New Books in Intellectual History

Within political discussions on the Right, social conservatism is on the rise. Why did the Right have a libertarian phase, and why is it leaving it behind? What does social conservatism look like in the world of practical public policy, and what is its future? How do religious citizens fit within the conservative movement?Ryan Anderson '04, is the director of the Ethics and Public Policy Center, a thinktank at the forefront of just such questions. After graduating from Princeton, Dr. Anderson pursued his PhD in Political Philosophy at the University of Notre Dame. He is the co-author of five books, most recently Tearing Us Apart: How Abortion Harms Everything and Solves Nothing (Regnery, 2022). His research has been cited by two U.S. Supreme Court justices, Samuel Alito and Clarence Thomas, in two Supreme Court cases. In addition to leading the Ethics and Public Policy Center, Anderson serves as the John Paul II Teaching Fellow in Social Thought at the University of Dallas, and the Founding Editor of Public Discourse, the online journal of the Witherspoon Institute.During the interview, Dr. Anderson references a scatterplot showing that there were more social conservatives than libertarian voters in the 2016 election, which you can find here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Steven Swarbrick talks about poetic engagement with nature in the work of early modern poets ​​Edmund Spenser, Walter Ralegh, Andrew Marvell, and John Milton. Here language is influenced not by the manifest and the conscious, but the unconscious or void, as understood in Freudian and Lacanian psychoanalytic theory. This work is the basis for his hope for a reorganization of thought in contemporary ecocriticism around a politics of degrowth instead of additive policies that serve to greenwash capitalist economies.Steven Swarbrick is an assistant professor of English at Baruch College, City University of New York. His research interests include early modern literature, contemporary continental philosophy, psychoanalysis, the environmental humanities, and sexuality and film studies. He is the author of The Environmental Unconscious: Ecological Poetics from Spenser to Milton (University of Minnesota Press, 2023) and co-author, with Jean-Thomas Tremblay, of Negative Life: The Cinema of Extinction (Northwestern University Press, under contract). He is currently working on two books: Unknowing Sex: Shakespeare against the Historicists and Destituent Ecology: Libidinal Politics for the Environmental Left.Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Between the 1770s and 1860s, people across the globe relied on physiognomy and phrenology to evaluate human worth. Physiognomy refers to using facial features as an indication of an individual's character, while phrenology is a term for the study of the shape and size of the cranium as a measure of intelligence. Today, many dismiss these ideas as pseudoscience but Dr. Rachel E. Walker argues these scientific approaches significantly shaped American society as “pervasive social practices and intellectual philosophies that people used to better understand their own brains, bodies, and behaviors.” Beauty and the Brain: The Science of Human Nature in Early America (U Chicago Press, 2022) explores how these areas of study were once embraced by people of different backgrounds and political leanings. On the one hand, they were deployed to preserve social and political hierarchies – science functioned as a tool of oppression. But physiognomy and phrenology were also creatively deployed by activists (e.g., Frederick Douglas, Lucretia Mott, William Lloyd Garrison, Susan B. Anthony, Elizabeth Cady Stanton, and Margaret Fuller) to fight for racial justice and gender equality. In her in depth study of a largely ignored part of American history, Dr. Walker demonstrates how physiognomy and phrenology have shaped both science and our political landscape.Dr. Rachel E. Walker is an Assistant Professor of History at the University of Hartford. She teaches courses on race, gender, science, and sexuality. Beauty and the Brain is her first book and was a finalist for the Organization of American Historians’ Frederick Jackson Turner Prize.John Sebastiani served as the editorial assistant for this podcast.Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

