The WhatsOnStage Podcast

In the week director Rupert Goold announced his farewell programme at the influential Almeida Theatre, Sarah and Alex talk about why his choices reflect his bold approach - and outline the excitements in store. And as Patti Lupone stirs controversy, can the old-fashioned, no holds barred interview survive? Hosted on Acast. See acast.com/privacy for more information.

As a new report highlights the crisis in British theatres, Sarah and Alex reveal the depth of the difficulties caused by standstill subsidy and rising costs and in particular the challenges for regional theatre and touring Hosted on Acast. See acast.com/privacy for more information.

 In a mid-week bonus episode, West End star Hadley Fraser discusses his array of new endeavours, including a brand new album, a major solo concert at Cadogan Hall and appearing nightly in the West End in The Deep Blue Sea. He also chats about gardening, parenting and his daughter’s reaction to seeing him as a king in Disney’s Snow White. Hosted on Acast. See acast.com/privacy for more information.

Sarah Crompton and Alex Wood dive headfirst into Stephen Sondheim and David Ives' Here We Are, wading through the history and themes of the show as it makes its European premiere at the National Theatre. After that, they swim through a wellspring of topics including the Young Vic's exciting new season (with four of Sarah's favourite directors involved) and Cynthia Erivo's fang-tastic West End return in Dracula. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex get out their diaries to do some planning for some of the most exciting events in the months ahead from Eugene O’Neill to Shucked and from the reopening of Theatr Clwyd to a late Shakespeare revival in Stratford Hosted on Acast. See acast.com/privacy for more information.

After Tuesday's main episode, Alex dials into New York to hear from three Tony Awards nominees as a bonus feature. Jamie Lloyd, Tom Francis and Jak Malone each reflect on a stellar Broadway season in their respective shows. Hosted on Acast. See acast.com/privacy for more information.

Sarah Crompton and Alex Wood head to the National Theatre to hear the venue's new director Indhu Rubasingham unveil her bumper season of productions, mapping out plans right the way through to 2027. With huge star names like Paul Mescal, Nicola Coughlan, Lesley Manville and Letitia Wright slated for appearances, there's plenty for audiences to get excited about. But more than that – what does Rubasingham's approach and character mean for the future of the NT? Hosted on Acast. See acast.com/privacy for more information.

Alex and Sarah return for their third Q&A episode, this time diving into the murky depths of theatre feuds and backstage friction. They then turn to the calmer and cheerier waters of warm up drama games, Paddington the Musical, set to make a splash in the West End, and the truly incredible role played by swings, covers and more. Hosted on Acast. See acast.com/privacy for more information.

Sarah meets Anoushka Lucas, currently starring in Rhinoceros at the Almeida Theatre, to discuss the impact of theatre on her life. She’s always called versatile but says she takes on new projects because she just wants to learn more. She reveals what it was like to work with Daniel Fish on the award-winning reimagining of Oklahoma!, why Rhinoceros is such a play for our times and how she wrote Elephant, her first play, in lockdown. Plus a bit about being a woman in the music industry and the lessons of the Stamford experiment. Hosted on Acast. See acast.com/privacy for more information.

In a bonus episode, editor-in-chief Alex Wood chinwags his way around the Olivier Awards winners' room discussing the state of London theatre, new writing and emerging talent – featuring chats with the creators of The Curious Case of Benjamin Button, the team behind the record-breaking Fiddler on the Roof and the three Olivier Award-winning creatives in Giant – John Lithgow, Elliot Levey and Mark Rosenblatt. As subsidised venues reduce their programming output, what does the future of British theatre look like? Hosted on Acast. See acast.com/privacy for more information.