New Books in Intellectual History

When the USSR collapsed in 1991, the world was certain that Communism was dead. Today, three decades later, it is clear that it was not. While Russia may no longer be Communist, Communism and sympathy for Communist ideas have proliferated across the globe.In To Overthrow the World: The Rise and Fall and Rise of Communism (Basic Books, 2024), Sean McMeekin investigates the evolution of Communism from a seductive ideal of a classless society into the ruling doctrine of tyrannical regimes. Tracing Communism's ascent from theory to practice, McMeekin ranges from Karl Marx's writings to the rise and fall of the USSR under Stalin to Mao's rise to power in China to the acceleration of Communist or Communist-inspired policies around the world in the twenty-first century. McMeekin argues, however, that despite the endurance of Communism, it remains deeply unpopular as a political form. Where it has arisen, it has always arisen by force.Blending historical narrative with cutting-edge scholarship, To Overthrow the World revolutionizes our understanding of the evolution of Communism--an idea that seemingly cannot die. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Enthusiast: Anatomy of the Fanatic in Seventeenth-Century British Culture (Cornell UP, 2023) tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism, here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations.Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain-Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others-the Enthusiast appeared in various guises and literary modes.By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new.William Cook Miller is Assistant Professor of English at the University of Rochester. His work has appeared in the journals New Literary History and Studies in Philology.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Like Children: Black Prodigy and the Measure of the Human in America (NYU Press, 2024) argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked to Julia Caterina Hartley about Iran and French Orientalism: Persia in the Literary Culture of Nineteenth-Century France (Bloomsbury. 2023).New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France's perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Iran's history and culture remained a constant source of inspiration across different generations and artistic movements, from the 'Oriental' poems of Victor Hugo to those of Anna de Noailles and Théophile Gautier's strategic citation of Persian poetry to his daughter Judith Gautier's full-blown rewriting of a Persian epic. Writing about Iran could also serve to articulate new visions of world history and religion, as was the case in the intellectual debates that took place between Michelet, Renan, and Al-Afghani. Alternatively joyous, as in Félicien David's opera Lalla Roukh, and ominous, as in Massenet's Le Mage, Iran elicited a multiplicity of treatments. This is most obvious in the travelogues of Flandin, Gobineau, Loti, Jane Dieulafoy, and Marthe Bibesco, which describe the same cities and cultural practices in altogether different ways. Under these writers' pens, Iran emerges as both an Oriental other and an alter ego, its culture elevated above that of all other Muslim nations. At times this led French writers to critique notions of European superiority. But at others, they appropriated Iran as proto-European through racialist narratives that reinforced Orientalist stereotypes. Drawing on theories of Orientalism and cultural difference, this book navigates both sides of this fascinating and complex literary history. It is the first major study on the subject.Julia Hartley is a Lecturer in Comparative Literature at the University of Glasgow. She was previously Laming Fellow at the Queen’s College Oxford and Edward W. Said Visiting Fellow at Columbia University. She is the author of Reading Dante and Proust by Analogy (2019) and peer-reviewed articles in Iranian Studies and Nineteenth-Century French Studies.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought. In Translating the Jewish Freud: Psychoanalysis in Hebrew and Yiddish (Stanford University Press, 2024), Naomi Seidman takes a different approach, turning her gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna.Interviewee: Naomi Seidman is the Chancellor Jackman Professor of the Arts at the University of Toronto, a National Jewish Book Award winner, and a 2016 Guggenheim Fellow.Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

For most of recorded history, neighboring countries, tribes, and peoples everywhere in the world regarded each other with apprehension—when not outright fear and loathing. Tribal or racial attitudes were virtually universal, no one group being much better or worse in this respect than any other—and for good reason given the conditions of life before the modern era. But in the last 500 years, relations between different peoples have undergone a slow but profound change.In our episode, explore Dr. Ellis’ upcoming publication, A Short History of Relations Between People: How the World Began to Move Beyond Tribalism. Join us as we explore how a confluence of discoveries, inventions, explorations, as well as social and political changes gave birth to a new attitude, one expressed succinctly in the Latin phrase: gens una sumus—we are all one people. This sentiment has by now become a modern orthodoxy. Ellis tells the story of how the transition happened, setting out the crucial stages in its progress as well as the key events that moved it forward, and identifying the individuals and groups that brought about the eventual dominance of this new outlook.John M. Ellis is Distinguished Professor Emeritus of German Literature at the University of California, Santa Cruz. He taught at universities in England, Wales, and Canada before joining UCSC in 1966, serving as dean of the Graduate Division in 1977–86.A Short History of Relations Between People: How the World Began to Move Beyond Tribalism  is available on October 15th, 2024 and available wherever books are sold.Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and InstitutionsContributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