During the late nineteenth century concerns about international commercial rivalry were often expressed in terms of national provision for training and education, and the role of universities in such provision. It was in this context that the modern university discipline of economics emerged. The first undergraduate economics program was inaugurated in Cambridge in 1903; but this was merely a starting point. Constructing Economic Science: The Invention of a Discipline 1850-1950 (Oxford UP, 2022) charts the path through commercial education to the discipline of economics and the creation of an economics curriculum that could then be replicated around the world. Rather than describing this transition epistemologically, as a process of theoretical creation, Keith Tribe shows how the new "science" of economics was primarily an institutional creation of the modern university. He demonstrates how finance, student numbers, curricula, teaching, new media, the demands of employment, and more broadly, the international perception that industrializing economies required a technically-skilled workforce, all played their part in shaping economics as we know it today. This study explains the conditions originally shaping the science of economics, providing in turn a foundation for an understanding of the way in which this new language transformed public policy.Keith Tribe is an economic historian and independent scholar with a long-standing interest in language and translation. He is currently a Senior Research Fellow in History at the University of Tartu and teaches history of economics at the University of Birmingham. He is the author of The Economy of the Word (OUP, 2015).Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

When people today hear "paleontology," they immediately think of dinosaurs. But for much of the history of the discipline, dramatic demonstrations of the history of life focused on the developmental history of mammals. The Age of Mammals: Nature, Development, and Paleontology in the Long Nineteenth Century (U Pittsburgh Press, 2023) examines how nineteenth-century scholars, writers, artists, and public audiences understood the animals they regarded as being at the summit of life. For them, mammals were crucial for understanding the formation (and possibly the future) of the natural world. Yet, as Chris Manias reveals, this combined with more troubling notions: that seemingly promising creatures had been swept aside in the "struggle for life," or that modern biodiversity was impoverished compared to previous eras. Why some prehistoric creatures, such as the saber-toothed cat and ground sloth, had become extinct, while others seemed to have been the ancestors of familiar animals like elephants and horses, was a question loaded with cultural assumptions, ambiguity, and trepidation. How humans related to deep developmental processes, and whether "the Age of Man" was qualitatively different from the Age of Mammals, led to reflections on humanity's place within the natural world. With this book, Manias considers the cultural resonance of mammal paleontology from an international perspective--how reconstructions of the deep past of fossil mammals across the world conditioned new understandings of nature and the current environment. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies.Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes.In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today.Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How does the soul relate to the body? Through the ages, innumerable religious and intellectual movements have proposed answers to this question. Many have gravitated to the notion of the "subtle body," positing some sort of subtle entity that is neither soul nor body, but some mixture of the two. Simon Cox traces the history of this idea from the late Roman Empire to the present day, touching on how philosophers, wizards, scholars, occultists, psychologists, and mystics have engaged with the idea over the past two thousand years.The Subtle Body: A Genealogy (Oxford UP, 2021) is an intellectual history of the subtle body concept from its origins in late antiquity through the Renaissance into the Euro-American counterculture of the 1960's and 70's. It begins with a prehistory of the idea, rooted as it is in third-century Neoplatonism. It then proceeds to the signifier "subtle body" in its earliest English uses amongst the Cambridge Platonists. After that, it looks forward to those Orientalist fathers of Indology, who, in their earliest translations of Sanskrit philosophy relied heavily on the Cambridge Platonist lexicon, and thereby brought Indian philosophy into what had hitherto been a distinctly platonic discourse. At this point, the story takes a little reflexive stroll into the source of the author's own interest in this strange concept, looking at Helena Blavatsky and the Theosophical import, expression, and popularization of the concept. Cox then zeroes in on Aleister Crowley, focusing on the subtle body in fin de siècle occultism. Finally, he turns to Carl Jung, his colleague Frederic Spiegelberg, and the popularization of the idea of the subtle body in the Euro-American counterculture. This book is for anyone interested in yogic, somatic, or energetic practices, and will be very useful to scholars and area specialists who rely on this term in dealing with Hindu, Daoist, and Buddhist texts.How does the soul relate to the body? This book is for anyone interested in yogic, somatic, or energetic practices, and will be very useful to scholars and area specialists who rely on this term in dealing with Hindu, Daoist, and Buddhist texts.Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques (Princeton UP, 2023), Grace Lavery investigates gender transition as it has been experienced and represented in the modern period. Considering examples that range from the novels of George Eliot to the psychoanalytic practice of Sigmund Freud to marriage manuals by Marie Stopes, Lavery explores the skepticism found in such works about whether it is truly possible to change one's sex. This ambivalence, she argues, has contributed to both anti-trans oppression and the civil rights claims with which trans people have confronted it. Lavery examines what she terms "trans pragmatism"--the ways that trans people resist medicalization and pathologization to achieve pleasure and freedom. Trans pragmatism, she writes, affirms that transition works, that it is possible, and that it happens.With Eliot and Freud as the guiding geniuses of the book, Lavery covers a vast range of modern culture--poetry, prose, criticism, philosophy, fiction, cinema, pop music, pornography, and memes. Since transition takes people out of one genre and deposits them in another, she suggests, it should be no surprise that a cultural history of gender transition will also provide, by accident, a history of genre transition. Considering the concept of technique and its associations with feminine craftiness, as opposed to masculine freedom, Lavery argues that techniques of giving and receiving pleasure are essential to the possibility of trans feminist thriving--even as they are suppressed by patriarchal and antitrans feminist philosophies. Contesting claims for the impossibility of transition, she offers a counterhistory of tricks and techniques, passed on by women to women, that comprises a body of knowledge written in the margins of history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How would we eat if animals had rights? A standard assumption is that our food systems would be plant-based. But maybe we should reject this assumption. Indeed, this book argues that a future non-vegan food system would be permissible on an animal rights view. It might even be desirable.In Food, Justice, and Animals: Feeding the World Respectfully (Oxford University Press, 2023), Josh Milburn questions if the vegan food system risks cutting off many people's pursuit of the 'good life', risks exacerbating food injustices, and risks negative outcomes for animals. If so, then maybe non-vegan food systems would be preferable to vegan food systems, if they could respect animal rights.Could they? The author provides a rigorous analysis of the ethics of farming invertebrates, producing plant-based meats, developing cultivated animal products, and co-working with animals on genuinely humane farms, arguing that these possibilities offer the chance for a food system that is non-vegan, but nonetheless respects animals' rights. He argues that there is a way for us to have our cake, and eat it too, because we can have our cow, and eat her too.Josh Milburn is a British philosopher and a Lecturer in Political Philosophy at Loughborough University. He has previously worked at the University of Sheffield, the University of York, and Queen's University (in Canada), before which he studied at Queen's University Belfast and Lancaster University. He is the author of Just Fodder: The Ethics of Feeding Animals (McGill-Queen's University Press, 2022), and the regular host of the animal studies podcast Knowing Animals.Kyle Johannsen is a philosophy instructor at Trent University and Wilfrid Laurier University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The third Earl of Shaftesbury (1671-1713) was a troubled soul – negative, misanthropic, and deeply troubled by his negativity and misanthropy. In A Philosophy of Beauty: Shaftesbury on Nature, Virtue, and Art (Princeton University Press, 2022), Michael Gill shows how Shaftesbury’s efforts to work on himself resulted in his becoming one of the first philosophers writing in English to develop an aesthetic theory. Shaftesbury conceived of beauty as order or harmony exemplified by wild nature just as it is created by God, in sharp contrast to the prevailing seventeenth-century European view that nature was sinful and needed to be altered for human purposes before it could be aesthetically valuable. Gill, who is professor of philosophy at the University of Edinburgh, explains how Shaftesbury argued for seeing our lives as works of art, and how he responded to critics who claimed that admiring beauty was something only rich lords like himself could afford to do. Instead, Shaftesbury claimed, even the “lowly mechanic” is inherently invested in good craftsmanship and in making himself a good person.Carrie Figdor is professor of philosophy at the University of Iowa. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history