The WhatsOnStage Podcast

To mark 50 years since Noel Coward's death, the great Patricia Hodge, currently starring in Private Lives at the Ambassador's Theatre in in London, joins Nancy and Sarah to discuss Coward's writing and his influence - with special reference to Oliver Soden's magnificent new biography Masquerade, and a new documentary Mad About the Boy. She shares her insights into performing Coward and explains why Harold Pinter revered him. Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah are celebrating because WhatsOnStage, where Sarah is theatre critic, is going to move the stars to the bottom of the page, to encourage people to read reviews as well as look at ratings. It's a decision that recognises that you can't sum up a play simply by giving it a mark out of five. Plus: we look at two revivals that definitely can't be summed up in that way - a thoughtful new production of George Bernard Shaw's Pygmalion at the Old Vic and Andrew Scott's revelatory one-man Vanya. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Nancy went to see A Mirror at the Almeida Theatre, London, starring Jonny Lee Miller, Micheal Ward, Tanya Reynolds and Geoffrey Streatfeild. This thought-provoking new play by Sam Holcroft, directed by Jeremy Herrin, got us talking about how to write reviews, about the difficulties of star ratings - and about Nancy's teenage encounter with Jonny Lee Miller. Hosted on Acast. See acast.com/privacy for more information.

The opening of Next to Normal at the Donmar Warehouse - a musical about bi-polar illness - prompts a conversation about the need for honesty on stage and whether there's a difference between US and British musicals. Plus Sarah reveals why she finally got Brecht and Nancy talks about her love of big songs in small spaces. Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah are back after their summer holidays with a lot to talk about, including Sarah's visit to the Edinburgh Festival, the inspirational qualities of the late director Michael Boyd, and Nancy's unexpected trip to Downing Street Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah continue their conversation with the award-winning actress Diana Quick about her career beyond Brideshead Revisited, in which she went from playing alluring women, to women with nervous breakdowns to bonking grannies. She talks about her favourite roles, the importance of children to art, and why the most interesting parts are often monsters. Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah quiz Diana Quick about her career, which began when she was a student and is still going strong. She has paved the way for so many women, but her most famous role remains that of Julia Flyte in Granada's legendary television version of Brideshead Revisited. That's where our conversation begins. It goes on to take in life as an actress in the 1960s, singing a weekly song on TV, starring in Ridley Scott's first film, why Albert Finney had the right attitude to work - and what it was like being called the most beautiful woman in the world. Part Two next week. Hosted on Acast. See acast.com/privacy for more information.

Nancy has been curating an exhibition of art made by actors; Sarah has been watching musicals including Groundhog Day at the Old Vic and 42nd Street on tour. While on Broadway, Tom Stoppard and Patrick Marber, subject of a previous podcast, have taken prizes at the Tony Awards. All are the subject of this week's freewheeling conversation. Hosted on Acast. See acast.com/privacy for more information.

Inspired by Sarah's obsession with Succession and the way in which actors with both screen and stage backgrounds combine to make a perfect whole, Sarah and Nancy talk about screen acting and screen writing and Nancy reveals that the difference between the two is not quite what you think. Hosted on Acast. See acast.com/privacy for more information.

Finn Caldwell is the Olivier-award-winning movement director and director of puppetry behind Life of Pi and Ocean at the End of the Lane and many other hits. He started out as the man manipulating the goose in War Horse. He talks to Nancy and Sarah about the way you design a puppet, how they come to life - and how they are changing what theatre can do. "It needs to be capable of anything," he says. Hosted on Acast. See acast.com/privacy for more information.