the transubstantiation of literature into music. The group discusses their new self-titled album “Glass Wave,” which recasts great works of literature from the Western canon into the genre of cerebral rock. The conversation […]