A question has long hung over the the United States regarding the proper role of religion in public life. Those who long for a Christian America claim that the Founders intended a nation with political values and institutions shaped by Christianity. Secularists argue that those same Founders designed an enlightened republic where church and state should be kept separate. American Heretics: Religious Adversaries of Liberal Order (Yale UP, 2024), Jerome E. Copulsky examines the Americans who rejected the secularism of American society, predicted the collapse of the nation, and hoped to develop a new and decidedly Christian commonwealth. By reviewing extreme religious dissent from colonial times through the current age, Copulsky shows how these thinkers opposed the American orthodoxy of pluralist democracy on theological grounds. Their views are diametrically opposed to the idea of America as a place where multiple sects and creeds peacefully coexist. Each chapter explains a different strain of heresy, beginning with loyal Anglicans who opposed the American Revolution and ending with current National Conservatives who embrace illiberal populism in an effort to enact their vision of a Christian America.Author recommended reading: The Violent Take It By Force: The Christian Movement That Is Threatening Our Democracy by Matthew D. TaylorHosted by Meghan Cochran Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

How a journey through Italy casts light on secrets, stereotypes, and the manipulation of information in eighteenth-century science.In 1749, the celebrated French physicist Jean-Antoine Nollet set out on a journey through Italy to solve an international controversy over the medical uses of electricity. At the end of his nine-month tour, he published a highly influential account of his philosophical battle with his Italian counterparts, discrediting them as misguided devotees of the marvelous. Paola Bertucci's In the Land of Marvels: Science, Fabricated Realities, and Industrial Espionage in the Age of the Grand Tour (Johns Hopkins UP, 2023) brilliantly reveals the mysteries of Nollet's journey, uncovering a subterranean world of secretive and ambitious intelligence gathering masked as scientific inquiry.The advent of electricity was a pivotal phenomenon not only in the history of physical experimentation, but also in the cultivation of popular scientific interest. Nollet's journey was supposedly inspired by the need to investigate, and subsequently report on, claims of the use of electrified "medicated tubes" by their Italian inventor Gianfrancesco Pivati. Motivated by economic interests in the silk industry, Nollet's journey was in fact an undercover mission commissioned by the French state to discover the secrets of Italian silk manufacture and possibly supplant its international success. The event that sparked the medical controversy—the unusual cure of a bishop—was a complete fabrication.Bertucci insightfully contrasts published accounts of the event with private documents and discusses how eighteenth-century scientists published fictional events and results to bolster their careers, ultimately leading to long-lasting misrepresentations of scientific practice and enduring stereotypes. In the Land of Marvels reveals the constellation of historical actors, from reputed physicists to travel writers and electrical amateurs, who manipulated information to gain authority and prestige.Paola Bertucci (NEW HAVEN, CT) is a professor in the department of history at Yale University. She is the author of the award-winning Artisanal Enlightenment: Science and the Mechanical Arts in Old Regime France.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We commonly think of democracy as a social order governed by the people’s collective will. Given the size of the modern states, this picture is typically adjusted to say that democracy is a system of representative government, where elected officials are tasked with governing in ways that reflect the collective will of their constituents.Although it is familiar, this way of depicting democracy invites difficulties. The concept of a collective will is notoriously difficult to nail down. And, moreover, the idea that modern elections reveal or express such a will remains dubious. Accordingly, a good deal of democratic theory aims to fill in the missing details regarding the collective will and its representation.In The Dispersion of Power: A Critical Realist Theory of Democracy (Oxford University Press 2024), Samuel Bagg takes a different tack by proposing a vision of democracy where the central aim is to protect public power from capture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Vanya Vaidehi Bhargav’s book Being Hindu, Being Indian: Lala Lajpat Rai’s Ideas of Nationhood (Penguin Random House India, 2024) undertakes a systematic intellectual study of Lala Lajpat Rai’s nationalist thought through four decades of his active political life, lived between 1888 and 1928. It contests the dominant scholarly interpretation of Lajpat Rai’s nationalist thought as the nascent stage of Savarkarite Hindutva, and highlights the internally differentiated nature of ‘Hindu Nationalism’. Showing that, by 1915, Lajpat Rai moved towards ‘Indian’ nationalist narratives, it challenges the assumption that all ideas of Hindu nationhood necessarily culminate in Hindutva. An examination of Lajpat Rai’s final nationalist narrative as a Hindu Mahasabha leader in the 1920s confirms the revisionist historiographical rejection of the oppositional binary that was long drawn between Hindu communal politics, on one hand, and secular Indian nationalism and secularism, on the other. Lajpat Rai organized a Hindu politics in service of a secular Indian nation-state. Nevertheless, the book pushes back against revisionist assumptions that Hindu communal politics and secularism can be championed together comfortably, and that the articulation of a Hindu politics alongside a vision for secularism reduces that secularism to little more than Hindu majoritarianism. Being Hindu, Being Indian argues for the need to take the analytical tension and contrast between ‘Hindu politics’ and ‘secularism’ seriously. Methodologically, the book constitutes an argument to resist reductionism and respect the nuances, complexities, fluidity, and internal tensions in an individual thinker’s thought.Dr. Vanya Vaidehi Bhargav is an intellectual historian of modern South Asia, with interests in nationalism, secularism, and religious and political thought more broadly. After receiving a DPhil in History from the University of Oxford, she was a post-doctoral research fellow at the “Multiple Secularities” Research Group at the University of Leipzig in Germany, and at ICAS: M.P. in New Delhi, India. She is now an incoming Assistant Professor of Social Sciences at the National Law School of India University in Bangalore, India.Anamitra Ghosh is a Doctoral Candidate at the Department of History, South Asia Institute, Universität Heidelberg, Germany. He can be reached at anamitra.ghosh@sai.uni-heidelberg.de Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history