Critical Media Studies

In this episode we discuss Alberto Romero’s Substack article on AI video.  While Romero argues that perhaps we should seek legal remedies to the problems of deepfake video, Barry and Mike consider an alternative.  They discuss the issues that deepfake video brings to the fore and wonder whether the problems caused by deepfake technologies can be resolved by law or if these technologies should be engaged pharmacologically.

In this episode Barry and Mike discuss “The Most Important Skill in the 21st Century,” Alberto Romero’s polemical defense of boredom in the media entertainment age. They discuss whether it’s possible to be bored today in the way that Romero seems to require.

Dive into a thought-provoking discussion on the implications of digital technology as a 'pharmakon.' Explore critiques of social media, particularly Facebook, and its impact on authentic relationships. Unpack the dangers of passive consumption shaped by hidden algorithms. Discover the importance of learning to engage with technology thoughtfully. Reflect on the internet's dual potential and the toxicity of digital spaces today. The conversation wraps on hopeful practices like walking and daydreaming to reclaim our attention.

This week on Critical Media Studies, Barry and Michael discuss Bernard Stiegler's "Elements of Pharmacology," a transcription of an interview with the French philosopher from June 2020, just two months prior to Stiegler's passing.  This episode focuses on Stiegler's exposition of his key term "the pharmakon" and the defining role it plays in his media theory.  

In this episode Barry and Mike discuss “The Eye of God”, chapter 2 of Juan Fontcuberta’s book, Pandora’s Camera. They reflect upon the impacts that the shift from analogue to digital photography and consider whether the digital image “kills us just as much as it gives us life

In this episode Barry and Mike discuss Juan Fontcuberta’s “Pandora’s Camera” (2014).  They discuss his take on Barthes and Kracauer’s theories about the relations between photography, philosophy, modernity, and existence.

In the “Ontology of the Photographic Image,” Andre Bazin makes the provocative claim that the invention of photography is "clearly the most important event in the history of the plastic arts." At the same time, Bazin questions our naïve faith that the photographic image is just as real as the object that it depicts. He goes on to provide an alternative history of painting and photography, highlighting the ways we value mechanical agency over human creativity. In this episode, Barry and Mike discuss Bazin's essay and also consider how the digitization of images has further altered "the history of the plastic arts." We hope you enjoy it!

This is the second of two discussions of Martin Heideger’s essay “The Thing.”  Please see episode #100 for the first installment, which set the table (jug joke) for this discussion.  In this episode Barry and Mike focus on Heidegger’s notion of “nearness” and the “thingliness” of the jug/thing. 

In this episode Barry and Mike begin their two-part discussion of Martin Heidegger’s 1949 lecture, “The Thing.” They focus on his concept of distancenessless as a unique problem of modernity and discuss how what he calls nearness might serve as an antidote.  

In this episode Barry and Mike discuss the idea of “frictionless” relationships in the age of artificial intimacy.  ErikaHayasaki –  “What Would a Real Friendship With A.I. Look Like? Maybe Like Hers?The New York Times Magazine 7/20/2025TED Radio Hour -- How our relationships are changing in the age of “artificial intimacy"Friday, August2, 2024